Hailey’s story hits that weird spot between hot and kind of painful in the chest, and I liked that more than I want to admit. You start as this regular guy who clearly loves his wife, and she’s exactly that fantasy mix of cute and dangerous: big soft tits under casual clothes, ass that fills the whole screen when she bends even just a little, smile that makes you think “yeah, she knows what she’s doing”. At first it feels innocent, just playful teasing in the kitchen, her brushing past you so her boobs press into your arm, little flashes of panties when she stretches on the couch. The kind of stuff where you know she’s doing it on purpose, but she pretends she’s not. Meanwhile she keeps talking about this coworker, like he’s “just helping with a project”, and your guy is trying so hard to act chill while you, the player, are already imagining him rail her against the office desk. The game knows you’re thinking that and keeps poking the thought until it hurts.

What I didn’t expect was how much time you actually spend alone with the main guy’s dick in his hand. Not in a boring way. More like he’s spiraling. You get home, she’s late again, phone face down, new text sound, and suddenly you’re in the bathroom, jerking off to the idea of your own wife sending nudes to another man. Masturbation scenes feel sweaty and pathetic and still insanely hot. One time he’s stroking while listening through the bedroom door because she’s “just changing clothes” after coming back from drinks, and the game gives you this small pause where you think you hear another voice. Might be nothing. Might be him in your house. The art is simple 2D but the body language sells it: her flushed cheeks when she lies, that slightly different way she sits on the bed, legs a bit too open, like she’s used to being watched now. Sometimes she flashes you her bra and laughs in that “you’re safe, he’s not” kind of way, which somehow hurts more than if she just said she was cheating. The corruption is slow, but you feel every small step. You let her go out in that tight dress you know isn’t for you, you don’t say anything when she “forgets” panties, you pick the softer dialogue options because you’re scared to lose her, and that just opens the door wider for this coworker to fuck his way into your life. It’s honestly a bit depressing, but then she bends over to get something from the fridge, her huge ass filling the screen, and your brain just shuts up and says: yeah, ok, ruin my life again.

Guy starts out as total loser energy, right? No money, boring life, dad’s a weirdo, same four walls, same browser tabs, same boring porn. Then he finds out this family secret and suddenly it’s like someone toggled “god mode” on his bloodline. Not in the superhero sense, more like “oh, I can twist people’s minds and push them where I want” kind of way. And that hits harder when you realize most of the hot women around him are already kinda messed up in the head. There’s this really fun contrast: his vibe is still this awkward dude with messy room and hand-me-down clothes, while at the same time he’s casually nudging a proud older woman into flashing her tits from the balcony because he said it’d be “liberating.” She argues, blushes like crazy, then does it, and you feel that little “oh shit, I really made her do that” in your stomach along with the boner. That mix of guilt and arousal the game does a lot. It’s not subtle. It’s not trying to be moral. But it knows exactly what button it’s pushing.

The rooms and streets feel like they exist so you can wander around and hunt for those small dirty moments. Opening the fridge and catching your “relative” bending over in this thin T-shirt that basically draws the shape of her ass with the cloth, then later using that mental image to push a bit harder when you finally talk her into “just a kiss” that slides into tongue and then she ends up riding you on the couch like she’s been waiting for it for years. Dialog is where you feel the localization a lot. Some lines are a bit stiff, like “I will make you mine completely,” which sounds like a telenovela, but then there is this one scene where the older neighbor calls you “little parasite” while her nipples are poking through her blouse and it lands perfectly. The grammar slips here and there, but to be honest it kinda matches the MC’s brain. His thoughts read like someone who learned English from porn comments and Discord, and that’s not even a complaint. I was reading his inner monologues and going “yeah, that’s exactly how my brain sounds when I’m trying not to stare at someone’s cleavage on the subway.”

Sex scenes go from tender to completely fucked up faster than Chrome opens another tab. One route I had this shy girl doing cute, slow missionary, legs shaking, moaning your name soft, and then like two scenes later you’ve got her pressed to a wall, panties around one ankle, your hand on her throat while she’s begging you to finish inside her because she “belongs to you now.” The corruption ramp is actually pretty good at showing the steps. First she just sends you a slightly risky pic from the bathroom, you tease her about how you can almost see her pussy, and she says “don’t be gross.” Next scene she’s on video call pushing a dildo inside herself and asking if you’re going to “upgrade” her soon. The pacing feels weird sometimes, like scenes jump from teasing to full anal like the writer skipped two pages, but the core beats are hot enough you kinda forgive it in the moment. Also the tiny detail of having to grind a bit of cash or power before pushing further adds this nice tension: do I spend my energy convincing the classy MILF to cheat on her husband again, or do I break that cute girl’s mind a little more until she agrees to walk around town without panties because “you like it.” The game keeps dangling those choices in front of you, and every time you tell yourself you’ll be nice this time, you end up stuffing someone full of cum and marking them like property anyway.

RapeCide looks like somebody took a normal cyberpunk city, forgot to pay the light bill for ten years, then filled the empty streets with every fucked up power fantasy they could think of and hit shuffle. You play as AJ, this engineered super cop girl who’s supposedly top tier lethal, all tactical gear and big attitude, and the game just keeps finding new ways to drag her through the mud. And not just “oops I fell into trouble” kind of mud. More like “mind control collar, public use, broken pride in an alley next to a flickering neon sign that says nothing good” type of mud. The story pretends it’s about retaking a derelict city, but very fast it turns into the city retaking you, your agency, your clothes, your holes, your everything. One moment you feel like a badass soldier in a ruined dystopia, next moment you’re naked on your knees, cum dripping down your big tits, being ordered to thank the guy who just slapped you so hard the camera shook. And then AJ still tries to stand up like she’s got anything left, which is weirdly hot and kind of pathetic at the same time.

Combat is turn based, but the sexy part is how the fight choices are just slow steps toward how badly things go for her when she loses. You pick skills, try to play smart, manage your status, and when you screw up, suddenly you’re pinned to a wall with hands everywhere, some thug laughing while he uses her throat like a toy and another guy works her ass with a toy that definitely didn’t pass any health inspection. The humiliation scenes feel less like “here is a reward” and more like “congrats, you misplayed and now your super cop is a drooling fuckdoll on the pavement.” I like that. Or maybe I don’t. The game kind of beats you up emotionally too. They play with corruption really hard: you get these moments where AJ could say no, push back, try to hold onto her cop code, or she can just lean into prostitution offers, let the blackmail stick, agree to some nasty contract in exchange for gear. Sometimes the “smart” way for the mission is also the one where she ends up on a stage, stripping while a crowd throws credits and someone in the back shouts orders that make her cheeks burn and her body obey anyway. And yeah, the animations focus way too much on drool. I noticed that. Couldn’t stop noticing it. The dev clearly has a thing about faces totally wrecked with spit and bukkake, like half the city is paid in facials.

What really got me though is how messy the power fantasy is. On paper it’s male domination central: guys using her like property, slapping her ass until it’s red, fucking her pussy and ass at the same time while someone else holds her hair and uses her mouth, filling her up and then watching the creampie leak as she wobbles in her boots. But then out of nowhere you meet women who are worse. There’s one scene where this high rank bitch in tight armor casually gropes AJ in front of her own squad, like “you’re mine now,” and AJ can’t do shit about it. She gets toyed with, spanked, forced to lick boots, and the whole tone flips into femdom in a way that kind of blindsides you. One moment she’s choking on some brute’s cock, next she’s chained kneeling in front of a woman playing with a vibrator on the lowest setting just to make her beg for more. I opened Discord mid scene to scream into a channel about how the writer is actually evil, then went right back in. There’s even a bit where you botch a tactical call, lose control of a zone, and the “punishment” is basically group sex in an abandoned checkpoint, with guards taking turns in her mouth while others spank and grope and laugh about the “mighty officer” reduced to a cum bucket. Somewhere in there is a romance line pretending to exist, but it keeps getting buried under spits, collars, and her slowly accepting that this city doesn’t want a hero. It wants a slave that still tries to stand up, even when she’s covered in semen and shaking from another rough orgasm she didn’t consent to but her body clearly did.

You’re stuck in a dusty foreign base with a shitty Wi‑Fi signal and a gun that feels lighter than your stomach, and all you really have is your phone and a redhead you’re scared to lose. That’s basically the heartbeat of this thing. You’re the soldier, she’s Grace, making coffees for random assholes while you count the days, and the game never lets you forget that there’s an entire ocean between you when the worst possible guy walks into her cafe. Not a thug, not some cringe teen. A smooth, confident photographer who actually listens to her, calls her beautiful without stuttering, and knows exactly where to put his hands on a woman’s waist for “just the right pose.” It hits way harder than some cartoon villain, because he acts normal. Too normal.

The way it starts is almost boring in a good way. Your first calls with Grace are sweet, a little awkward. You talk about missing her, she tells you about rude customers, tips, her stupid co-worker, what she wore to work. And then she casually mentions “this photographer guy” who said she has a good face for his next project. Nothing dramatic. It just sits in your head. Later you unlock options during calls: push her to chase the opportunity, or brush it off, or sound jealous without admitting it. The game never slaps you with morality. You just feel it when she texts you a selfie from the shoot, wearing a dress that hugs her in all the places you remember touching, and you know some other man asked her to tilt her hips like that. The 3D scenes are clean and very physical: the way her bra strap slides down her pale shoulder, the shine on her lips from cheap cafe gloss, the slightly nervous way she holds her own elbow at first. Then in later shoots she doesn’t do that anymore. That tiny change hit me harder than the first kiss scene.

Sex here is not just porn filler. Early on, you get those needy calls at night, where she whispers your name in bed, fingers moving under the sheets, and you can guide how dirty the talk gets. If you encourage her to explore, she gets bolder, sending pics from the bathroom, pushing her panties aside to show just the wet line between her thighs, asking if you still want her even if other men look at her. If you give her strict “no flirting, no photos” vibes, the tension twists into something rougher later. There’s a run where she shows up at the photographer’s studio in a loose shirt and no bra, nipples poking through when the room gets cold, and you can practically feel the moment she stops thinking about you and starts thinking about how it feels when he stands behind her, guiding her hands, telling her to “trust the process” while his fingers spread her legs for a more “intimate composition.” It’s corruption, but not fast; it’s this slow slide where every choice you made before suddenly matters while she’s on that couch, thighs open, breathing hard, trying to convince herself it’s still “just art” even as his tongue is on her and her phone with your unread message is lighting up on the table behind her.

And the worst part? Half the time, when she calls you after, her voice is soft, almost more loving, because the guilt makes her clingier. So you’re there on a crackly line saying you can’t wait to fuck her brains out when you get home, imagining her wet and untouched, and the game zooms on those faint red marks on her inner thighs from someone else’s grip. No dramatic music. Just that quiet “I miss you” in your ear while she’s still sore from another man.