It’s a weird kind of wrong that feels almost too confident about itself. The game just throws you right into this hotel-room-styled tension between Ben and Gwen, like there’s no excuse, no build-up, just quiet breathing and the kind of slow curiosity that only gets worse the more you watch. The control scheme is barely there - you think you’re just clicking around to peek, but then you’re moving hands and lips like you’re trying to pass off an accident as an experiment. The pacing makes it feel like time stretches sideways. There’s that one moment where Gwen turns, half-asleep, and it’s not clear if she knows what’s happening, and you catch yourself leaning closer like a total creep. God help me, I think that’s intentional.

Half the time the audio feels too loud, but maybe that’s the point - it’s not polished, like it’s meant to break the “cartoon world” with uncomfortable realism. The blowjob scene looks like it was stitched together by someone who didn’t care about pretty, just raw motion, the way her throat tightens around him while he mutters things that sound more like apologies than dirty talk. And then when you switch to doggystyle, yeah it’s cliché, but the way the lighting flickers - it’s distracting as hell and, weirdly, kind of hypnotic. The game’s rhythm keeps screwing with you: it slows down on the heavy stuff like missionary creampie and then speeds up when you least expect, like the code itself is embarrassed about what it’s showing. I got annoyed at that. Then again, maybe that’s why I didn’t stop.

You can tell whoever made this knew exactly what nostalgia they were playing with, too. There’s this sick mix of childhood memory and adult hunger that no one wants to admit enjoying. Kind of like watching something too close to a secret. The handjob bit feels almost shy, then the facial lands out of nowhere, breaking the build-up in the most abrupt, stupidly real way. I hate that it worked. I hate that my mouse hand twitched even after the final loop restarted. If that’s not the most human reaction, I don’t know what is.

Ichigo looks tired as hell in this one, and I kinda like that. He’s got that “I just fought ten hollows and now I need my dick sucked” energy, just sitting there while Rukia goes completely off-script from what we know in anime. The game basically strips all the usual shinigami drama and leaves you with this tight little loop of her on her knees, mouth full, eyes a bit watery, and you just messing with pace and intensity like some pervy director Kurosaki never asked for. It feels wrong for half a second, then she gags on him and that thought just flies out of the brain. Her being small and serious in the show makes it hit harder when here she’s trying to take him all the way to the base, like she’s proving something weird to herself. That whole “I’m a noble, I’m disciplined” vibe turns into “I’m gonna swallow every drop or I failed the mission.” Totally stupid, totally hot.

What surprised me is how much of the game is basically about watching her struggle in a nice way. Not torture, more like Rukia vs throat. When you push him deeper and her nose is buried in his pubes, her cheeks stretch just a little, and that tiny detail sticks with you. I kept replaying the moment where her tongue flattens under the shaft, like it’s trying to find space it clearly doesn’t have. Facial expressions matter here way more than I expected. Her eyes flick up to Ichigo like she’s asking, “this enough?” while you already know you’re gonna force one more thrust. And then, randomly, I got annoyed at how her hair never gets messy enough. She’s doing this rough deep blowjob, coughing on his cock, but the brunette bob basically stays anime perfect. It’s such a small thing but it kept poking at my brain, like let a strand stick to her cheek with spit already, come on. Then I forgot about it when the first cumshot hit her tongue and she tried to swallow everything without breaking eye contact. That part is too good. It’s almost rude how fast it works. He unloads down her throat, she swallows, a little leaks at the corner, and suddenly I’m watching her throat move instead of anything spiritual or heroic. If you’re the kind of player who always wanted to see the “serious Rukia” from Bleach just kneel, open her mouth, and dedicate herself to one single, messy, abusive facial-or-swallow choice, this little browser thing understands that part of you a bit too well.

You ever start a game thinking it’s just another parody and then suddenly you’re watching Delia Ketchum bend over a lab table like she’s about to teach anatomy class the hard way? Yeah, that’s this one. It starts all innocent - Pallet Town, sunshine, that “I overslept again” energy - and then, bam, you’re in Professor Oak’s lab snooping through his stuff and learning he’s been researching... let’s just say “human-pokemon compatibility” in a way no academic journal would publish. The tone flips faster than a Tinder match gone wrong. One second you’re pretending to care about rare species, next second you’re covered in way more than curiosity.

Delia, though - holy hell. They made her look like the definition of “MILF who knows exactly what she’s doing.” She’s got that soft mom energy but says things that would make even Team Rocket blush. The scenes with her feel weirdly personal, like the game’s reading your dirty thoughts out loud. There’s a part where she leans in too close, her voice dripping honey and sin, and you just *know* this isn’t about Pokémon anymore. The writing’s cheeky as hell, half jokes, half filthy confessions, and somehow it works. You’ll laugh, you’ll groan, you’ll maybe question your childhood a little.

The pacing’s messy in that good kind of way - it doesn’t care about logic, just about pushing you deeper into its horny fever dream. You might roll your eyes at the story, but then the next scene hits and suddenly you’re invested in seeing how far the “research” goes. Controls? Who even cares, you’ll figure ‘em out with one hand anyway. It’s trashy, it’s fun, and it’s got that nostalgic kick twisted into something you definitely can’t talk about in polite company. Kind of like if Pokémon grew up, got divorced, and started posting thirst traps at 2 a.m. on Twitter.

This Metroid parody throws all that space bounty hunter dignity right out the airlock. Samus gets herself captured and tied up, which honestly feels like terrible tactical planning for someone who usually blows up entire planets. But hey, that's where the fun starts because now she's completely at your mercy in this interactive playground of debauchery.

The soundtrack? Pretty basic electronic stuff that tries to sound futuristic but mostly just loops in the background while you're busy exploring all the different ways to mess with our helpless heroine. Speaking of exploring, there's actually a decent variety of toys and tools at your disposal - vibrators, tentacles, the works. You can strip her down piece by piece or keep some of that iconic orange suit on if that's your thing. The customization options are surprisingly thorough, letting you decide whether you want her shaved or natural, and there's even a pissing mechanic that's... well, it exists. Some people are into that water sports action, though the animation quality is pretty rough around the edges. The whole thing feels like it was made by someone who had big ideas but maybe not the biggest budget to execute them properly.

What really gets me is how they managed to make Samus look both vulnerable and still recognizably badass even while she's completely helpless. The facial expressions change based on what you're doing to her, which adds some nice reactive elements to the experience. You can work your way up from gentle teasing to full-on hardcore penetration, and everything culminates in some pretty explosive creampie scenes that'll definitely satisfy if you're into that finishing move. The physics on her chest bounce around more than they probably should, but honestly that just adds to the whole over-the-top hentai vibe they're going for here.