Ayako wakes up in a body that still remembers how to fight, how to fuck, how to obey certain voices in her head, but not who she really is. That is basically the opening mood here: this weird mix of horny confusion, old myth stuff and a girl who knows she used to be terrifying. The game throws you straight into her fake “normal” life, where she’s stuck in this glossy modern city that feels like a cheap set. She moves through it, clicking on doors, phones, neon-lit streets, and all the time the framing is like some animation storyboard that never got finished. Camera angles hold a bit too long, some cuts feel slightly off, like the editor went for a smoke and never came back. Honestly, I kind of like that. There is this rough timing in the cutscenes that makes Ayako’s blank stare feel more broken than sexy at first, and then suddenly the scene shifts and she’s on her knees, mouth open, because someone whispered the right phrase and that “hunter” instinct is now just a puppet string. The whole oral stuff is framed almost like ritual sometimes: slow shots of her lips, lingering on spit and tongue, like the camera is trying to remember something at the same time as her.

The lesbian tension is not subtle, and that is good. When Yumi shows up, she has this soft, almost gamer-girl vibe at first, but the way the shots linger on hands, thigh touches, that slow press of bodies when they think they’re alone, it feels like the animator is low‑key obsessed with girls grinding on each other. There is one scene where Ayako is supposed to focus on some mythological clue, some symbol tied to old Asian underworld lore, but instead the framing just keeps going back to her fingers twitching near her own pussy as Yumi talks, like her body is answering a different question. She ends up masturbating in a small side room while a demon voice in her head feeds her flashes of past battles mixed with images of Yumi’s tongue between her legs. The cut is brutal, no smooth build up, it just jumps from quiet mystery to her gasping and fingering herself, thighs shaking. Then back to plot like nothing happened. It’s messy, but it feels real in this porn-brain way. The mind control angle hits hardest when Rin appears. Rin doesn’t even need to touch her; the voice alone tilts the whole scene. You can see it in the way the camera slightly drops below eye level whenever Rin speaks, giving Ayako this small, almost lost look, then suddenly she’s taking orders, tasting demon essence on her tongue, half in ecstasy, half in terror, and we never really get a clean line between what she chooses and what’s being pushed into her skull. The supernatural stuff is everywhere in the background, glowing symbols, distorted shadows, those brief flashes of Yomi that burn through a frame like a glitch, but your eyes keep ending up on wet lips, shaking legs, two girls clinging to each other in the dark while something old and hungry watches. It feels less like a nice polished hentai movie and more like opening a horny animator’s rough cut folder where nothing is properly labeled, but everything is way too personal.

The game drops you into this little romantic test lab where everything is shiny and wet at the same time, and for some reason that combo actually works. You’re a guy orbiting around this girl who looks like she’s been sculpted in a high-end porn studio, but the story keeps trying to pretend she’s just “a friend” or “someone important” or whatever. It feels like standing in a slow elevator with your crush while both of you pretend you’re staring at the floor number. Except here, the floor number has tits and a tongue and the camera really likes close-ups. It’s a kinetic thing, so you’re not doing the usual choice spam, you’re more like watching your own bad decisions play out in 3D. And because you can’t change anything, every time the guy hesitates before kissing her you kinda want to grab him by the neck and slam his face into hers. In a loving way. Mostly.

Sex-wise, the game goes straight for that “we know each other too well to be doing this, but we’re doing this anyway” vibe. Handjob in a place you really shouldn’t be getting one, like the camera is practically winking at you: yeah, someone could walk in, keep stroking. That whole exhibition angle is not over the top, just this light thrill, like when you’re sexting while sitting in a Zoom call and praying you don’t screen-share the wrong window. Then there’s the lesbian stuff which sneaks up on you, because one second the girl is “just curious” and five seconds later there’s tongue and moaning and someone’s fingers glistening under soft lighting. You’re stuck as the male protagonist watching two women get each other worked up and then somehow you’re allowed in, which is very generous of the universe. Oral, vaginal, hands, the usual porn logic progression, except the pacing is slower than I expected in a good way until suddenly it isn’t and scenes just cut a bit too fast like the game is shy about its own money shots. I kept wanting one more camera angle when she’s riding, just a tiny tilt, but no, it snaps away, like a cocktease editor got hired off TikTok.

Romance keeps trying to act like the main tag here, and it half wins. Some of the quiet moments are weirdly tender, like when she’s masturbating and you’re not even touching her, just watching, and the focus is on her face instead of her pussy for a few seconds longer than usual. That made me pause Spotify and just stare. Then two lines later she says something that sounds like a bad translation from a dating sim and I’m yanked right out again. The 3D models do a lot of heavy lifting; skin looks warm, tongues wet, nipples reacting to touch in a way that made me rewind a scene in VLC out of habit, even though it’s not a video file. And yeah, it’s obviously a proof of concept, you can feel the edges where the dev just went “eh, next build,” like that one shot where her handjob animation doesn’t match the thrust speed at all and my brain started calculating optimal stroke timing instead of enjoying the scene. I’m that freak who paused to think how many branching flags this would need if it wasn’t kinetic, and then immediately got distracted again when she sank down on him slowly, the camera hugging that angle where you see her back muscles and the way her ass hits his thighs. It’s kind of like watching someone test a love triangle strategy while only giving you one path: you can see all the temptations, the jealousy hooks, the exhibition curve, the lesbian route that could explode later, but here it’s all locked into this one horny, awkward, strangely sweet timeline that you just ride along with, whether you’d play it the same way or not.