So I'm scrolling through this mess of a game, right, and the first thing that hits me is how they didn't even try to hide what it is. Future setting, your daughter Moon hates your fucking guts, and you're stuck writing songs for her TV show. The android memory transfer thing is just window dressing for what's actually going on.

The spanking scene caught me off guard. Not because it's there, obviously it's there, but because the android girl just stands in the corner watching with this blank expression while you're going at it. Something about that dead-eyed stare while you're balls deep in your own kid. The creampie animations are deliberately rough, like someone animated them with one hand. I respect that.

What I don't respect is how the exhibitionism mechanics just... stop mattering halfway through. There's this whole thing with VARG glasses where anyone could theoretically see what you're doing, and then the game forgets about it completely. Poof. Gone. Like my motivation to keep playing after the third pregnancy scare that wasn't really a scare because the writing telegraphs everything.

The virgin android subplot is where things get genuinely weird in a way I wasn't expecting. She's technically never been touched but also has all these transferred memories of being absolutely railed. So when you finally get to the vaginal sex scene, she's crying but also giving instructions. It's uncomfortable in a way that feels intentional, unlike the rest of the game which is uncomfortable in a "someone's fantasy leaked onto a hard drive" way.

The group sex scene at the end. Three androids and Moon. Everyone's pregnant somehow. The future is wild.

The game drops you right into that nasty kind of apocalypse where the real monsters are the people stuck in the same room with you, not the zombies groaning outside the fence. You play the only guy in a tiny survivor group, so every look, every touch, every little accident of physical contact suddenly feels loaded. Not romantic. Just tense and horny and a bit pathetic. It’s honestly more about blue balls and awkward silence than about undead, which I kinda respect. The zombies are mostly background noise, a constant reminder that everyone’s trapped together, sharing the same toilets, the same blankets, the same cramped space where you hear someone masturbating at night and pretend you didn’t. The game does that thing where it makes you sit with the discomfort of your own choices: you click to peek through a cracked door, expecting some cheap voyeur scene, and instead you get the milf character quietly crying while she fingers herself just to fall asleep. Not heroic, not pretty, very hot, a bit sad. Porn and misery at same time. That fits the genre history of post-apoc smut better than most “badass harem” stuff.

What really sucked me in is how shamelessly horny the main guy is, while everyone else treats sex like a guilty side effect of survival. He’s not the cool alpha hero, he’s more like the dude who volunteers for watch duty just to maybe catch someone sneaking off to piss behind the building. There is one moment where you spot a big titted woman squatting to urinate, through the broken wall panel, and the game lets you either back away or stay and stare. No loud sound effect, no dramatic cut. She just finishes, wipes, pulls her pants, and later she talks to you like nothing happened. Unless you pick a certain line. Then it turns into this super uncomfortable argument about privacy that weirdly ends in a reluctant handjob, half out of anger, half out of “fuck it, we might die tomorrow”. Morally, it’s a mess. As porn, it works, too well. There is anal sex in there, like obviously there is, but nothing feels like a porn set. There is a group scene, but it’s not that cheerful orgy fantasy; it almost starts like a strategy meeting, everyone arguing about water and rations, and the tension just rots until somebody uses oral sex as a way to shut somebody else up. It’s ugly, hot, and very on brand for this kind of visual novel. And yes, the game pretends you have all these “multiple choices”, but most of the time you’re just choosing how much of a creep you are while pretending that your “relations” with these women are about comfort and trust. They’re not. They’re about you jerking off in a ruined world where zombies are the excuse, not the theme. I kind of hated that. I also kept clicking.

Hong Kong in 1986 already feels a bit like porn without trying, and this game just leans into that. Neon lights, cheap radios playing soft city pop, sweat sticking your shirt to your back on the tram. You play Michelle, this office girl who looks like she’s supposed to be a “good daughter” on paper, all tidy blouse and tired eyes from doing the same boring work every day. Then she bumps into Sam, who’s basically everything her mother would call “bad influence” in one small, cocky package. Short hair, loose shirt, confident grin, like she’s always half a second away from doing something she shouldn’t. The game pretends for like ten minutes it’s just about errands and family dinners and picking the safe choice, then suddenly you’re in some smoky cinema, shoulder to shoulder with Sam in the dark, pretending to watch the movie while your fingers brush on the shared armrest and your brain short circuits. That moment where you have to choose: do you keep sitting like a polite statue or just let your hand stay over hers and feel that tiny squeeze back. That’s when it gets you.

What I really liked is how the sex doesn’t come flying at your face right away, it kinda creeps in. There’s this scene in a cramped clothing shop where Sam pulls Michelle into the changing booth, like “here, try this on,” and of course the curtain doesn’t quite close, there’s that stupid gap, and you can hear some aunties talking right outside. Sam slides behind her, palms on her hips, lips on the back of her neck, and Michelle is trying so hard to stay quiet you can almost feel her teeth in her lip. When Sam’s hand goes under the skirt, fingers working slow between Michelle’s thighs, you get that mix of panic and horniness that feels way too familiar if your first porn was some grainy clip hidden in a random folder on Windows XP. Oral scenes here are really tender but still filthy, like when Michelle finally kneels for Sam in that cheap little apartment with the old fan rattling above them. She’s nervous as hell, kissing along Sam’s inner thighs, breathing in her scent, then dragging her tongue up so slowly it almost feels cruel. The game gives you little pauses to decide how bold you wanna be: do you look up into Sam’s eyes while licking her, do you take your time, do you get greedy and suck harder till Sam is grabbing the bedsheet and gasping your name. It’s not “porn logic” where everyone moans like a broken speaker from second one. It’s shy, awkward, wet, a bit messy. Which is way hotter.

Thing is, all that horny stuff is sitting right on top of a story about family and culture that sometimes hits too close. You go from tasting Sam between her legs to arguing with your mother over dinner about “proper future” and hearing how “girls like that” are just a phase. At one point you’re in a taxi with Michelle, Sam half in your lap, kissing you like she’s trying to erase the world outside, and then later you’re sitting in your childhood room, staring at some old exam trophies while your mother knocks on the door. The endings screw with your heart too. There’s one where you choose the safe, obedient path, and it honestly feels more obscene than the dirtiest oral scene, like emotional blue balls. Another one lets you throw yourself fully at Sam, knowing the city is about to change, the world is shifting, nothing safe is promised. You still end up half naked on some rooftop, Hong Kong lights under you, her fingers inside you as you cling to the railing and try not to scream, wondering if anyone below can hear. I only wish there was one scene in a crowded MTR train, pressed chest to back, hands wandering under clothes like you see in old movies, but okay, life is unfair. Also, the way Michelle’s sprite blinks sometimes is a tiny bit weird and it bothered me more than it should, then I forgot about it when Sam pulled her onto the bed again. Anyway I was going to talk about pacing but that thought kinda escaped when I remembered the scene where Michelle tastes herself off Sam’s fingers, cheeks burning, and suddenly all this “identity and meaning” stuff feels very real and very wet.

Fucking picture games man. They get me every time. This one’s called something about relations and advice, right? So I’m clicking through, expecting maybe some hot maid action because the tags promised uniforms and big tits, and what do I get? A personality quiz. A goddamn personality quiz wrapped in a hentai skin. The art is actually decent, that one maid with the glasses and the impossible chest, her uniform’s practically painted on, and the way her skirt doesn’t even pretend to cover anything, chef’s kiss. But the game part, the actual clicking part, is just answering shit like “Do you prefer a night of passion or a quiet evening?” and I’m screaming at my monitor, BOTH, YOU BINARY MORON. I want the quiet evening that ends in a sloppy, desperate fuck on the kitchen floor, is that an option? No. It’s not. The lesbian tag is there but it’s just two of the quiz result pictures showing girls groping each other, static images, no animation, no buildup. I felt like I was taking a Cosmo quiz from 2003 but with more visible areola.

And the erotic picture gallery, right, you’d think that’s the saving grace. The art style is that glossy, almost sticky looking hentai where every surface shines like it’s been lubed up. There’s a scene with the maid character on her knees, mouth open, and the detail on her tongue and the drool strand is genuinely top tier. But unlocking it was a chore. I had to lie on the quiz to get a specific ending. The game told me I’m destined for a “life fulfilled with sex” based on my answers, which, no shit, I picked the horniest option every time. What a revelation. The whole thing feels like someone drew six amazing pinups and then had no idea how to make a game around them, so they slapped on a broken questionnaire. I wish the maid would just step on me and get it over with instead of asking about my emotional availability. The relations advice it gives is so generic, like a fortune cookie that’s been left in the sun. “Communication is key.” Cool, can I communicate with my dick now? Please? The big tits are there, they’re glorious, but they’re trapped behind a wall of vapid text. Just let me at the gallery from the start and skip the therapy session, nobody’s here for life coaching. We’re here to see the maid’s uniform finally lose its structural integrity.

The wedding is in two weeks and Emma, that sweet face from high school, is finally going to be mine. The game opens with her packing, all soft sighs and that little pout she does. The art is rough, I mean really rough, like someone sketched it on a napkin and then spilled coffee on it. But somehow that mess works. The janky lines make her feel more real, like a memory you're trying to hold onto. The music is this loop of what sounds like a music box being slowly crushed, and it drills into your skull until you're as anxious as the protagonist.

You're apart from her. That's the whole setup. The phone buzzes. A coworker texts. Her name is... something. Doesn't matter. The CG scenes are static but the dialogue is filthy in a way that feels accidental, like you're reading someone's private chat logs. There's a choice early on, just a simple yes or no to a drink after work. I clicked yes before I even thought about it. The screen went dark for a second too long and I felt my stomach drop. The game doesn't judge you, it just shows you the next morning with a text from Emma saying she misses you and a photo of her in her wedding dress, the fabric bunched up around her hips. The contrast is a punch to the gut.

The pacing is all wrong in the best way. You'll spend five minutes reading about what sandwich you're eating and then a sex scene will flash by in three lines of text and a single, badly drawn image of a hand on a thigh. It's disorienting. The cheating isn't glamorous. It's a series of awkward pauses and fumbled zippers. There's a moment where you have to choose between answering Emma's call or letting it ring while a pair of lips moves down your stomach. I let it ring. The silence after was louder than the music box ever was. This isn't a power fantasy. It's a slow, quiet disaster you can't stop watching. The wedding is still two weeks away. I don't know if I'll make it.