I didn’t expect this parody to feel so weirdly personal. It’s supposed to be just another lewd sandbox thing with the My Hero Academia crew, right? But something about how the girls talk - especially Toga - feels like the dev actually gets what makes her tick. She’s not just a crazy fangirl; she’s got that teasing, dangerous tone that makes you hesitate before clicking the next dialogue option. I swear, when she leaned in during that scene in the alley, I actually froze. It’s not even about the graphics (they’re fine, not mind-blowing), it’s how the pacing lures you in. You think you’re just grinding reputation points or unlocking scenes with Mina, and suddenly you’re knee-deep in some morally questionable choice that makes you feel like a total degenerate. And then you keep playing anyway.

There’s this weird tension between being a hero student and doing all this filthy stuff. Like, Midnight showing up outta nowhere to “discipline” you - it’s half hilarious, half... yeah. I wish the audio cues didn’t loop so obviously though. It kinda kills the moment when you’re trying to focus on what’s happening and the same moan repeats like a ringtone. Still, when Momo starts acting shy and then flips - god, that part hit harder than it should’ve. I even caught myself grinning like an idiot. Then again, maybe I’m just too deep into this kind of thing. It’s not perfect; some dialogue feels like it was translated twice through Google, but maybe that’s part of the charm. Makes it feel raw, unfiltered, like a fan made it out of obsession instead of profit.

I saw someone on Reddit compare it to those old Flash-era parody games, but this one’s got more bite. Kyoka’s route especially - her attitude’s all sarcasm until you push her buttons right. Then she melts. It’s messy, inconsistent, and I honestly love that. Feels more real than the polished junk clogging Nutaku these days. I kinda wish there was a proper ending, but then again, I don’t. Some fantasies shouldn’t end clean.

There’s something weirdly hypnotic about this one. Maybe it’s the way the story pretends to care about training or discipline, but every scene just turns into a slow slide into something filthier than the last. The girls act like they’re trying to impress you, but half the time it feels like they’re daring you to lose control. Hinata’s quiet voice hits harder than it should, like she’s whispering something she’s not supposed to say. And Ino - god, she’s written like she knows she’s in a parody and is just rolling with it. I kept expecting the game to break the fourth wall, but it never does, it just stares back at you like, “Yeah, you’re still here, huh?”

The mobile version runs smoother than I thought, though the sound loops are a bit off - someone really needs to fix that moan that cuts mid-breath, it’s driving me nuts. Not in the good way. The scenes with Tsunade are ridiculous, like they were designed by someone who’s never seen gravity in action, but that’s kind of the charm. There’s a moment with Mei that almost feels tender, until the dialogue reminds you this is a slave trainer fantasy and tenderness doesn’t belong here. I liked that contradiction, actually. It’s filthy and fake and still manages to hit something real for a second before yanking it away.

I wish they’d done more with the Scooby-Doo crossover joke; it shows up once, then disappears like it was embarrassed to be there. Also, why does every character blink at different speeds? It’s unsettling. But when the camera lingers on Sarada’s smirk, you forget everything else. The writing slips between awkward and accidentally poetic, like a drunk confession. And even though I’d never admit it out loud, I caught myself replaying the Hinata route just to hear her break that one line again - it’s wrong, and it’s perfect.

You’re this freshly graduated hero kid at U.A., but it doesn’t feel like shiny heroic future at all. It feels like hanging backstage in a strip club dressing room, still in costume, still sweating glitter, but the show’s over and now all the real shit happens. Principal gives you this “secret mission” and smiles like a manager who knows damn well you’re going to break every rule he just pretended to explain. Your quirk is stupid strong, perfect for fighting villains… or for peeking, teasing, touching where you really, absolutely, totally shouldn’t.

The whole thing plays like a messy dating sim and a sandbox had a baby with a horny fanfic. One moment you’re walking around the school corridors, same old U.A. uniforms and doors and boring hero talk. Next thing, you’re alone on a training field with Ochaco, she’s stretching, her shirt riding up, and the camera just loves her tits and that ass. She’s talking about becoming a pro hero, and in my head I’m already planning a burlesque routine: pink lights, zero gravity pasties, her floating slowly out of her clothes while the crowd loses its mind. The game lets you be polite and romantic, or you just… lean in, test the waters, “accidentally” brush against her curves and see how far your quirk and a bit of groping can go before she blushes or snaps.

Then there’s Jiro, and I swear I misremembered her name twice while playing, I kept calling her “Kyomi” in my notes. She’s this cool, low-key girl, headphones, attitude, but the way the scenes are drawn, you can’t miss how soft she looks under the punk vibe. I had this idea in my head of a slow striptease to bass-heavy rock, her jack plugs trailing down like suspenders, but the game goes instead for something more intimate. Tiny room, lights low, her teasing you with that deadpan sarcasm while your hands travel way too far under her clothes. It’s not subtle. Nothing here is subtle. And still, sometimes the pacing drags, like when you’re trying to find the right place to click in the sandbox and you just want to skip straight to Midnight bending over a desk in that skin-tight latex, giving “teacher-student conference” a whole different meaning. I swear I spent longer looking for one dialogue trigger than I ever spent rehearsing a fan dance.

Mirko is a whole different beast. Literally. I see her and my brain goes “this is not a hero, this is a headliner in a rabbit-themed cabaret.” Those muscles, those thighs, those ears, that attitude. In my routine version she’d stomp on stage, grab a chair, sit on it backwards and grind on it like it owed her rent. In the game, when you finally get a private moment with her, the vibe is wild and physical. She teases you, calls you out, gets in your face. You try to keep it romantic and the script almost lets you… then the art just zooms straight into her big tits and tight ass and suddenly romance is wrestling. I loved it and still kinda hated how fast things escalated, but anyway. Rumi doesn’t do half-measures.

The voyeurism angle sneaks up on you. First it’s “oops, you walked past the changing room at the wrong time”, then later you’re lingering on windows, peeping at shower steam and silhouettes, heartbeat racing like you’re doing something very illegal. And you are, to be honest. Some scenes feel like you’re the pervy stagehand watching from behind the curtains while the girls change costumes, not knowing you’re there. As a dancer, I got this weird guilty thrill, because it really captures that feeling of eyes on skin, of power in being looked at… even if here the player is the one stealing the look. There is romance, cute moments, walking through the school talking about futures and dreams, and somehow five minutes later your hands are full of big tits or you’re pressing some flustered, wide-eyed girl against the wall and whispering what you want to do to her.

The art is pure 2D fan-fantasy, not “professional anime studio” level but dirty enough to feel fun. Sometimes a pose looks a little off and I laughed, then two clicks later I’m staring at Mirko’s sweaty abs like I never saw abs before. The game lets you flirt, grope, push your luck, and your quirk becomes this excuse for every bad thought you ever had while watching the show. Is it refined? No. Parts feel awkward, some dialogues made me roll my eyes, and I still don’t know why one scene with Kendo broke on me and sent me back to the hallway like I’d been kicked out of the club for touching the dancer. But then I see Midnight leaning over, breasts about to spill, playful smile promising trouble, and suddenly I forgive a lot. Not everything. But a lot.

A horny Martian crashing on Earth to flirt with half the Overwatch roster should not work this well, but it kind of does, in a trashy cocktail way. You play this very unapologetic male traveler who drops into a sci‑fi parody world that looks like someone’s Overwatch folder and Pornhub search history had a child, and that child learned sarcasm from Twitter. The tone is playful and stupid in a good way: the writing knows exactly what it is, a dating sim where you romance heroes you’ve already masturbated to, just now with more jokes and actual routes. One scene with D.Va had me pause my Spotify because I wanted to hear the little voice lines and teasing properly. She talks to you like a cocky streamer who knows she has you on a leash, then flips into surprisingly soft mode after you pick the right dialogue. It feels less like “here is sex scene number 1” and more like you bullied your way through her chat and somehow ended up in her bed. Completely unrealistic, but who cares.

What I liked most is how the game treats the girls as characters before it turns them into porn poses, even if the porn is absolutely the point. Mercy does this fake professional thing at first, like she is about to scold you for existing, and then just melts when you push the romance options hard enough. There is one moment where she is explaining something very medical and important, and the camera is slowly sliding lower, like your brain does when someone with big tits starts talking about “vital signs”. Pharah is the opposite energy, more stoic but also low key the biggest perv once you hit the right trigger, and the scene with her using a toy on you while keeping that soldier attitude was honestly my favorite, because it’s both funny and hot. Mei’s route feels a bit lighter and more comedic, with a lot of humor around her body and that big ass, like the artist really, really loves drawing her thighs almost more than the actual sex. Almost. The 2D art is messy in places, but in a good way, like horny sketchbook energy; some angles are awkward, then you get one frame of Ana giving a handjob with this tired MILF gaze and it looks like a painting you’d hide in a secret folder on your Google Drive. The mobile version feels natural too, tapping through choices one‑handed while the other hand is busy, and the pacing of oral to vaginal to toy play actually respects that rhythm. I wish one UI button was placed a bit higher, it keeps making me misclick during a climax scene with Juno, and it annoys the hell out of me every single time, but then I get distracted because Iggy shows up with this smug grin and the game throws another joke in your face. It’s dirty, kind of stupid, sometimes romantic in a clumsy way, and it looks like it was made by someone who really loves these characters, not just their boobs, even if the boobs are absolutely the main camera target.