Not even sure why I clicked on that thumbnail, maybe boredom or curiosity, but this thing went way further than I expected. It’s weird how they made Samus look both powerful and humiliated at the same time - like she’s still that cold bounty hunter under all the mess, but the game keeps pushing her into situations that feel filthy in a way that’s almost hypnotic. You start thinking you’re just clicking through another cheap parody, then suddenly you’re adjusting sliders for things you didn’t think you’d ever have control over. There’s something so wrong about it, yet it’s done with a confidence that makes you forget to question it. I don’t even know if that’s good or bad.

The controls are clunky sometimes, especially when you try to switch between the toys - the physics go crazy, and I laughed instead of getting turned on. But then again, when the tentacles start moving in sync with her breathing, that laughter dies real quick. The sound design is grossly effective: too wet, too close, like someone’s recording from inside her throat. I kept muting it and unmuting again because silence felt even dirtier. The “pee” option caught me off guard; I thought it was a joke setting until I saw how detailed the animation was. Maybe too detailed. And the cake thing? I still don’t get it, but it sticks in your head like a smell you can’t wash off.

I guess what hits hardest is how the game doesn’t pretend to be anything noble. It’s pure control fantasy, ugly and honest. Sometimes she looks back at the camera and there’s this flicker - maybe shame, maybe pleasure - and I can’t tell which one turns me on more. The UI is garbage, but you end up forgetting about it, just lost in rhythm and skin and that awful metallic echo when she moans. I closed the tab, opened it again ten minutes later, and hated myself slightly less the second time.

It’s a weird kind of wrong that feels almost too confident about itself. The game just throws you right into this hotel-room-styled tension between Ben and Gwen, like there’s no excuse, no build-up, just quiet breathing and the kind of slow curiosity that only gets worse the more you watch. The control scheme is barely there - you think you’re just clicking around to peek, but then you’re moving hands and lips like you’re trying to pass off an accident as an experiment. The pacing makes it feel like time stretches sideways. There’s that one moment where Gwen turns, half-asleep, and it’s not clear if she knows what’s happening, and you catch yourself leaning closer like a total creep. God help me, I think that’s intentional.

Half the time the audio feels too loud, but maybe that’s the point - it’s not polished, like it’s meant to break the “cartoon world” with uncomfortable realism. The blowjob scene looks like it was stitched together by someone who didn’t care about pretty, just raw motion, the way her throat tightens around him while he mutters things that sound more like apologies than dirty talk. And then when you switch to doggystyle, yeah it’s cliché, but the way the lighting flickers - it’s distracting as hell and, weirdly, kind of hypnotic. The game’s rhythm keeps screwing with you: it slows down on the heavy stuff like missionary creampie and then speeds up when you least expect, like the code itself is embarrassed about what it’s showing. I got annoyed at that. Then again, maybe that’s why I didn’t stop.

You can tell whoever made this knew exactly what nostalgia they were playing with, too. There’s this sick mix of childhood memory and adult hunger that no one wants to admit enjoying. Kind of like watching something too close to a secret. The handjob bit feels almost shy, then the facial lands out of nowhere, breaking the build-up in the most abrupt, stupidly real way. I hate that it worked. I hate that my mouse hand twitched even after the final loop restarted. If that’s not the most human reaction, I don’t know what is.

This thing hits like somebody ripped a horny loop straight off Newgrounds in 2010, slapped a better render on it and said “yeah ok, that’s enough”. And honestly, it kinda is. You jump in, there’s no foreplay, no story dump, no fake moral lesson about predator prey harmony or any of that Disney crap. It’s just Judy already in position, Nick already hard as fuck, like you pressed play on the exact moment the porn parody starts after you skipped the cheesy acting. It feels dirty in a fun way because your brain still remembers them chasing bad guys and now she’s bracing herself, ears twitching, ass up, tail out of the way, taking him deep from behind while they both pretend the rest of Zootopia doesn’t exist. And yeah, it rides that line. You’re not supposed to see them like this, which is exactly why it works.

Sound-wise, it made the chiptune nerd in me grumpy for a second. I kept thinking, “Imagine if this had some crunchy 16‑bit style loop, like an oversexed SNES boss fight theme, filtered and pounding quietly in the back.” Instead it goes for something more safe, more generic, and that’s a shame, because the rhythm of his thrusts is already kind of musical. There’s this little moment where his pace stutters, like a drummer missing a beat then catching up, and if you’re into timing your strokes with the motion, you feel it immediately. It’s not some epic interactive game, but you still start syncing your breathing with the loop without meaning to. I had Spotify open in another tab playing some low‑fi chiptune remix and it actually matched better than what the scene gave me by default. Accidentally made it hotter than it had any right to be. Also, Judy’s expression shifts just enough as he goes deeper, but I swear her eyes feel like they’re staring slightly past the camera, like the animator was in a rush and said “good enough” and never touched it again, which kinda fits the whole rough vibe anyway.

Anyway, the main act is exactly what you expect with those two. Nick behind her, no condom, no hesitation, like he’s been doing this for a while and this is just their after‑work routine. There’s this one frame in the buildup where his hips slam forward and her back arches a little more than before, and if you blink you miss it, but that’s when it stops feeling like some stiff fan render and starts feeling filthy. The cum scene is simple but satisfying, no acrobatics, just that thick flood pumping into her while she clenches around him, and the camera stays right where your dick wants it to stay. No weird artsy angles, just raw, in your face, Nick buried to the base and twitching. I do wish there was a tiny bit more messy aftermath, like a slow pullout with everything leaking, but I also know they probably won’t change it and I’ve already replayed that finish too many times, so whatever. It’s quick, focused, and a bit unpolished in that “one animator grinding in their bedroom with too many reference tabs open” way. Dirty, direct, and it leaves your browser history just a little bit more cursed than it was before.

Kasumi Rebirth feels like catching someone’s private mod folder that accidentally got pushed live and nobody had the heart to stop it. It’s just Kasumi, chained up, not doing the “cool ninja” thing at all, and the whole game is basically you seeing how far you can push her body before you get bored or feel weird about yourself. She hangs there in those metal restraints, soft skin, big tits squeezed by the outfit that you immediately start ripping off, because of course you do. There is no fake romance, no “story” pretending this isn’t what it is. You poke her, grab her, slide hands over her tits, pinch her nipples a bit too hard, then harder, just to see if the reaction changes. It turns into this quiet little lab experiment: what if I put fingers in her pussy first, then in her ass, then both, then ignore both and just use her tits like they are toys made of warm jelly. The game doesn’t judge. It just lets you be a freak in peace.

The main loop of Kasumi Rebirth is strangely hypnotic: click, drag, spread her legs, tilt her hips, line her up for doggystyle, then get distracted and go back to playing with her mouth. You pull her head back, slide a dildo between her lips, watch those eyes say everything without a single line of dialog. Deepthroat her with plastic, then switch holes like a bored god with too much free time. Pussy, ass, mouth, back to pussy, then push it in her asshole again just because you like the way she tightens around it. You can masturbate her slowly, tease her clit until she twitches, then ram something inside and go straight for a rough creampie like the concept of foreplay never existed. Cumshots on her face, on her breasts, slipping down her body, and at some point I tried to see if I could cover both tits perfectly and got annoyed because one drop kept sliding off the side in a stupid way that distracted me more than it should. There is also this breast expansion thing going on that feels like someone’s late-night fever dream: you start tweaking and pumping and suddenly her big tits are not just big, they are ridiculous, heavy, almost comical, but somehow it works because this game stopped pretending to be “normal” a long time ago. It is rough, it is ***-y, it is torture dressed up as “gentle play”, and yet the whole thing has this old-school Internet porn game energy that makes you keep testing one more position, one more angle, one more messy facial, just to see how far Kasumi’s body can be turned into a toy before you finally close the tab and swear you’re done with Dead or Alive girls forever.