Not even sure why I clicked on that thumbnail, maybe boredom or curiosity, but this thing went way further than I expected. It’s weird how they made Samus look both powerful and humiliated at the same time - like she’s still that cold bounty hunter under all the mess, but the game keeps pushing her into situations that feel filthy in a way that’s almost hypnotic. You start thinking you’re just clicking through another cheap parody, then suddenly you’re adjusting sliders for things you didn’t think you’d ever have control over. There’s something so wrong about it, yet it’s done with a confidence that makes you forget to question it. I don’t even know if that’s good or bad.

The controls are clunky sometimes, especially when you try to switch between the toys - the physics go crazy, and I laughed instead of getting turned on. But then again, when the tentacles start moving in sync with her breathing, that laughter dies real quick. The sound design is grossly effective: too wet, too close, like someone’s recording from inside her throat. I kept muting it and unmuting again because silence felt even dirtier. The “pee” option caught me off guard; I thought it was a joke setting until I saw how detailed the animation was. Maybe too detailed. And the cake thing? I still don’t get it, but it sticks in your head like a smell you can’t wash off.

I guess what hits hardest is how the game doesn’t pretend to be anything noble. It’s pure control fantasy, ugly and honest. Sometimes she looks back at the camera and there’s this flicker - maybe shame, maybe pleasure - and I can’t tell which one turns me on more. The UI is garbage, but you end up forgetting about it, just lost in rhythm and skin and that awful metallic echo when she moans. I closed the tab, opened it again ten minutes later, and hated myself slightly less the second time.

This release is the 0.65 version of a parody game that Lumi and I have been crafting over time. Right now, only Toriel’s character is fully playable, but we hope to add more faces down the line.

This early version is pretty bare bones, focusing mainly on core mechanics rather than polish. In the future, we aim to flesh out the world with richer conversations, a wider cast, and enhanced battle artwork.

Controls are simple: use arrow keys to move around, Z to interact or pick things up, X to back out or cancel, and C to access the menu.

Unfortunately, since early 2017, Lumi and I have faced financial difficulties that make continuing development impossible for now. Time is scarce and funds are tighter than ever, so this project won’t see updates anytime soon.

We’re sorry to anyone who was excited about this game and hoped for more. Despite its unfinished state, this version offers a glimpse into what could have been.

If you want to explore what’s here, controls are straightforward and the focus is on Toriel’s storyline for now.

Keep an eye out in case we manage to return to this project, but for now, consider this a snapshot of our creative efforts.

You slip into this game as the new professor at Beacon and the whole thing feels kind of wrong in a way that makes it hard to stop reading. It’s not shy about what it wants: you, a smug older guy with too much authority, and Ruby, older than in the show but still with that clumsy puppy energy, stuck in your classroom while you slowly bend her into something filthy. The whole thing runs on text, so there is no fancy distraction. Just words hitting you, one after another, like a slow hand creeping up a thigh. The writing starts playful, almost harmless, with dumb jokes and parodies of school rules, and then suddenly you realize you’re several choices deep into blackmailing this girl over one embarrassing incident in the training hall.

There was one scene where you “help” Ruby with her combat stance. It begins like normal tutoring, legs apart, hands on her hips, small corrections. Then the teacher voice in the text softens and turns very personal. The script pays a lot of attention to little sounds: her armor clinking when you press her against the desk, the soft “ah” when you grope a little too high, the tiny wet click when she swallows her nerves along with your threats. No need for audio, you can almost hear it anyway. And when she finally drops to her knees for “extra credit”, the text slows down, sentence by sentence, describing the way she breathes against your cock, the messy saliva strings, the muted gagging. It lingers just long enough to make you feel like a creep, then cracks a joke about grades, like it wants you to laugh at your own corruption. I kinda hated that. And liked it. Then hated that I liked it. The pace is strange like that: some scenes rush right to the good stuff, then later a simple spanking session in your office drags on forever, each smack and whimper stretched out until you feel the heat of her ass on your own palm.

The domination side is not gentle. She starts shy and stubborn, but it doesn’t take long before you’re shoving her face into the desk, pulling her hair while you push inside her, reading her humiliation thoughts in these short, guilty inner monologues. You get moments where she tries to act tough, where the humor pops back up and she cracks a joke while your hand is down her panties, but then one line cuts through, like her realizing she is actually wetter when you insult her. That part stung more than any fictional bruise. The game leans fully into male power fantasy, from groping in crowded halls, to secret anal “lessons” after class, to forcing her to masturbate for you while you just watch and grade her form like it’s homework. Sometimes the text repeats certain actions again and again, like the writer forgot they already described how tight she is, but somehow it fits the sleazy, obsessive tone. It’s messy, too horny to be elegant, full of teasing and rough sex and stupid little asides, like your character complaining about paperwork in the middle of making Ruby choke on him. And yeah, the whole school setting, the blackmail, the way her innocence gets peeled off scene by scene, it all feels like reading a dirty fanfic at 200% intensity, where every new “lesson” is just an excuse to drag her a little deeper into your bed, and her shame sounds louder in your head than any battle in the original show ever did.

You ever start a game thinking it’s just another parody and then suddenly you’re watching Delia Ketchum bend over a lab table like she’s about to teach anatomy class the hard way? Yeah, that’s this one. It starts all innocent - Pallet Town, sunshine, that “I overslept again” energy - and then, bam, you’re in Professor Oak’s lab snooping through his stuff and learning he’s been researching... let’s just say “human-pokemon compatibility” in a way no academic journal would publish. The tone flips faster than a Tinder match gone wrong. One second you’re pretending to care about rare species, next second you’re covered in way more than curiosity.

Delia, though - holy hell. They made her look like the definition of “MILF who knows exactly what she’s doing.” She’s got that soft mom energy but says things that would make even Team Rocket blush. The scenes with her feel weirdly personal, like the game’s reading your dirty thoughts out loud. There’s a part where she leans in too close, her voice dripping honey and sin, and you just *know* this isn’t about Pokémon anymore. The writing’s cheeky as hell, half jokes, half filthy confessions, and somehow it works. You’ll laugh, you’ll groan, you’ll maybe question your childhood a little.

The pacing’s messy in that good kind of way - it doesn’t care about logic, just about pushing you deeper into its horny fever dream. You might roll your eyes at the story, but then the next scene hits and suddenly you’re invested in seeing how far the “research” goes. Controls? Who even cares, you’ll figure ‘em out with one hand anyway. It’s trashy, it’s fun, and it’s got that nostalgic kick twisted into something you definitely can’t talk about in polite company. Kind of like if Pokémon grew up, got divorced, and started posting thirst traps at 2 a.m. on Twitter.