It’s weird how this game feels both filthy and kinda wholesome at the same time. Like, you’re just a farmer, right? Doing your chores, minding your crops, and suddenly there’s this pig-girl princess showing up in your barn acting like she owns the place. She’s spoiled as hell but somehow adorable, rolling her eyes while asking you to “show her how humans do it.” The writing doesn’t even pretend to be subtle - one second you’re talking about feeding pigs, next thing you’re milking something that definitely isn’t a cow. The transitions are janky in a funny way, like the devs knew exactly what they were doing and didn’t care if it made sense. Honestly, I respect that kind of chaos.

The humor hits that perfect spot between dumb and clever. There’s a scene where the royal advisor tries to lecture you about “proper conduct with livestock” while you’re literally hiding behind hay bales with the princess moaning your name. It’s stupidly hot and stupidly funny. And the futa twist? Didn’t see that coming (pun totally intended). The first time it happens, you just stare for a second like - wait, did that just grow? But it works because the tone never shifts into serious mode; it stays playful, teasing, constantly flirting with absurdity. There’s even a lactation gag that somehow turns into a group scene, and by then you’ve stopped questioning logic entirely. You just go with it.

I kinda wish the farmer had more dialogue options though; sometimes he just grunts or blushes when you want him to say something dirtier. But maybe that’s part of the charm - you project your own filth onto him. The art style’s got that soft, round look that makes everything feel warm even when it’s absolute debauchery. And yeah, I laughed out loud when the princess called herself “royal pork” mid-handjob. Who writes that? Whoever they are, they get it. It’s horny, messy, self-aware, and doesn’t apologize for any of it.

Truck-kun strikes again and this poor shut-in kid wakes up in what feels like some horny MMO server that forgot to implement shame. The start is kind of funny, he’s just confused, staring at this fantasy city where every alley smells like sex and magic, and you can almost hear the goddess going “yeah, you’ll figure it out, good luck, idiot.” I went in thinking classic loser-isekai with big boobs slapped on top, but it actually leans hard into that “you are prey here” feeling. First time you wander near the red light area and see a fluffy fox girl arguing with a slime prostitute about who stole whose client, it hits you this place runs on lust as normal currency. The voyeur stuff kicks in fast too: there’s a scene where you peek through shuttered windows and catch a centaur girl milking a cow-girl, swapping buckets, both laughing, and you can just keep watching them get more handsy while the MC gets painfully hard and does nothing about it. Or you can interrupt like a creep and change the whole vibe. Totally didn’t reload that twice. Nope.

What surprised me is how the game keeps throwing you into situations where your dick is negotiating with your sense of self. The succubus you chase at the beginning feels like “main heroine” at first, she’s all teasing smiles and fake kindness, but later you realize she is farming you like a battery. The first time she pins you down, riding you while tentacles hold your wrists and ankles, dripping some glowing stuff on your chest that slowly changes your body, it’s hot and really unpleasant at the same time. There’s this detail where she makes you drink from her, and you see your own chest twitch like it wants to grow, then stops. It’s such a tiny thing, but it sells that you are one wrong choice away from full transformation. Then later a cow-horned brothel madam offers you a “job” where you can either fuck clients or be fucked by them, including some very pushy monster girls who pay extra to drain you dry. The prostitution angle is weirdly casual: NPCs talk about it like normal work, while you’re standing there half-naked in a collar, wondering why the hell this contract asks if you are okay with lactation scenes. There’s a repeatable event where a spider girl uses you as her personal toy, dangling you over a nest and milking you into jars, and the game treats it like just another shift. It’s messed up. I loved it. I hated it. I kept coming back to try different paths like some degenerate speedrunner, all while listening to old YMCK tracks in another tab and thinking, yeah, this is absolutely not how my childhood idea of “fantasy world” looked.

I swear this game started like it was gonna be a chill slice-of-life thing, you know, fixing up a bar and chatting with fluffy locals, maybe flirting a bit. Then boom - five minutes in and you’re already managing drink orders while a nine-foot-tall wolf girl leans over the counter asking if you “need help cleaning the taps.” Bro. I didn’t even save yet. The animations are way too smooth for how stupidly horny the dialogue gets; like someone spliced together a dating sim and a fever dream. I tried to focus on the management system - stocking bottles, balancing budgets - but my brain short-circuited when the shark waitress asked if I wanted her to “stir the cocktail with her tongue.” I mean, yeah, I clicked yes, obviously, but still. Priorities, man.

Weird thing is, it’s actually kind of romantic sometimes. Not in the Hallmark way, more like the “accidentally fell in love with a monster girl who can crush a truck” kind of way. The writing swings between goofy and sincere, like one second you’re laughing at a pun about tail fluff, the next you’re knee-deep in a confession scene that hits harder than expected. Then there’s the POV stuff - it’s uncomfortable how immersive it gets. You can practically feel the fur brushing your skin during those scenes, and I don’t know if that’s impressive or just unsettling. The devs clearly thought, “what if we made eye contact illegal.” Mission accomplished. Also, the tit sizes? Absolutely ridiculous. Like, there’s physics happening that defy every known law of gravity and I respect that level of commitment.

I did find myself yelling at the screen once when a minigame bug froze right before a creampie scene - tragic, truly - but I forgave it almost instantly because the bartender fox called me “boss” again in that tone that makes your spine melt. It's messy, it’s horny, it’s accidentally wholesome, and somehow it all works. Or maybe I’m just too far gone into the furry hole to tell anymore. Either way, yeah, the bar’s open, and no one’s leaving sober.

Kinoff City looks all fancy on the tourist posters, rainbow flags and smiling faces, but when you drop into Stronger Bonds it hits more like some horny soap opera that got hijacked by horny rhinos with way too much baggage. You play as Samson, this huge, broad-shouldered rhinoceros cop who just landed the job of police chief in the so-called gay capital. Big uniform, bigger ego, and a past that’s a total mess. He’s not just here to write tickets. He’s stomping around the city, poking his nose into clubs, gyms, back alleys, and “private” apartments, trying to bring order to a place that doesn’t really want to behave. The whole city basically looks at him and thinks “strict daddy who needs to loosen up”. Which, yeah, the game makes sure he does. Slowly. With a lot of dick.

What makes it fun is how the story keeps mixing heavy drama with horny bullshit. One minute Samson is remembering his dead wife or how he screamed at his four sons until they ran away, next minute you’re in a locker room with a cocky lion officer testing his “respect for authority” with his tongue buried in Samson’s lap. Sex scenes feel like arguments that turn into blowjobs. Fights that end with someone bent over a desk. When Samson pulls rank, he really pulls it. The male domination vibe hits hard, especially when he’s in full uniform, hand on the suspect’s neck, using his weight to pin them and then they’re suddenly gasping with his cock deep in their throat. A lot of oral, a lot of “you’re gonna take all of it” energy. And the game doesn’t pretend these guys are shy. Asses are big, heavy, shaking against his hips, tails lifted, begging for anal while still pretending they’re too proud for it. You get those slow scenes where he pushes in, inch by inch, and the other guy’s talking tough but his back keeps arching and you know he’s gone.

The tension with his sons sits in the background and keeps poking at you. They’re in the city, hiding, watching what kind of man he is now. Sometimes you think you’re just lining up another hookup, then the dialog drops something small, like “you sound like my old man”, and it hits you that these boys grew up under his old, harsh version. Harry, the younger brother, is like this sweet disaster trying to keep Samson from falling apart again, but he’s also a horny rhino in a very gay city. He jokes, flirts, shoves Samson toward guys who clearly want to get pounded by a chief who doesn’t know the meaning of “gentle”. The mobile format actually works: playing on the train with headphones, pretending you’re reading news on Chrome while Samson is railroading some smug fox over the squad car hood is a special kind of shame. I even almost tapped the wrong icon and opened WhatsApp while a scene had Samson tongue-deep under a wolf’s tail, which would have been hard to explain. The game is messy, emotional, sometimes melodramatic, sometimes just “shut up and suck me”, but that combo of family guilt, city secrets, and a hulking rhino cop using his authority to breed half the gay capital into submission sticks in your head way longer than it should.