This one hits that weird spot between horny soap opera and shady crime story, and somehow it works way better than it should. You’re playing this nice-on-surface Yamaguchi husband, but honestly he’s a total piece of shit in the best hentai way. Two families, both freaking out about babies, one guy shooting blanks, one woman with issues, and instead of just going to a clinic like normal people they cook up this “share the dick, share the kid” plan. It sounds dumb when you say it out loud, but inside the game it feels like those old VHS hentai plots where everyone is pretending to be noble while thinking only about who they want to fuck next. The whole “be the wife’s boyfriend” idea is pushed hard: you’re not just knocking up some random MILF, you’re creeping into her daily life, her bed, her phone, her head. One moment she’s a polite housewife pouring tea, next moment she’s choking on your cock, drool on those perfect fake-ahegao lips, and you realize, ah, ok, that’s why this is a mobile game and not on Google Play.

What I like is that the story actually tries. It’s not just click, boob, click, pussy. You get text messages, late-night calls, that slow corruption feeling. She starts off stiff and formal, then the outfits get tighter, the eye contact lasts longer, she “accidentally” brushes your thigh, and before you know it she’s riding you in the room next to her sleeping husband, whispering “don’t make noise” while clearly trying to make you blow in her raw. The 3D CG is that specific horny-asset-store style: big boobs with gravity that kinda makes sense but kinda doesn’t, thick asses tailor-made for doggystyle close-ups, and faces that go full ahegao in a way that would be cringe in anime but here just feels filthy. Scenes don’t stop at vanilla either. There’s a proper femdom mood sometimes, especially when she flips from shy to controlling, sits on your face, presses her foot on your chest, makes you lick her toes clean before even letting you touch her nipples. Footjobs, handjobs under the table, sloppy oral with deepthroat gag sounds, those “I’m married, this is wrong” lines while she’s begging you to cum inside, all that classic pixel-brain porn logic. You even get those interracial vibes when they throw in darker-skinned characters and treat you like the dangerous outsider, which fits the whole blackmail angle that quietly builds in the background. Netori fans will grin, because you’re not getting cucked here, you’re the one screwing up the other guy’s life, taking his wife, maybe his future child, and somehow the game still pretends there might be a happy ending. Plot keeps teasing thriller stuff, like people getting suspicious, doors almost opening during a blowjob, messages from unknown numbers, the kind of tension that makes you keep one hand on the mouse and one on your dick, then forget which one was supposed to be doing what. It’s messy, horny, sometimes stupid, sometimes weirdly emotional, and feels exactly like something you’d hide behind other apps on your phone and swear you only play “for the story” while her big tits bounce on screen for the tenth time in a row.

You’re stuck on this tired old cruise ship that’s pretending to be classy, but everyone on board is horny, bored, or both. You’re the first officer, so you’re supposed to care about navigation and safety and all that, but let’s be real: you’re mostly walking around the decks thinking “who on this tub is going to end up on their knees in my cabin tonight.” The ship has that fake luxury vibe, faded carpets, uniforms a bit too tight, and a lot of MILFs trying to drink away their marriages. Half of your “job” becomes wandering the halls, bars, cabins, and staff-only corridors, poking into people’s business, catching them doing dumb shit, then figuring out how to twist that into something perverted. One moment you’re “helping” a married guest who locked herself out of her cabin wearing only a towel, the next you’re in her room, her huge tits spilling out of a half-buttoned shirt, and she’s begging you not to tell her husband she was flirting with the bartender. The way the game handles that shift from normal to filthy is surprisingly smooth. You ask a slightly too personal question, she stutters, looks away, cheeks getting red, and then suddenly she’s on the bed, legs spread, panties halfway down her thighs, giving this messy ahegao face while you rail her and the camera jumps to a slick internal shot of your cock hammering her pussy. It feels filthy in a very… lowkey human way. Not subtle, just human.

What I liked a lot is how sound is treated here. It’s not Hollywood level or something, but moans actually change depending on how hard you’re going, and there’s this wet slapping sound during titfucks that hits way harder than it should. Handjobs have that skin-on-skin friction noise that makes you want to crank the volume, even though it’s kind of embarrassing when her voice jumps an octave and you realize you left your headphones unplugged. The blowjob scenes are nice and nasty, deep sucking sounds and little choke gags that sync well with the animation. There’s one scene on deck at night, near the rail, where a uniformed officer MILF you’ve slowly corrupted drops to her knees, unzips you, and starts a slow, teasing blowjob while you can still hear the distant ocean and faint cruise ambience in the background. That mix of calm ship sounds with her sloppy oral is weirdly hot. Not perfect though. Footjob sounds are a bit off for me, like the audio is reused from a handjob, so your brain is going “those are toes, not fingers, come on.” But the visual of her leaning back on the cabin couch, bare feet stroking your cock up and down while she stares at you with this smug “you’re so weak” look and calls you out for blackmailing her earlier still works. The humiliation vibe is not extreme, more like “I caught you doing something you shouldn’t and now you’ll jerk off when I say,” especially with the crew girls you slowly push from shy into full-on corruption territory. One of my favorite moments was cornering a strict officer in a storage room, using a bit of leverage you got from snooping her private stuff, then making her strip piece by piece. The sound of her breathing getting heavier every time a uniform button pops, the tiny cloth shuffle when she drops her skirt, then eventually you’ve got her in only her cap and open shirt, tits huge and bouncing while you fuck her against stacked boxes. You get mouth, tits, pussy, even a quick internal view and her brain-glazed ahegao as you fill her. The game lets you wander, poke, push people too far, then jerk off alone in your cabin when you screw up and someone only lets you watch them masturbate instead of touching. It’s messy, a bit mean, horny in a very direct way, like a long, filthy vacation where the only thing you don’t care about is the actual destination.

It’s messy in a way that feels uncomfortably real, like watching someone make the worst decisions possible and still finding yourself leaning forward, curious where her next excuse will lead. Yumi moves through the story with this almost painful self-awareness - she knows she’s being watched, both by the player and the game’s world, but she never really stops preening for it. The first time she opens her blouse just slightly too far during that office scene, there’s no sound cue, no dramatic pause - just the soft rustle of fabric and that flicker of doubt on her face. I swear, that moment hit harder than any of the explicit stuff later. The game tries to sell corruption as gradual, but honestly, it’s more about how easily she adjusts to attention. Maybe that’s what makes it so believable.

Then again, sometimes it overplays its hand. There’s this one animation loop during a handjob scene where her eyes cross weirdly, and it pulled me straight out of it; felt more comedic than erotic - like a reaction meme frozen mid-spasm. But that’s part of its charm, right? It’s too earnest to be slick. Even the blackmail thread with Thompson manages to feel less like some grand scheme and more like the world’s creepiest HR problem spiraling out of control. Which, depending on your mood, could be hot or just exhausting. And yet, when Yumi whispers something half-hearted before giving in, it lands. Maybe because the voice acting doesn’t try to sound sultry - it sounds confused, nervous, real.

The lighting deserves attention though. Somebody clearly obsessed over skin tone gradients because every sweat bead looks deliberate. The husband scenes are quieter, tender even, though they carry that slow dread of knowing he’s already losing her. I found myself irrationally annoyed by his tie color - gray, always gray - as if that dull choice symbolized everything wrong with him. Maybe that’s reading too much into it. Or maybe the game wanted that reaction. Anyway, it lingers. You finish a session and keep thinking about those tiny hesitations, how desire can look like guilt when the camera holds just a second too long.

New Antioch feels like somebody took a brutal dark fantasy, smashed it into a porn game, then asked, “ok, but how much filth can we cram between all this blood and rusty armor?” You play as Mateo, this cold bastard enforcer everyone whispers about, the guy nobles send when they want someone broken, not just beaten. On paper you’re a loyal dog of this dusty mining province, stomping around a dead world that never really recovered from the last time humans fucked everything up. In practice you’re sneaking into the capital with a grudge, a hard-on, and way too much freedom to ruin people’s lives. One moment you’re ankle deep in corpses after a raid, the next you’re in some torchlit room humiliating a noble milf who has more jewelry than self-respect, riding your cock while begging you not to tell her husband. The game never pretends to be wholesome. You get romance, sure, but it’s the kind where you might pull a girl’s hair while she’s choking on you, then later actually feel weirdly protective when she flinches at someone else raising a hand.

The sex scenes are wild, and not in the “oh cute missionary with soft music” way. There’s a virgin priestess shaking so hard she can’t even guide you in, bleeding a bit while you slowly push deeper and whisper the most rotten shit in her ear. There’s a smug monster-looking thing you thought would just be a boss, but then you realize the “victim” chained near it is actually into it, and you end up watching way longer than you should, jerking yourself off like some pervert in the shadows. One of my favorite bits was this drunk, foul-mouthed older woman running a rundown tavern near the city walls, brown skin, messy hair, big ass. She pretends she hates you, spits insults, but when you corner her in the back room and tell her you know about her little smuggling side business, suddenly she’s on her knees, slurping you like she’s been waiting all year for that threat. The game gives you lots of those ugly little power moments: blackmail, humiliation, rough sex where you grab hips hard enough to leave bruises, or shove a girl’s face into the mattress while she moans that someone might hear. There’s even some twisted netori flavor when you bang a knight’s “pure” fiancée while he’s out dying for his banner, then smile at him later like nothing happened, still remembering the way she clawed your back and begged you to cum inside. It’s cruel, messy, unromantic and somehow still has these rare scenes where someone kisses you soft and nervous, and for a second you almost forget this whole world is just rotting slowly into dust.