It’s weird how this game feels both filthy and kinda wholesome at the same time. Like, you’re just a farmer, right? Doing your chores, minding your crops, and suddenly there’s this pig-girl princess showing up in your barn acting like she owns the place. She’s spoiled as hell but somehow adorable, rolling her eyes while asking you to “show her how humans do it.” The writing doesn’t even pretend to be subtle - one second you’re talking about feeding pigs, next thing you’re milking something that definitely isn’t a cow. The transitions are janky in a funny way, like the devs knew exactly what they were doing and didn’t care if it made sense. Honestly, I respect that kind of chaos.

The humor hits that perfect spot between dumb and clever. There’s a scene where the royal advisor tries to lecture you about “proper conduct with livestock” while you’re literally hiding behind hay bales with the princess moaning your name. It’s stupidly hot and stupidly funny. And the futa twist? Didn’t see that coming (pun totally intended). The first time it happens, you just stare for a second like - wait, did that just grow? But it works because the tone never shifts into serious mode; it stays playful, teasing, constantly flirting with absurdity. There’s even a lactation gag that somehow turns into a group scene, and by then you’ve stopped questioning logic entirely. You just go with it.

I kinda wish the farmer had more dialogue options though; sometimes he just grunts or blushes when you want him to say something dirtier. But maybe that’s part of the charm - you project your own filth onto him. The art style’s got that soft, round look that makes everything feel warm even when it’s absolute debauchery. And yeah, I laughed out loud when the princess called herself “royal pork” mid-handjob. Who writes that? Whoever they are, they get it. It’s horny, messy, self-aware, and doesn’t apologize for any of it.

Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.

You’re the poor bastard who climbed the ladder just high enough that nobody shoots you, but everybody dumps their shit on your desk. Whole galaxy is rotting, planets choking on smog, priests screaming about purity, and you’re in a cramped office where the lights buzz like insects while you decide if some mining colony gets air filters or “thoughts and prayers.” And right in the middle of that, you keep tripping over women who want to fuck you, argue with you, manipulate you, or all three at once. Not because you’re some chosen hero, but because your signature can save their lives or destroy their whole world, and in this empire, pussy is just another kind of paperwork.

You start as this awkward virgin clerk who suddenly has real power, and the game never lets you forget how weird that is. One moment you’re reading a report about famine on a frozen shithole planet, next moment a bored noble MILF is sitting too close on your couch, pretending she’s worried about “trade quotas” while her hand creeps up your thigh. She’s old enough to have kids in the guard, tits poured into some ridiculous formal dress, and she’s treating your office like it’s a private bedroom. You can push her away and grill her about corruption, or you grab her hair and she drops on her knees between your legs and starts sucking like this is the only way she remembers how to negotiate. The game is blunt about it: she wants a better result on your decision, and she’s ready to slobber on your cock for it, lipstick smeared, eyes watering, trying to moan around your dick while you skim her file. And it’s fucked up, because while she’s gagging on you, you’re also actually reading the numbers and thinking, “yeah, this planet is screwed.”

That’s kind of how the whole thing feels: serious and horny at the same time, like someone mashed a grim sci fi bureaucracy sim with a porn VN and just didn’t apologize. There’s this cute junior scribe who brings you data slates and looks like she’s gonna burst from stress, and if you’re gentle, she slowly cracks, starts opening up about how terrified she is of getting reassigned to some nightmare warzone. First time you manage to calm her down, she leaves… but if you keep backing her, she eventually turns up in your room, shutting the door, cheeks red, hands shaking as she offers herself like she’s filing a desperate last-minute request. She’s still technically the one begging, but you KNOW the power is in your hands when she climbs into your lap and whispers that she’s never done this before, then winces as you push inside her, tight and wet and clinging to your shirt so hard the fabric creaks. And right after you finish, there’s this short, shitty silence, like “ok, cool, now you both work in the same office tomorrow.” No magic romance fade-out, just sticky thighs and a stack of forms on the desk you still have to sign.

What caught me was how your traits twist those scenes. Pick paranoid and you’re double-checking everyone, even when some guardwoman with arms thicker than your waist is riding your dick in a barracks bunk, using you like a toy because she’s lonely and half drunk, and your brain is still going “is she trying to get a transfer out of that meat grinder of a front line?” Go empath and it actually stings when a woman offers her body like it’s the last thing she has left to bargain with. You can still grab her by the hips and fuck her raw over your office table, her moans mixing with the quiet hum of cogitators, but it hits different when you realize her whole world literally hangs on the word you’re going to stamp on that form after you pull out and she’s dripping on your paperwork. The art has that rough AI feel sometimes, but every now and then a scene lands just right: a milf with tired eyes but a hungry mouth, a scared virgin biting her lip while you push in slowly, a smirking manipulator who’s clearly enjoying the game more than you are. It’s messy, it’s not “nice,” and it leans into the idea that in this empire, romance, lust, fear, and red tape are all the same fucking language. Dare to play it alone, or invite company?

This one hits like some trashy fashion magazine fantasy where everybody forgot pants and basic morals, in a good way. You start as this regular dude who suddenly gets dragged into the DeLuca mafia mess, and the whole vibe is like “what if a crime family hired a himbo intern and all the women came straight out from a horny Pinterest board”. Outfits are wild. The older women especially have that rich, dangerous MILF energy, hips and ass doing 90% of the talking, tops that pretend to be classy but the buttons look one sneeze away from exploding. I kept pausing scenes just to stare at the clothes and thinking, ok, whoever designed these had a very specific kink folder on their desktop. Some of the dresses are useless for actual movement but perfect for pressing a big soft ass into the camera and teasing the hell out of you. Even the casual wear looks like “I only own clothes that make people want to grab me”.

The game makes you click around like a point & click from those old Flash days, but now everything is dripping with sex jokes, mafia tension and “please don’t catch me spying on that shower”. There was this moment where I was just doing some normal job for the family, then accidentally ended up watching one of the girls bend over and the camera just stays on her butt way too long. No one says anything, but the game knows. It leans into the voyeur stuff so hard: half-open doors, someone changing in the next room, your hand kind of “slipping” when you touch, groping that starts as “oops” and turns into “yeah you meant that”. And still it keeps cracking jokes. One second you’re laughing at some stupid mafia banter, the next second the scene goes fully horny and your only thought is “yeah, I’d risk getting shot for this”. Sometimes the violence pops up with zero warning, like a reminder that these pretty people actually kill for a living, which weirdly makes the romance hits harder. You flirt, you date, you cheat, you pretend you’re a good guy while very clearly not being one, and it never apologizes for that.

The animations are where the outfits really earn their paycheck. When a character leans in, the way fabric slides over curves is almost more erotic than the actual nudity. Tight skirts ride up just enough when they sit, stockings bite into soft thighs, a blouse pulls across big tits and you can almost feel the strain on each little button. Some scenes go from sweet to filthy so fast it’s like whiplash: a romantic chat, a playful tease, then suddenly her ass is pressed against you and your hands are “helping” her keep balance. There’s this one sequence where you’re supposed to be on a serious mafia job, but your brain is just locked on the sway of a certain MILF’s hips in this skin-tight dress that no HR department would ever allow. I actually wish there was an outfit gallery just to rotate them around and zoom in like a total creep, but I know it’s never gonna happen and that’s fine, I’ll live. The game keeps mixing humor, tension and raw sex in a way that feels messy, unfiltered, and kinda hot as hell. Nothing feels “safe for work”, even when everyone is still dressed. It’s like being trapped inside a fashion show hosted in a mob mansion where every look says the same thing: you’re in danger, but you really, really want to stay.