Clara’s “Love Hotel” feels like the place your horny brain built when you were fifteen and your wallet was already imagining sugar daddies. It’s not some classy high-society escort fantasy. It’s cheap perfume, sticky elevator buttons, and girls who still check their phone between clients. You follow a teen girl getting sucked into Clara’s world, going from “I’m just looking for some extra cash” to happily spreading her legs for whatever rich pervert books the suite. The whole thing plays like a kinetic visual novel where you’re mostly there to watch her brain rewire itself around money, cock, and control, with Clara pulling strings and smiling like a sexy devil in a tight dress. The story doesn’t rush. First it’s teasing and striptease in those themed rooms, girls grinding slowly while the client watches like a creep through tinted glass, then the jobs start getting nastier: anal for an extra wad of bills, creampies that drip out while Clara counts the cash, toys shoved in to keep the girl “ready” for the next guy. You barely make a choice, you just sit there like a voyeur, and somehow that fits the whole hotel vibe perfectly.

One moment that stuck in my head had the main girl lying on silk sheets while an older woman, a full-on milf type with that rich cougar aura, just toys with her for a client hidden behind the curtain. She whispers to the teen how she’s nothing but a fucktoy now, fingers deep, thumb circling her clit, and the hotel’s camera quietly recording every twitch for “private archives.” The girl pretends to be shy at first, but the game doesn’t keep that illusion long. By the time Clara pairs her with a calm, serious dilf businessman, she’s already the one pushing his cock inside, asking if he wants to finish in her ass or her pussy because “Clara gives bonuses for messy endings.” There’s a fun little moment where two lesbians working the same floor sneak into an empty room between clients, toys buzzing, tongue on tongue, and you realize they’re half doing it for pleasure and half to warm up before the next paying guest. The corruption doesn’t feel cartoonish, more like a slow slide where you watch the girl go from flinching at her first blowjob to riding a stranger like it’s just a normal shift. Some scenes lean more romantic, weirdly enough, especially when a regular client starts bringing gifts and treating her like his personal escort, and the game kind of pretends there’s “love” in a place that operates like a brothel. It’s messy, horny, sometimes sweet, sometimes nasty, and it never apologizes for treating every girl in that hotel as both employee and property, legs open on demand while Clara counts the profits with that lazy, satisfied smile.

Epifania looks like some luxury fashion week gone rotten in the sexiest way. Neon on wet concrete, everyone pretending to be high class while they’re literally lining up for a hole in the wall. You arrive as this nobody with big hunger and zero connections, just you and this building that looks like an abandoned outlet store someone forgot to bulldoze. Then that Devil Investor shows up, all smug and perfectly dressed, like the kind of client who sits front row at a fetish runway show and buys the entire collection with one bored click. She doesn’t ask if you want in. She just throws you the mission: turn this wreck into the most profitable and depraved brothel in the city. And suddenly you’re balancing spreadsheets and cumshots in the same breath, which, honestly, feels familiar to anyone who tried to run an Etsy store while doomscrolling Pornhub.

First thing that caught my designer brain: the girls are not copy-paste dolls. You start “training” them and it feels weirdly like fitting models for a very, very illegal lingerie line. You watch them change from shy little things clinging to basic underwear into total predators who know exactly how to use lace, heels, and a dripping mouth. Some are sweet mom-types with soft tummies and milk-heavy breasts, the kind you’d shoot for an expensive maternity fetish catalog. You push them into public booths where strangers use them like shared accessories. That whole gloryhole section? It’s like designing a collection where the face is irrelevant, only the silhouette of thighs and tits matters. I hated how it turned me on. I loved how it turned me on. It’s messy like that. One night I focused on a single “pure” girl, double-checking her stats on my phone between Instagram stories, trying to keep her first time special then casually booking her into a gangbang room right after because the numbers looked good. The game doesn’t guilt-trip you. It just quietly asks: more clients or more conscience? And you already know the answer, you capitalist slut.

The management part is sneaky. You think it’s just clicking upgrades, then you realize you’re planning who gets which kink like you’re coordinating outfits for a runway lineup: anal queen here, bondage star there, the tall milf with heavy lactation in the VIP lounge that smells like perfume and sweat. There’s this weird thrill watching your building go from dusty warehouse to multi-floor pleasure machine, with private rooms, voyeur windows, and that one office where you handle “contracts” with potential corporate partners who want their own harem branch. I kept pausing, thinking how I’d design actual lingerie sets for them: soft leather harnesses for the submissive accountant type, transparent body stocking for the market manipulator who ruins competitors while taking a footjob on her desk. At one point I was negotiating prices for public use sessions on one screen and sketching a crotchless bodysuit in Procreate on the other, and it all just blended. The game lets you push the girls into pregnancy deals like they’re limited edition drops, fill them up, send them back out, watch clients line up for that. It’s fucked up. It’s hot. I still wish the interface didn’t hide some details in tiny menus like some cheap fast-fashion site, but then I catch myself zooming in on a courtesan getting her ass filled and I forget what I was annoyed about. Anyway, the city doesn’t care. You start with nothing, you end with a building full of moaning, swollen, used bodies and a bank account that keeps climbing every time someone walks through your doors. It feels like running a fashion brand where the models never leave the show, they just keep getting fucked harder behind the curtain.