The whole thing runs on a weird logic where Lara's been lost in some forest and you, her stalker basically, have been trailing her for days. Creepy setup, right? But then it turns into this password-for-helicopter deal. She needs the code to get rescued and you've got it. The exchange rate is her body. Simple enough.

Graphically it's that old Flash roughness, the kind where limbs don't quite connect right and the animation cycles are about three frames long. Lara's proportions are absurd. I mean, her chest is so huge it looks like a medical condition, a pair of zeppelins strapped to a twig. As someone who thinks about how fabric d*** on a body, the idea of designing a supportive garment for that is a nightmare. The costume is just painted on skin anyway. But there's this one frame, right before the main scene loops, where her eyebrow twitches. Spent way too long staring at that. It's the most human thing in the entire game.

The gameplay is clicking through dialogue that reads like it was translated by a drunk search engine. "You must please me first." Okay, Croft, very formal. The sex scene itself is a repetitive grind, literally just a loop you watch. No variation, no buildup. Just zero to piston action. Makes you wish for a "costume malfunction" DLC or something, maybe a ripped tank top mechanic. But that won't happen. The sound design is a crime. A single wet slapping noise on a loop that desyncs after thirty seconds. It's so bad it circles back to being hypnotic. My phone buzzed with a Duolingo reminder mid-scene and I didn't even pause. Priorities. The whole thing feels like a fever dream you'd have after playing too much of the actual Tomb Raider reboot and eating bad cheese.