Look, WaifuHub isn't trying to be some polished masterpiece and honestly that's part of its charm. You're basically playing a sleazy casting director interviewing anime waifus for adult films, which sounds ridiculous until you're actually clicking through dialogue options wondering if Zero Two is gonna strip down or walk out.

The whole premise revolves around this casting couch setup where familiar faces from different anime universes show up at your "studio." One minute you're chatting with Princess Rosalina about her modeling experience, next thing you know Darkness is practically begging for the role before you even explain what kind of movie you're making. Each girl has different personalities that actually affect how the conversations flow - Hinata acts all shy and nervous while Chel struts in like she owns the place. The dialogue system feels clunky as hell sometimes but when Ochako starts blushing and stuttering through her answers, it somehow works.

What caught me off guard was how the game doesn't just throw sex scenes at you immediately. There's this weird buildup where you have to navigate conversations, gauge their reactions, figure out what buttons to push. Some girls need convincing, others are ready to go from minute one. Aqua showed up drunk and horny which made things interesting, while Emilia needed like twenty minutes of sweet talk before anything happened. The sex animations are basic but they get the job done - lots of ahegao faces, exaggerated moans, all that typical hentai stuff. Graphics look like they were made in someone's basement but the character designs are faithful enough to the source material that you'll recognize your favorites instantly. It's janky, unrefined, and probably shouldn't work as well as it does, but there's something addictive about seeing which waifu walks through your door next.

It’s a weird kind of wrong that feels almost too confident about itself. The game just throws you right into this hotel-room-styled tension between Ben and Gwen, like there’s no excuse, no build-up, just quiet breathing and the kind of slow curiosity that only gets worse the more you watch. The control scheme is barely there - you think you’re just clicking around to peek, but then you’re moving hands and lips like you’re trying to pass off an accident as an experiment. The pacing makes it feel like time stretches sideways. There’s that one moment where Gwen turns, half-asleep, and it’s not clear if she knows what’s happening, and you catch yourself leaning closer like a total creep. God help me, I think that’s intentional.

Half the time the audio feels too loud, but maybe that’s the point - it’s not polished, like it’s meant to break the “cartoon world” with uncomfortable realism. The blowjob scene looks like it was stitched together by someone who didn’t care about pretty, just raw motion, the way her throat tightens around him while he mutters things that sound more like apologies than dirty talk. And then when you switch to doggystyle, yeah it’s cliché, but the way the lighting flickers - it’s distracting as hell and, weirdly, kind of hypnotic. The game’s rhythm keeps screwing with you: it slows down on the heavy stuff like missionary creampie and then speeds up when you least expect, like the code itself is embarrassed about what it’s showing. I got annoyed at that. Then again, maybe that’s why I didn’t stop.

You can tell whoever made this knew exactly what nostalgia they were playing with, too. There’s this sick mix of childhood memory and adult hunger that no one wants to admit enjoying. Kind of like watching something too close to a secret. The handjob bit feels almost shy, then the facial lands out of nowhere, breaking the build-up in the most abrupt, stupidly real way. I hate that it worked. I hate that my mouse hand twitched even after the final loop restarted. If that’s not the most human reaction, I don’t know what is.

Isekai Brothel feels like someone cracked open my anime watchlist, dumped it on the bed, and said, “Ok, pick who you wanna fuck first.” It’s a dating sim wrapped around a brothel idea, but not the usual boring “pick one route, marry waifu, roll credits”. Here you jump between worlds and timelines, grab girls from different series, and basically run this horny multiverse where fidelity is a suggestion, not a rule. As a poly person this hits weirdly close to my fantasy: not needing to “pick best girl”, just stacking them like a chaotic harem Jenga tower and seeing what breaks first, your dick or your free time. And yeah, it’s messy. The art style and scenes don’t always match perfectly between girls, the transitions sometimes feel like someone hit the skip button too fast, but honestly that fits the vibe. It feels like a porn stash, not a museum.

What I liked a lot is how it leans hard into the “brothel” part without pretending to be moral about it. You flirt, you pay, you fuck. Sometimes you date first, sometimes you go straight to raw dog in a rented room. One moment I was having a kinda sweet “date” with a shy girl, choosing dialog options that made her open up, and then suddenly I was balls-deep while she begged me not to pull out. The jump from wholesome to filthy is fast and I actually enjoy that whiplash. There are quick sex scenes for when you just want a 2-minute stress relief, and longer dates where you build some tension before ruining her makeup. The game throws in fetishes pretty casually, like, “Oh, you clicked this girl again? Guess we’re doing anal now” and doesn’t over-explain anything. It trusts that if you’re on an adult site and recognize half these characters, you already know what you’re here for. One tiny thing that annoyed me: sometimes dialog sounds like it was translated twice through Google, then drunk-edited, but honestly I still liked that more than fake polished porn writing that nobody talks like.

The multiverse teleport tech is a cool excuse for why everyone is in one place, but the real fun is when you start mentally mixing “lore” from different shows while you’re mid-thrust. I was fucking a certain very proud, very stacked demon girl while thinking “if her boss from that other universe walked in right now, he’d probably applaud.” Then I switched to a sweet healer-type girl and went from rough choking and hair pulling to soft missionary and kissing like some kind of emotional whiplash speedrun. The game doesn’t punish you for jumping from girl to girl; it almost encourages it, like “you liked that dommy mommy? Nice, go cuddle the awkward schoolgirl now, coward.” It’s not trying to be classy, and I appreciate that a lot. Sex here can be romantic, sure, but it can also be just sloppy blowjob in a side room while other clients are busy in the back. I kinda wish there were more scenes where the girls interact with each other and not only with you, like full-on group sessions that acknowledge relationships between them, but at the same time I like the feeling that I’m sneaking from room to room, collecting different bodies and personalities like a horny little goblin. The whole thing feels like a guilty browser tab you forget to close, which is exactly how this kind of game should feel.

I don’t know who came up with the idea to mash Makima, Zelda, and Tsunade into the same world, but whoever it was probably spilled beer on their keyboard halfway through writing the script - and that’s what makes *D20 Magic Dice* feel alive. It’s messy, horny, strangely sentimental at times, like watching late-night anime reruns after a breakup. You’re talking to this dice thing (yeah, an actual dice), and before you even realize it, it’s making your thoughts real. Not just the good ones. I rolled a 3 once and ended up in some half-lit tavern where Widowmaker was arm wrestling Rumi for no reason while Zelda flirted with the bartender. I think I lost track of the main plot two minutes in, but it didn’t matter. The game doesn’t care either, it just keeps throwing beautiful chaos in your lap, all soft skin and heavy breathing mixed with dumb jokes about mana points.

What I liked most is how it doesn’t pretend to be clever. The dialogue’s sometimes broken, and the pacing jumps like old VHS tape - one second you’re teasing Ada Wong, next second Tsunade’s lecturing you about responsibility while sitting on your lap. There’s some strange comfort in that inconsistency. I did wish there were more sound options though; moans hit too loud compared to everything else, made me lower volume quick before neighbors got curious. And yet, when Makima whispers in that weirdly calm tone, you kinda forgive every bug. Maybe nostalgia blinds me - I grew up on janky flash hentai crossovers, and this feels like one resurrected from 2009. The dice mechanic almost feels secondary to the conversations, which twist between sincere and absurd so fast it makes you laugh mid-erection.

Sometimes I forget which universe I’m even in - Naruto? Overwatch? Who cares. The worlds blur, the clothes vanish, and someone says something about destiny while you’re trying not to roll another damn six. Three words? Chaotic, filthy, affectionate. Dare to play it alone, or invite company?

You know that feeling when a parody game actually “gets” the original characters a bit too well, and then absolutely trashes them in the filthiest way possible? This one leans hard into that. It takes the whole super-family thing, throws the hero act out of the window, and just focuses on two girls being stupidly, obsessively horny with each other. No big plot, no fake epic stakes, no “oh no, the city is in danger.” The only danger is how far they can push a body that was clearly not designed for the crap they end up stuffing inside it. And it is all in your face, no choices, no branching paths. You just sit there and watch this slow slide from “curious and shy” into “my holes are toys now.” It feels less like a game and more like reading a long, nasty confession someone wrote while their vibrator was still inside them.

First thing that hits you is how elastic everything is. Not the superhero powers, I mean the very obvious focus on ass and pussy abuse. The camera loves thick hips and that ridiculous mom body, but the real star is how each scene escalates the “let’s try one more size up” idea. You get small, almost innocent stuff at the start and then, very quickly, it turns into “ok, that is not even shaped like something that should fit there.” There is a point where she is spread on the couch, toy so big it looks dumb, and she still tries to talk like it is all fine while her daughter helps her angle it. That mix of fake composure and pure corruption is kind of hilarious and hot at the same time. Then the animation kicks in, and even when it looks a bit stiff or awkward, it somehow makes it feel more raw, like a dirty Source Filmmaker video your friend sent on Discord as a joke and then you watched five times alone. The nipple stuff is messed up in a good way too, very “this is not medically safe, keep going.” Watching something long and shiny slide into a place that should just stay for sucking and pinching, and seeing her act like that is the best idea she ever had, is peak wrong-but-right.

What I liked is that they do not pretend this is “romantic” or “wholesome lesbian awakening.” Nah. Violet goes from hesitant to complicit real fast, like she was only waiting for one excuse to start using her mom as a sex lab. There is this one scene where she is supposed to “help relax” with fingers from behind, and it just casually turns into deep anal play, fisting, and stretching that would make a pro star tap out. No fade to black, just steady, grossly detailed stuffing and spreading. The facial expressions sell it too: half of the time Helen looks like she is on the edge of blacking out, the other half like she is getting baptized in pure sin. And yeah, some angles are janky, some loops repeat, there is a weird moment where the toy clips in a way that pulled me out for a second, but the vibe is strong enough that you kind of forgive it. It feels like a corruption fanfic that grew a budget. There is zero subtlety, zero pretense. Just a super thick mom, her not-so-innocent girl, and a collection of toys that start big and end completely absurd, invading every hole that can be stretched and then some. If your brain is wired for “this is way too much” as a compliment, this thing is basically a long, sticky yes.

It’s weird how this game makes guilt feel sexy. You wake up inside someone else’s head - not just anyone, but that stretchy mom-hero everyone secretly had a thing for back when Pixar still pretended innocence. The premise should be grim, revenge and all that, but the tone keeps slipping between sad and horny, like the dev couldn’t decide if it’s therapy or foreplay. The way control shifts feels personal, almost too intimate. It’s not just mind control; it’s like the game’s trying to pry into your own urges while you’re prying into hers. And maybe I’m reading too much into polygons, but when she touches herself, it’s never about lust alone - it’s about realizing her hands aren’t really hers anymore. That mechanic where you can *feel* the resistance in her movements is unsettling in a delicious way.

There’s this one scene with the aunt - yeah, the bakery one - where she talks to you like she *knows* you’re there, like she’s been waiting for the voice in her head to finally answer back. It’s creepy and tender, then suddenly it’s just obscene. I laughed because the transition was so abrupt it felt real. The body models aren’t flawless either, and that helps. A little awkward jiggle, fingers clipping through skin, like even the code itself can’t believe what’s happening. The audio’s inconsistent - sometimes soft breathing, sometimes nothing at all, dead silence while something filthy goes down. It’s that silence that hits hardest. You start thinking, maybe she’s ashamed. Maybe you are.

I hate the damn save menu though. Always pops right when things get heated, like the universe reminding you this isn’t real. But maybe that’s what makes it stick. It’s messy, it’s wrong, and it lingers afterwards like a guilty text you never sent. You’ll probably close it and tell yourself you didn’t enjoy it that much. You’re lying.

You open this thing on your phone, half expecting another cheap porn clickbait, and suddenly you’re a guy who accidentally pissed off a demon and got turned into one, then yeeted back into some messed up version of the Demon Slayer era. Everyone looks familiar, but nothing is quite right. Nezuko is hotter and way more flirty than she should be, Kanao is shy but actually gets horny if you push the right buttons, Mitsuri’s tits are ridiculous even by hentai standards, and then you’ve got futa demons and MILF characters who really don’t respect personal space. It feels like you somehow matched with the whole Demon Slayer cast on Tinder and they all agreed to meet on the same night. Bad idea. Very good idea.

This isn’t just “click next, see boobs, cum, close tab.” You’re walking around in a sandbox map, chasing events, picking where to go, who to talk to, and who to piss off. You run into Shinobu and you’re thinking “ok, soft sadist vibe, let’s go,” and next second you’re stuck in this turn based fight where you’re half-hard and half-panicking because if you screw up your choices you get your ass kicked instead of getting to pin her to a tree. One minute you’re flirting with Tamayo in a calm, polite way, the next you’re getting dragged into some horny demon brawl with Susamaru who talks shit while bouncing her boobs like they’re part of the attack animation. I liked how the combat and sex both feel like trials: fail and you get punished, win and you’re rewarded with a scene that doesn’t feel copy-pasted. The game pretends to be about “good path” and “evil path” but honestly? Half the time you’re just choosing between “fuck them lovingly” or “fuck them while acting like a complete bastard.” It’s still romance though, in that trashy Pornhub comments kind of way.

The part that really got me is how everyone sort of recognizes you as this familiar guy from their world, but also not. You kinda look like a certain water boy, but not really. Giyu treats you weird, like he wants to stab you and also trusts you, and if you push into the evil route you can use that to break him a bit. There’s furry stuff popping in from nowhere, futa demons that show up when you’re already juggling a harem, and some of the Ubuyashiki family are way too bangable for people who are supposed to be background support characters. The 3D models have that “mobile porn game ad” feeling, like, sometimes the physics go a little crazy, tits clipping through clothes, and I actually love it because it feels dirty and wrong, like you opened a bootleg Demon Slayer porn app you weren’t supposed to find. One second you’re having this almost sweet scene with Aoi where she’s patching you up and blushing at your abs, and the next you’re balls deep in a demon MILF in the woods, trying to remember if you picked the “help humans” path or the “ruin everyone” path. It pretends to be about morality, but deep down it’s about seeing how far you can push these characters into your personal pervy timeline, and how much you can abuse the fact you’re not fully human anymore. Honestly feels less like a heroic journey and more like horny time travel speed dating where every route ends with someone calling you a monster while still begging for another round.

Undertail: Toriel is basically that one horny AU fanfic you read on your phone while pretending to “check emails” at work, except now it’s kind of a game and kind of a shitpost and somehow still hotter than it has any right to be. You wander around this janky little Underground knockoff where literally only Toriel exists, and yeah, that’s the whole point. No huge cast, no epic journey, just you and goat mom in a small world that feels like someone ripped out the first slice of Undertale and then said: “ok but what if we fuck it up. Literally.” It starts pretty innocent, like the original vibe, her leading you around, being caring, talking too much, all that. Then the dialogs slowly stop pretending this is wholesome. She “worries” about you in that clingy, possessive way, touches your sprite for too long, says things that sound like they came from a horny Discord RP at 4 in the afternoon when everybody pretends they’re normal.

The core hook is simple: those classic Undertale battle boxes, except now every turn feels like you’re edging through a weird roleplay. You still pick actions, but they’re all pushing the line: flirting, teasing, letting her “teach” you, or playing innocent and watching her get more frustrated. You pick “Flirt” and instead of the cutesy response you remember, she gives you something way more loaded, like she’s trying to be your mom and your dom and completely failing at choosing one. You dodge attacks while the game throws text at you about her body, her scent, her soft fur, her tits pressing against your character when she tries to “protect” you. The art is rough, not all angles are sexy, some of it feels like early DeviantArt energy, but that almost makes it better. It feels like watching someone’s fetish grow in real time. There are moments where you’re half jerking off and half going “wow, this is actually kind of depressing” because she is obviously lonely as hell, clinging to you like you’re the last bit of warmth in the Ruins. The game doesn’t really go anywhere bigger than that, and it doesn’t need to. No meta twist, no clever morality system, just a slow slide from motherly care to possessive lust, trapped in a little loop where the only exit is either her letting you go or you giving in and wanting to stay. It’s messy, horny, unfinished, emotionally weird, and yeah, that’s pretty much the charm.

Subway Pervert: Touch and Rape looks trashy at first glance and somehow still manages to feel like a weird little art project about how gross people can be when nobody is watching. You are basically the handsy creep in a packed train, no moral redemption, no “secret love” excuse, just raw predatory energy. The whole thing orbits around abusing girls who never asked for it, and the game does not pretend otherwise, which I actually respect in a strange way. There is no fake romance coating here. It’s just molestation turning into full *** with some game logic on top. The main “jewel” for obvious reasons is Orihime. Her body is exactly how every horny Bleach fanboy remembers her: soft, way too stacked for a school uniform, with that kind of dumb-cute expression that makes everything feel even more wrong when you start groping her. Seeing a known character in this shitty fluorescent subway light hits different, it’s like fanart that escaped Pixiv and went feral. You prod her chest, her thighs, her pussy over panties, and the whole tension is between shame on her face and the game pushing you to go further. No pretending it’s consensual. It’s not. That’s the fetish here.

The design is ugly-beautiful in a way. It’s not polished hentai art with perfect lines and soulless smooth shading. It looks more like some horny artist chain-smoked in front of Clip Studio and said “good enough” after every panel. Bodies are a bit exaggerated, boobs look heavy instead of floaty, nipples sit in ways that feel almost too specific. I like that. The schoolgirls have that stiff, pressed uniform vibe that already feels like a fetish you could smell. The idol is basically walking fanservice with her smug vibe collapsing once the hands start sliding under her clothes. The milf’s curves are the most grounded, like the artist actually looked at a real woman at least once in his life. What annoyed me is the tiny text shit. Everything is in Japanese, and while I don’t mind, the font is just annoying. On my phone on Chrome it felt like squinting at a hentai magazine someone left under the bed for ten years. You can copy it and throw it into DeepL or Google Translate, it works, but it kills the flow when your other hand is busy, you know? The game uses this little “choice” thing where you pick what to touch or how aggressive you go, and if you pick right, her resistance shifts into shameful arousal. If you mess it up, it kind of stalls and feels like poking a mannequin. There is an actual tiny rhythm to it, like reading a dirty visual novel and playing a puzzle at the same time, only the puzzle is “how far can I push this girl until she stops resisting.” When the scene finally snaps and she’s on the floor, panties off, getting used by multiple guys, it’s brutal and cartoonish at once. Some people will call it too much. For me that extremity is exactly the point. I even wish the artist went a little nastier with the expressions, more broken eye focus, more smeared makeup, more tears mixed with drool on those facials, but also I kind of like the slightly restrained style because it keeps the characters pretty even when everything horrible is happening to them. It’s not a nice game. It’s not trying to be. Visually and thematically it just crawls into your brain, sits in that part labeled “Orihime has huge tits and maybe I’m a bad person,” and refuses to leave.