The mom character. Jesus. Those tits are absolutely ridiculous, like two overfilled water balloons that the 3DCG artist spent way too long sculpting. They bounce with this weird, hypnotic weight during the animated scenes. You start off in this shitty house with your depressed, alcoholic mother and honestly, the whole setup feels grimy in a way that works. Not polished at all. The textures on the furniture look like they were ripped from a 2005 asset pack and the lighting is flat as hell.

But then the neighbor shows up.

She’s a vampire, obviously, and the mystery angle kicks in. The writing is... strange. One minute you’re having this genuinely tense conversation about your protagonist’s past abuse, the next you’re awkwardly groping the milf next door while she whispers some mystical nonsense about Ashwood. The tonal whiplash is severe. I actually laughed during what was supposed to be a serious reveal about her nature. The violence tag isn’t just for show, there’s a scene with a rival vampire that gets surprisingly bloody, but the blood effects look like red jelly. The lesbian content is mostly teased, a side character who runs the local occult shop gets a few animated scenes with the neighbor that are hotter than anything involving your male protagonist, which says a lot.

The visual novel structure is barebones. Choices feel like they matter for about two clicks before the story railroads you back to the main path. There’s this one moment where you can choose to spy on the neighbor changing, and the animation is janky, her arm clips through her torso, but the sheer size of her chest makes it weirdly compelling anyway. The mystery part, something about an ancient coven, gets dropped for long stretches while you just... hang out. Complain about your life. Stare at impossibly large breasts.

I wish the game leaned harder into the mystical worldbuilding instead of the repetitive self-pity monologues. A DLC focusing entirely on the shopkeeper’s backstory, with more explicit lesbian scenes, would fix half my problems. The animated sequences are the only thing keeping this from being a total skip. That and the absurd, gravity-defying physics on the milf characters. It’s a mess. A horny, confused mess that doesn’t know if it wants to be a dark mystery or a titty simulator. The groping mechanics are just clicking on highlighted body parts until a meter fills up. Revolutionary.

The cave wall texture pops in wrong if you move too fast. That’s the first thing I noticed, not the vampire lord’s massive cock or the way the protagonist’s torn spacesuit hangs off one shoulder. Just a flickering grey polygon that’s supposed to be damp stone. This game doesn’t give a shit about polish and honestly I stopped caring too once the first groping scene happened in the dark forest. You’re this stranded female scout on some fucked up alien world, all the flora is dead or glowing, and the monster that finds you isn’t interested in eating your flesh. Not at first.

The oral sex segments have this weird rhythm. He just stands there, pale and impossibly tall, and you kneel because the dialogue wheel only gives you variations of submit. The 3DCG is janky as hell, stiff joints and dead eyes, but something about the vampire’s stillness makes it work. Like a predator that doesn’t need to rush. The creampie scene in the abandoned research outpost caught me off guard. I’d been clicking through dialogue about blood samples and ancient curses and suddenly she’s bent over a console, those stupid monitor screens flickering static while he takes her from behind. The male domination angle isn’t subtle. It’s the whole point. She’s prey, he’s ancient, the sci-fi horror elements just dress it up enough to make the submission feel earned instead of cheap.

Wish the groping mechanics had more feedback. You click and drag and sometimes her suit tears, sometimes nothing happens, no sound cue or visual tell to explain why. Spent ten minutes in the medbay scene trying to trigger a specific animation and never got it. The vaginal sex scenes unlock in a linear sequence no matter what you do, which makes the exploration feel pointless after a while. But I kept reloading the forest section anyway. Something about the fog effects, how the vampire’s silhouette materializes between dead trees, the way the ambient audio drops to nothing right before he speaks. It’s horror that fucks. Literally. The monster isn’t misunderstood or romantic, he’s a corpse with a hardon and centuries of loneliness, and the game never pretends otherwise. That one detail where his hand clips through her hip during the second creampie scene. Should’ve ruined it. Didn’t.

Kyra wakes up in a hospital bed with tubes in her arm and dried blood on her lips, and the game just kind of throws you into her head like “yeah, you’re technically dead, but also not, and also hungry as fuck.” It’s not subtle, which I liked. One second you’re watching her stare at a TV, confused about cars and smartphones, next second she’s in a dark alley with her back pressed to a brick wall, breathing heavy while some guy’s pulse is thumping in her ears louder than the city traffic. The moment you finally give in and let her bite? That’s when I feel the game really starts. She’s still this awkward, shy virgin when it comes to sex, but she’s got this brutal, animal side that slips out when you pick the “fuck it, feed” option. The animation for that first feed is rough but hot: his fingers shaking on her hips while she sucks his neck like it’s the dirtiest blowjob of her life. No fade to black, you actually see the way her eyes glaze over with pleasure, a bit of blood on her tongue. It’s messy in a good way.

Thing that surprised me is how the game plays with her sexuality while she’s still figuring out the whole “I used to be a medieval girl, now there is TikTok and Uber” thing. There’s this early scene where you’re alone in a tiny rented room, scrolling some porn clip on the phone someone lent you, and she’s copying the sounds she hears. She lies on her back, plays with her tits a bit clumsily, then gets frustrated and goes straight for her pussy. You can make her be shy about it or really curious, but either way the camera lingers. Not porn-website perfect, more like someone real discovering how good it feels to rub herself and imagine that guy from the bar on his knees. The game lets her go both ways too. In a girls-only route, there’s a shower scene with this punk-looking chick who teases Kyra about “never having kissed anyone properly.” When your MC finally presses her against the tiles and lets the girl slide down to lick her, the contrast of pale vampire skin and darker skin tone is hot as hell. She’s still confused if she wants blood or just tongue, and you can see that in how she grabs the other girl’s hair too tight while getting eaten out.

What really stuck with me was one of the group scenes on the “solo” path, sounds weird but you’ll see what I mean. There’s this cheap underground party in some abandoned building, graffiti, strobe lights, bodies everywhere. If you play her as more corrupted and hungry, you end up in a half-collapsed back room with two guys and another girl, all drunk and horny. You start by just grinding on one dude’s lap, his hands under her top, the other guy watching and stroking himself, and then it turns into this sloppy tangle of limbs. She drops to her knees, taking one cock in her mouth, spit stretching when she pulls back, while the second guy is pressed against her from behind, rubbing against her ass through her panties. The girl joins in later, kissing Kyra while one of the guys pushes his cock between both their lips. It feels less like “perfect orgy choreography” and more like “everyone high and horny and nobody really cares who is touching what,” which somehow makes it hotter. At some point Kyra’s fangs come out by reflex during a blowjob and you get this tense little choice, whether to risk nicking him and tasting blood while his cock is still in her mouth. That mix of danger, sex, and hunger is where the game hits really hard. I still hate that one looping moan sound they use in a couple scenes, it’s like the same porn clip from fifteen years ago, but anyway, by the time you unlock the scene where you pin a guy down, ride him, and lean forward to lick the sweat off his neck while deciding if you’re going to cum or kill, the rough edges don’t really matter anymore.

I remember finding this on some forgotten corner of itch.io, back when my taste in porn games was still forming. The kind of thing you'd stumble across and think, yeah, this looks ambitious. Too ambitious maybe. The whole setup with fallen angels and demons doing political marriages in the Void, then their souls getting stuffed into three human kids? It's a lot. But somehow it works, or at least it works enough to keep you clicking.

The first real scene that got me was with the Sentinel Angel, this washed up warrior type, and the demon ally. They're supposed to be protecting these vessels but the tension between them is thick. You can practically smell it. There's this moment where you choose to let the demon take the lead on a corruption path and suddenly you're watching from the angel's POV as she works her way through a werewolf pack. The game doesn't shy away from the messy parts either, the sounds, the fluids, the way the monsters just keep coming. Multi-pov means you get to see the same encounter from different angles, different heads, and that voyeurism tag isn't lying. You're always watching something you probably shouldn't be.

The RPG elements are janky as hell. Choices feel meaningful until they don't, and sometimes the story forgets what you picked two scenes ago. But then you'll hit a nephilim corruption sequence that's so over the top explicit you forget to care about consistency. The vampire scenes especially, there's this one where the fallen angel character gets turned and the whole thing plays out like a fever dream. Blood and sex and power shifting back and forth. The 3d models are rough, like really rough, but the writing during those moments carries it. I've seen worse animation on bigger budget titles.

What sticks with me though is how the game treats corruption not as this simple evil thing but as something more complicated. The demons aren't just villains and the angels aren't heroes. Everyone's compromised. Everyone's hungry. And that hunger translates directly into the explicit content in ways that feel earned rather than just tacked on. The mature tag is doing heavy lifting here, this isn't for anyone looking for vanilla romance. It's dark fantasy in the truest sense, the kind where you're not sure who to root for while you're watching them get railed by monsters.

I keep thinking about the scene where you first meet your daughter again after centuries. She's not scared, not exactly. She's disappointed. That hits harder than any fang scene in this whole bloody mess of a game. The First Beings isn't trying to be your typical vampire smut, even though it definitely has the graphic violence and the sex scenes that'll make you glance at your door.

The writing is deliberately rough around the edges, like someone's actual journal rather than a polished novel. Sometimes the dialogue loops weirdly, and I got stuck on one choice screen for way too long because the options were basically "be a monster" or "be slightly less of a monster but still pretty terrible." The fear/love system sounds clever on paper but in practice it feels like you're just picking which flavor of trauma to inflict on your progeny. I don't know if that's intentional or not.

The lore dumps about The Hidden, your secret lineage or whatever, can get tedious. I found myself clicking through paragraphs about ancient bloodlines while waiting for the next actually interesting bit. But then there's this moment with your former equal, the one you raised children with before everything fell apart. The sexual tension there is thick enough to choke on, and the game doesn't shy away from making it properly explicit when things finally boil over. Full nudity, detailed acts, the works. It's hot in that uncomfortable way where you're not sure if you should be enjoying it given the context.

The monster designs are genuinely unsettling, which makes the romance options feel even weirder. You're supposed to be this ancient terror who shaped civilizations with blood and fear, but now you're just... tired. The game asks if redemption is possible for something like you. I kept choosing the brutal options because honestly, the restraint path felt fake. Like putting a leash on a hurricane. But maybe that says more about me than the game. The mystery elements work better than the relationship stuff, which is backwards from what I expected going in.

The boss is droning on about Q3 synergy metrics and I'm under my desk, phone tilted away from the security camera, watching an orc woman with biceps thicker than my thighs pin Henry against a tavern wall. Something about the way her tusks frame that grin. The game calls itself an adventure but really it's a series of increasingly improbable sexual encounters strung together by a plot about some mountain village kid who wants to see the world. Fair enough. We've all been there.

The threesome with the vampire and the elf caught me off guard. Not because of the positioning, which was creative if anatomically questionable, but because the dialogue actually made me snort. The elf says something about Henry's "mortal stamina" and the vampire rolls her eyes so hard you can practically hear it. For a game that looks like it was rendered on a potato running Windows Vista, the banter has moments. The muscle orc lady from earlier, she's got this whole domination thing going on, calls him "little man" while she's working him over with one hand and honestly the power dynamic is more interesting than half the visual novels I've wasted bandwidth on. The creampie scenes are abundant, maybe too abundant, like the developer just discovered the texture and got excited.

The monster girls are where it shines and also where it falls apart. The ogre's ass is rendered with more care than her face, which is saying something because her face is just two dots and a line. But then the vampire scene has this weirdly tender moment where she asks about his village and you remember oh right, there's supposed to be a story here. The mobile version chugs during the animated bits, frames dropping like my attention span during budget meetings. Still haven't figured out why the elf's ears clip through the bed in that one scene. Maybe it's a feature.

City like this tastes of wet asphalt and cheap energy drink on your tongue, and the game leans into that filth hard. You start as this half-broke delivery guy, running errands for people who don’t even look you in the eyes, and then death just snaps on you like a dog off the chain. Next breath you’re not really alive, not really dead, and everything starts to smell different: blood has color in the air, fear has weight, sex feels like a second heartbeat in your gums. The whole story hangs between horror and horny, like you’re walking in a back alley where the light is always almost broken. One corner has a milf with tired eyes and tits on proud display, fingers twitching near a hidden toy, pretending she’s not desperate. Another door hides some shy virgin girl who should stay away from you, but you already know you’re going to ruin her slowly, one teasing touch, one “accidental” grope, until she grips your wrist instead of pulling it away.

The game calls itself sandbox and actually mean it, which is rare. You wander this cursed city, poking into side streets, brothels where the girls have bite marks they swear are “just for fun”, dark clubs where people sell more than just their bodies, and apartments that smell of incense and bad decisions. Sometimes you’re just doing basic point and click stuff, knocking on doors, choosing who to charm, who to corrupt, who to break. Then suddenly you’re in a fucked up fight with some paranormal freak who rips open a guy like a plastic bag. The violence gets graphic in a way that makes sex feel hotter after, like your cock and your fangs are wired to the same dirty switch. One run you play sweet romance, kiss on the neck, slow handjob under soft moans, tongue lingering on her lip before you taste her throat. Next run you push into full male domination, fingers on her jaw, cock in her mouth while she’s still trying to say your name, using her like a toy while your new superpowers make her too scared not to obey. Other routes flip it: you think you’re in control of some elegant vampire milf, then find yourself on your knees while she rides your face and laughs, nails digging into your hair, using your mouth and leaving you with nothing but ache and pre-cum soaking your pants.

What I like is how corruption sneaks up. You start by just “helping” a girl earn extra cash, suggesting prostitution like it’s no big thing, then slowly you add anal, toys, risky public blowjob behind a bar dumpster, and next time she’s the one asking if you’ll finish with a creampie, like that was always normal. You can masturbate alone in your shitty apartment, watching the city lights through cracked blinds, remembering the feel of her throat tightening around you while she struggles for air and laughs after. Or you can just stalk the streets and grope someone in the shadows, a quick squeeze of ass, a palm over a nipple, then vanish before she knows if it was real. One small thing that annoyed me: sometimes the point and click hotspots are tiny as fuck, like I spent more time hunting for a pixel than I did hunting for fresh pussy, and that kinda killed the mood, but whatever, I forgot it the moment I was balls-deep in some trembling girl who still calls you “monster” with her legs wrapped around your waist. There’s even incest paths simmering under the surface, that taboo family tension, where a “comforting hug” lingers too long, then her hand brushes your bulge and neither of you pretends it was accident. It’s not a clean story, not a heroic one. It’s messy, cruel, wet, full of teeth on skin and gasps in dark stairwells, a city of sins where every route feels like another bad decision that you keep stroking anyway.

The way Kendra’s tits sit in that torn teacher’s robe, you know the kind of game this is before the first dialogue box even closes. It’s that gothic 3DCG look where the skin is too smooth, like a doll you’d find in a locked cabinet, and the shadows under her cheekbones could cut glass. I loaded it up while the laundry was spinning, thinking I’d just check the mystery plot about the missing rector. Then the vampire witch with the neck tattoo gives you a look and the whole “investigation” becomes a lesson in how many different ways a monster girl can pin you to a desk.

The oral sex scenes are where the ahegao tag really earns its keep. There’s a moment with a student who’s got these massive, vein detailed breasts and the eyes roll back so far it’s almost a jumpscare. A sexy jumpscare. The teasing mechanic is weird, you just click and hold while the dialogue loops, and I wish it had more feedback but honestly I forgot my own name during the BDSM scene with the female domination subplot. The creampie finish is, well, generous. It’s messy in that specific, glossy way these games love. The romance path with the monster character is supposed to be forbidden but the dialogue is so blunt it’s like being hit with a brick that says “we will now have vaginal sex.” I’m not complaining. It’s just. Direct.

The fantasy setting is just a backdrop for power struggles that end with someone’s legs behind their head. The school setting is barely a school, more like a series of dimly lit rooms where everyone is plotting or horny. Mostly both. The mystical element is Kendra’s whole vampire witch thing, but it mostly just means her eyes glow during the big ass shots. I spent too long on a minor choice about a book in the library that changed nothing. The soundtrack tried to be atmospheric but my phone’s speaker made it sound like a haunted microwave. Still. That one scene with the teasing, the one where you just have to watch and not click anything, I had to put the phone down and check if the kids were really asleep. You know.

The first thing that hit me was the redhead at the tavern. Not literally, but almost. Her tits are drawn with this specific weight, like they'd bounce if the engine had any animation beyond a blink loop. It doesn't. Bloodlines of Shadow Springs is a Lesson of Passion joint, so you know the drill: static CGs, a wall of text, and choices that mostly just change which hole gets described next. I clicked through a scene where my vampire guy corners a brunette near the well and she says something about "clan duty" while already pulling her skirt up. The logic is stupid. You're supposed to be seducing these women, but half of them are already wet before you finish a sentence. The monster tag is doing a lot of work too, there's a scene with some kind of shadow beast in act two that I honestly forgot about until I checked the tag list again.

The impregnation mechanic is just a counter. You fuck, the belly grows in the next CG, done. No risk, no failure state. I tried picking the "wrong" dialogue option on purpose and the girl still spread her legs. That's not a visual novel, that's a slideshow with extra steps. But the art, okay, the art is actually decent if you like that glossy mid-2000s hentai look. The vampire protagonist has this permanent smirk that made me want to punch him, which I guess is the point. There's a fantasy setting that never matters. A redhead, a brunette, maybe a third one I already forgot. The choice system is fake, the writing is horny in a very literal way, like someone typed one-handed.

I don't know why I kept playing. Maybe because the CGs are hot in a trashy way. Maybe because I wanted to see if the monster would actually do something. It didn't. Not really. You just click and click and occasionally the girl's eyes roll back. That's the whole game. I should hate it more than I do.