Frieren looks way too calm for someone getting dragged into that kind of hole. Like, she keeps this saintly face while the whole dungeon’s alive with squishy noises and glowing runes that probably weren’t OSHA-approved. The game doesn’t even pretend to be serious - one second you’re clicking through some dusty corridor, the next she’s half-stuck in a wall, robes sliding down, and I swear the tentacles have better comedic timing than half the anime parodies I’ve seen. There’s this dumb little sound effect when you misclick that feels like the dev trolling you personally. And yeah, I laughed, then immediately felt weird for laughing, then laughed again. That’s the loop here: arousal, confusion, laughter, repeat.

Mechanically, it’s point-and-click, but not the “find the key” kind - more like “poke the wrong spot and something indecent happens.” The animation’s surprisingly alive; her eyes twitch in that awkward, human way that makes it both hotter and funnier. You can tell the artist’s obsessed with micro-expressions - tiny smirks, that split-second of resistance before she just gives up trying to look dignified. The glory hole bit? It’s handled with this absurd level of ritual, like the dev wanted to parody sacred fantasy tropes but ended up making the most unholy confession booth imaginable. Sometimes the camera lingers too long, like it’s waiting for you to blink first. I didn’t.

What kills me is how unserious it all feels. There’s no fake epic music, no “chosen one” nonsense - just this quiet, looping moan track that somehow fits the dungeon’s echo. I kept expecting a boss fight, but the only thing that fought back was my mouse hand. It’s lewd, sure, but it’s also self-aware in a stupidly charming way. You can almost hear the dev whisper, “yeah, I know what you came for,” while Frieren’s face says, “I can’t believe I’m in this mess again.” And honestly? Same.

Not even sure why I clicked on that thumbnail, maybe boredom or curiosity, but this thing went way further than I expected. It’s weird how they made Samus look both powerful and humiliated at the same time - like she’s still that cold bounty hunter under all the mess, but the game keeps pushing her into situations that feel filthy in a way that’s almost hypnotic. You start thinking you’re just clicking through another cheap parody, then suddenly you’re adjusting sliders for things you didn’t think you’d ever have control over. There’s something so wrong about it, yet it’s done with a confidence that makes you forget to question it. I don’t even know if that’s good or bad.

The controls are clunky sometimes, especially when you try to switch between the toys - the physics go crazy, and I laughed instead of getting turned on. But then again, when the tentacles start moving in sync with her breathing, that laughter dies real quick. The sound design is grossly effective: too wet, too close, like someone’s recording from inside her throat. I kept muting it and unmuting again because silence felt even dirtier. The “pee” option caught me off guard; I thought it was a joke setting until I saw how detailed the animation was. Maybe too detailed. And the cake thing? I still don’t get it, but it sticks in your head like a smell you can’t wash off.

I guess what hits hardest is how the game doesn’t pretend to be anything noble. It’s pure control fantasy, ugly and honest. Sometimes she looks back at the camera and there’s this flicker - maybe shame, maybe pleasure - and I can’t tell which one turns me on more. The UI is garbage, but you end up forgetting about it, just lost in rhythm and skin and that awful metallic echo when she moans. I closed the tab, opened it again ten minutes later, and hated myself slightly less the second time.

First time I booted this thing up, my laptop fan went absolutely nuts, like it knew what kind of filth I was about to witness. I laughed so hard I almost spilled my instant ramen, which would’ve been tragic because I was starving and broke back then. Anyway, this Ren’Py thing - honestly, I didn’t expect much. I thought it’d crash after the opening screen, but then Mitsuri showed up with that ridiculous pink-green hair and that voice that’s half sugar, half “I could ruin your life.” I swear I forgot this was fan-made for a sec. There’s this weird comfort in seeing familiar faces from Demon Slayer in a totally different vibe - like seeing your high school crush at a bar years later, drunk and suddenly way too friendly.

The writing’s uneven, but that’s kinda the charm. One moment you’re reading this sweet, shy dialogue with Aoi, and the next, she’s saying something that makes you check if your door is locked. I remember playing on my old ThinkPad, lights off, window open, the neighbor’s dog barking while Shinobu’s scene started - real mood killer, but I didn’t stop. The transitions are clunky sometimes; like, the story jumps without warning, but then, who cares when Nezuko’s sitting there giving you that look. The guy who coded the affection system probably gave up halfway through, but somehow it works better that way. It’s messy, human.

What I didn’t expect was how nostalgic it made me feel. Not just for the anime, but for those early days when I’d sit up late clicking through janky visual novels on Itch.io, hoping my antivirus wouldn’t freak out. It’s pervy, sure, but also weirdly sincere - like it’s not pretending to be anything more than horny fan service stitched together by someone who actually liked these characters once. I got annoyed at the save menu though, it freezes if you click too fast. Never fixed that. I guess I could’ve looked for a patch, but nah. There’s something honest about a game that stays broken in the same spot every time you play.

The earthquake drill thing is such a weird plot device, honestly. Like, who thought "natural disaster simulation" would be the perfect meet-cute scenario? But whatever, it gets you roommates with Riley and that's where things get interesting. This femboy graphic designer has serious emotional baggage - the kind that makes you want to both protect him and corrupt him at the same time. His whole deal about being harassed and discriminated against feels real enough, even if the setup is janky.

Riley's got this vulnerable thing going on that hits different. He's not just some stereotypical uwu softboy - there's actual depth here with his insecurity about his work, his sexuality, his place in the world. The visual novel mechanics are pretty standard fare, nothing groundbreaking, but the writing around his character development surprised me. When he opens up about his past relationships and the shit he's dealt with, it doesn't feel like cheap trauma porn. Though I gotta say, some of the dialogue choices are weirdly specific - like why can I ask him about his skincare routine but not his actual job stress?

The adult content builds naturally instead of just throwing sex scenes at you every five minutes. Riley's sexual awakening feels earned, especially when he starts getting more confident and assertive. The art style works well for what it's trying to do, though I wish there were more clothing options during the... interactive moments. Also, why does every yaoi game have to make such a big deal about who's topping? Like, switches exist, developers. The emotional payoff when Riley finally trusts you enough to be completely vulnerable is genuinely sweet, even if the path there involves some questionable dialogue trees. Could use more variety in the intimate scenes though - feels like they ran out of steam halfway through development.