Right, so Tia the Techy Witch. That name alone, it’s like someone threw a Halloween costume party and a cyberpunk convention into a blender. You load it up and she’s just standing there in this cemetery, all “silent place for my next spell” but the look on her face? That’s not a magic missile face. The truth is she’s got a different type of magic planned, and it involves a lot less robe and a lot more… well, you know.

The whole thing feels like a first date where they’ve put zero effort into the restaurant but are weirdly, intensely focused on getting you back to their place. The UI is this clunky, almost heraldric logo slapped on a color scheme that still needs work, the selection menu is a mess. But then you find the buttons. Speed change, POV switch, a whole damn music toggle. A new song even. It’s like finding a high-end sex toy in a bargain bin. The animations for the “Dirty DEED” are new, and watching this witch, who’s got more cyborg armor bits now because gotta love a girl in armor, get down with a vampire or some monster is genuinely hot. The blowjob scene has this weirdly specific rhythm, like a song that keeps almost dropping the beat. The climax button doesn’t just boot you to the credits anymore, which is a small mercy.

But can we talk about the phrases? “Show meh sum tiddies!” is literally a line. I spent five minutes just clicking through her dialogue trying to figure out if it was a bug or a feature. The spellbook model is just… there. It’s a model. And is that the Sergeant from the RAVER universe calling from beyond the grave? A deep cut for the three people who’ll get it. The whole thing is unpolished, buggy, and the magic effects look like a screensaver from 2003. Yet, I kept messing with the speed slider during the vampire scene, completely forgetting to even look at the witch’s new magic effects. It’s a mess, but it’s a mess that knows exactly what you’re here for and doesn’t pretend otherwise. The credits menu got minor changes, apparently. I wouldn’t know, I was busy.