Fog rolls in, streets go quiet, and John is just stuck at work with two women he mostly knows from awkward breakroom small talk. That’s the whole vibe here: not some badass hero fantasy, but a guy trapped in an office while the world outside rots in a toxic soup. One second he’s checking his phone, the next the signal dies and the city kind of just vanishes behind this white, angry fog that literally burns skin if you get too brave. It’s weirdly intimate, because when everything outside goes to hell the only thing left to play with is people’s nerves, their fears, their bodies, their need to feel close to someone while it all might end tonight or next week or never. The horror parts hit first, and then slowly the romance and the sex leak in around the edges like the fog under a door, not some instant “you are the chosen dick” story. You feel stuck with Kallie and Laura in this poisoned little bubble, watching them crack, get scared, get horny, get angry, sometimes all in the same scene. It’s messy in a good way. Not every line lands, some conversations ramble, and sometimes John acts like a confused Reddit thread, but that’s also kind of believable.

What really caught me is how often the game lets you just say small shit. Little comments that don’t blow up the plot, they just sit there in the back of someone’s mind. You flirt at the wrong moment and Desire ticks up a bit even while Anxiety spikes, so she might still let you slide a hand under her shirt later, but she’ll shake when she kisses you. You’re nice and soft with her after she has a panic attack and Love crawls higher, which makes the eventual creampie scene feel more like “we might die, please stay inside me” than porn hub speedrun. It’s not all sweet, though. There are moments where the sex is raw and selfish, bodies slamming together on some half-clean office couch or cramped storage room, her moaning while the building around you feels like a coffin. Condoms exist mostly as a suggestion, which the characters ignore whenever the tension finally snaps, and the game leans hard into that risk. You can have a romantic talk, then five clicks later you’re pinning her against a window with the toxic fog just beyond the glass, filling her up because you both need proof you are alive. I wish the UI text was a bit bigger on my phone, but anyway, the story quietly shoves you into this fucked up little family, where trust, lust, fear and love keep shifting around like stats you pretend not to care about while you very much do. Sometimes the pacing drags for a scene or two, then suddenly you’re in a pitch-dark hallway, breathing with her, feeling her hand find your crotch because she wants reassurance in the only stupid way she knows. It’s not subtle. It’s also strangely tender. And then out of nowhere the game just drops a line that feels like a shitpost and you remember people made this on actual computers and not in some cursed fog dimension.

It’s weird how this one tries to be a parody but ends up accidentally saying something kind of tragic about Kobeni, like she keeps blushing through the whole thing yet the game never lets her be just cute or just desperate - it’s always both, tangled together. I kept thinking the demon part would be the main hook, but nah, it’s more about that half-panic look in her eyes when you push too far and she still whispers your name. The timing mechanic feels stupid at first, tapping along while she’s choking or trembling, but then it clicks and suddenly you’re syncing with her rhythm in a way that feels too real for a joke game. It’s messy, literally and emotionally, and the moaning voice lines loop wrong sometimes, which only makes it better somehow - like catching someone mid‑breath and refusing to let them finish.

What gets me is how the corruption doesn’t even feel evil. You start off thinking you’re dominating her, but by day five she’s the one steering things, pretending not to, grinding slow while talking about losing her job as if your cock’s the only comfort left. The writing trips over itself, grammar all over, and yet every line lands because it sounds like someone actually flustered trying to talk dirty and failing. There’s a scene in the bathroom where the mirror fogs up and for a second you see horns behind her reflection, tiny, twitching, like she’s halfway yours already. Then she laughs too loud. Totally ruins the moment. But it sticks.

I’ll say though, the creampie counter? Completely unnecessary and also perfect. It forces you to notice time passing, like this gross little calendar of need. The parody label doesn’t save it from being hot, and the humor doesn’t stop it from being kind of sad. Maybe that’s why I keep replaying it, telling myself it’s for the endings, but really just waiting to hear her gasp that same broken syllable again.

This thing feels like someone mashed up a trashy late-night sitcom with a horny demon power fantasy and then just... didn’t bother to clean it up. You’re this baby incubus clown who gets cut off by daddy hell-money and has to go scam a “normal” human family by yelling you’re their lost son. That alone tells you the tone. It’s not classy. It’s not “sensual.” It’s a walking disaster of bad decisions, fake drama, mom thirst, and the kind of low-blow humor you’d expect from a Discord server that should’ve been shut down months ago. And it actually works half the time. One moment you’re laughing because the MC is a cocky idiot talking big about domination and “ancient incubus arts,” and five minutes later he’s getting a titjob he did not even deserve, because the game decided his bullshit pheromones just flipped the switch in her brain. It plays like a corruption porn parody where everyone still tries to act like they have morals for about five seconds, then the scent hits and suddenly panties, bras, and standards are gone.

The whole cheating angle is handled in that “oh no, this is wrong” way where the characters say it once, then keep doing it again and again, and you’re there going, yeah sure, very guilty, while she’s riding the MC on the couch with the husband in the next room. And it leans hard into voyeur stuff too. You’re peeking through cracked doors, listening at walls, watching someone finger herself thinking about the “son,” then later walking in like you didn’t just hear everything. There’s a fun little loop with the incubus power where the more you toy with them, the bolder they get. A bit of spanking here, some “accidental” groping there, subtle scent cranked up, and suddenly the MILF is grinding on your lap “joking,” the daughter is masturbating in the shower whispering your name, and you’re pretending this is all some deep character growth. It’s not. It’s just a slow slide from teasing and handjobs toward full-on oral, titfucks, and messy vaginal scenes that feel like a badly timed punchline. The humor is hit-or-miss as hell. Sometimes the MC drops a line that legit made me snort, sometimes he sounds like a rejected Reddit shitposter trying to roleplay as a demon god of pussy. And there’s this weird mystical layer on top, like it remembers every now and then that you’re actually a supernatural creature and not just some random perv couch-crashing at a stranger’s house, so you get little bits of “training” and talk about being a stronger incubus, while you’re still secretly jerking off after spying on the stepmom with a sex toy she swears she hasn’t used in years.

What I actually liked is that the sex isn’t just “click scene, watch loop, nut, next.” You mess with their heads a bit. You gaslight their libido. You throw in some playful domination, a hand on the throat, push them up against the counter, talk filthy in their ear, and the game lets you see them shift from shy and hesitant to “please choke me harder, son.” It’s fucked up, sure, but it fits the vibe. Some of the animated stuff really sells the weight of tits bouncing on your cock or the mouth sliding down in a sloppy blowjob, and then other times it looks janky as hell, like someone animated it half asleep, but you’re already invested so you let it slide. I kinda wish they pushed the voyeurism even more, like having routes where you don’t touch them at first, just watch them corrupt themselves under your influence, walking around with that swollen ass and no panties, “accidentally” bending over in front of you. Would be fun to see them add more twisted “mystery” stuff too, like neighbors smelling the incubus aura and getting dragged into the mess, or some jealous supernatural chick trying to cockblock your corruption spree. But nah, for now it’s mostly you, your scent, some fucked up fake family dynamics, a big-ass MILF with zero chance of staying faithful, a walking stereotype of a horny girl with no self-control, and you pretending this whole thing is some kind of grand incubus coming-of-age story instead of what it really is: low-brow, dirty, often stupid, and absolutely built for people who like to watch morals collapse in slow motion while they laugh and jerk off.

Death in this game is like a bad Unity compile: you think “ok, that’s it,” and then it spits you back one year in the past and tells you to try again, except now you got a hard-on and godlike save scumming built into the story. You’re basically a horny superhero with the power of “what if I didn’t fuck that up?” and the whole town is your sandbox. One moment you’re chatting with a tired, hot older woman who has that soft-mom energy and cleavage that never quite fits in her clothes, next moment you’re quietly nudging events so some disaster never happens, while being absolutely distracted by the way her shirt sticks to her when it rains. The game pretends it’s about fate and responsibility, but half the time it feels like the devs asked: “what if time travel was just an excuse to flirt, screw up romances, then reload reality itself?”

The structure is pure visual novel, but it actually reacts. You say the wrong thing to her in one scene, brush off her feelings or push too hard when she clearly isn’t ready, and ten scenes later she looks at you like she remembers every tiny shitty choice you made. There’s this one moment where I tried to be the cool, distant hero, focusing on stopping something huge from happening, and I ignored a small, intimate talk with her in the kitchen. Later, when everything got tense, she just quietly said, “you never listen until it’s too late,” and that hit harder than any explosion. Right after that, the game lets you see her in a really tender, erotic CG, where she finally opens up… and you know you kind of didn’t earn it in that timeline. The hentai scenes are nice and shameless: soft lighting, curves that feel indulgent, a lot of focus on her face when she’s torn between “this is wrong” and “fuck it, I want this.” Sometimes the camera lingers a bit too long on one angle and I kept noticing a tiny shadow artifact on the edge of her hair. It annoyed me once and then I couldn’t unsee it. The dev will never fix it, I just know.

What I like is how your “superpower” is not just shooting lasers or something dumb. It’s messing with cause and effect, changing who comforts who, who survives, who falls in love, and that includes sexual tension that brews forever before it finally snaps. You might protect the town and lose her, or chase her so hard that the town quietly burns in the background, and the game doesn’t slap your wrist right away. It waits. Lets you sit in your mess. The romantic side is surprisingly sweet, almost softboy, then in the next scene you’re pinning her against a wall, kissing her neck while she mutters that this is insane and still pulls you closer. There’s this constant question: are you a hero, or just a guy abusing a cosmic reset button to get into a milf’s panties? The game doesn’t give you a clean answer and honestly it shouldn’t. I do wish there was one completely stupid route where you just waste your power on lottery tickets and porn subscriptions on Steam, but that’s never going to happen and that’s fine. I was going to talk about the supernatural side more but my brain keeps looping back to that one scene where she’s half undressed, asking if the universe is really worth saving if she ends up alone again, and you have to pick between touching her or stepping away. That choice stuck with me longer than any fancy effect or explosion. Maybe the real bug is that I kind of wanted the “wrong” option to feel even better.