I keep coming back to that one frame where she's fully exposed, legs spread, and the anal beads are halfway in. Her face does this weird pixel twitch that's supposed to be a wince but looks more like she's trying to remember if she left the stove on. The artist clearly spent 90% of their time on the tits, which hang with this impossible weight that defies both physics and the Street Fighter source material. They bounce when you click. They bounce when you don't click. Sometimes I think they bounce independently of anything happening on screen.

The minigame structure is barely there. You poke at her crotch until a meter fills up, then the dildo unlocks, then the beads. There's no resistance, no feedback beyond the same three squelching sounds looped into oblivion. The facial animations, if you can call them that, cycle through maybe four expressions total. Surprise, discomfort, something that might be pleasure if you squint, and that vacant stove memory look. The blue costume doesn't so much come off as it gets pushed aside awkwardly, clipping through her thighs half the time. Arawaza Chun's art style has this rough sketch quality that I actually dig, like someone drew this in a horny frenzy at 3 AM and never bothered to clean up the lines.

But then you notice the cursor doesn't align properly with the hitboxes. You'll be clicking on what looks like her clit and suddenly the anal beads are equipped instead. Make it make sense. The brunette variant, if you can even call swapping a hair color a variant, has the exact same animations. Zero effort there. And yet I've opened this thing like seven times this week. The jank becomes part of the appeal somehow. Or maybe I'm just making excuses for why a game with basically two interactive zones and no ending keeps pulling me back. The sound design is atrocious by the way, just these compressed wet noises that clip at the high end. Very authentic to the chiptune era I guess, but my ears deserve better.