Japan in this game feels like someone took a horny sci fi reddit thread, fed it into ChatGPT on a bad day, then handed it to a very pervy writer with a school uniform fetish and a grudge. You land there as this kinda average 19-year-old dude, supposed to be an exchange student, pretending you care about classes while your brain is just full of your crush Julie’s tits and that tight ass she keeps pretending she doesn’t notice you staring at. Of course she brings her cute friend Alice, who acts like a good girl but gives you those tiny side glances that say “choke me a little, please.” On top of that, there is this whole mystery about Julie’s missing sister and a company that makes hyper realistic sex dolls, but half the time I kept forgetting about the plot because the game keeps throwing you in situations where you are either groping, being teased, or trying not to cum in your pants in some school hallway. The tone jumps around like crazy: one moment you flirt shyly in a classroom, next you are slapping a doll’s ass raw and making her call you master while your friend is in the next room. That mix actually works better than it should. It feels messy and dirty, in a good way.

The whole “Love Dolls” company thing is the part that stuck with me. Those dolls are basically walking sex toys with soft skin, big tits, big asses, and eyes that look a bit too human when you tell them to open their mouth wider and they just obey without question. They are made to be used, to be trained, to be humiliated. You can press them against a wall, pull their hair, force their legs apart, make them kneel on a cold floor and clean your dick with their tongue while you stare down like they’re nothing. There is this one scene where you are still acting like the innocent foreign student on the outside but behind a locked door you are pushing a doll face down on a school desk, fingers digging into her hips, pounding her so hard the animation actually sells the impact. Her tits bounce, her ass jiggles, she moans like a broken toy, and you know very well you are not supposed to be doing this in a place with textbooks and chalkboards. That mix of “I shouldn’t” and “I really, really will” is where the game shines. It goes from gentle teasing and soft kisses with your crush to rough anal with a doll chained to a bed, and the game barely blinks. You get moments of romance, then suddenly you’re strapping a toy to a girl, making her ride it until she’s shaking, and the MC is just watching with this fucked up curiosity like “what else can I do to her?” It’s not subtle, it’s not classy, and it absolutely doesn’t pretend to be. Which is kind of perfect for what it is.

Summer punishment fantasy that accidentally turns into something way dirtier than “no phone, no friends, stay home and think about what you did”. You’re stuck in your room, nothing to do, no money, parents on your back, and then this weird idol just shows up. Not cute shrine-maiden style, more like “this thing should not exist in a normal bedroom”. And it talks. It promises you power, and yeah, it’s not talking about muscles. It’s talking about getting every person around you to bend, break, cheat, confess, open their legs, pull their clothes aside in public, that kind of power. The game leans hard into the whole “I know I shouldn’t do this, but I really want to see what happens if I push one more time” vibe. Every interaction with a girl starts kind of normal, then you nudge, then you push, then suddenly you’re seeing your own family member giving you that look like she knows this is fucked and still can’t stop touching herself in front of you because the idol whispers in her head. And you are the one telling it what to whisper.

What I liked is it doesn’t jump straight to full-on mind-slave zombie sex. At first it’s just small stuff. A bit of teasing. Making her wear something way too short outside. “Accidentally” walking in while she showers and the idol freezes her for a second so you can stare, then she snaps out of it and blushes like crazy, but you know something stuck in her brain. The more you play with that, the more twisted it gets. One route I focused on making the girls just masturbate more and more, like they couldn’t even sleep without their fingers inside them, and the game actually reacts to that. Suddenly you get scenes where they tell you about hearing your voice in their head when they touch themselves, begging you to watch, even if they’re not actually in the same room. There’s a really sick moment where you’re at work in your shitty part-time job, and your phone buzzes with a pic you never asked for: someone from home, spread, eyes a bit empty, obviously controlled, clearly taken by the idol at the worst timing possible. And you’re stuck behind the counter trying to pretend you’re normal while your cock is screaming. That part felt too real in a good way. And a bad way.

The sandbox side is messy but that’s also where it gets addictive. You’re not following some super clean route map, you just poke at people, try different commands, wreck their relationships. I told one girl to be “more honest with your feelings” and then just left her alone for a while. When I came back, she was already cheating on her boyfriend in her own room, and the game lets you decide if you join in, watch from the closet, or mess with her mind harder so she starts sending pics of it to the wrong people. Another time, I messed up and pushed the control too far too fast, she basically snapped and you get a harsh ending where everything collapses and you’re stuck with fucked-up guilt and blue balls. There are multiple endings depending on how far you drag each girl down the corruption hole: total devotion, secret lover stuff, full-on ntr where they still sleep with you but also moan another guy’s name, or that really gross but hot line where your own relative begs you to knock her up while the idol keeps her from thinking clearly. It’s not nice. It’s not “wholesome”. It’s exactly the kind of horny summer where you start grounded and end up playing god in your own twisted little town, touching every life with your dirty fingers, knowing something will break and not really caring when.

Sylvara is fucked. Not in the poetic way. In the goblins-actually-run-the-place way, with their stink everywhere and those weird pheromone clouds that make everyone way too horny to think straight. You’re not some faceless hero here, you’re stuck in the skin of these three elf girls, Lea, Valya and Anneli, trying to pretend everything is “normal” while the city slowly turns into a green-skinned playground. The game leans hard into that tension between wanting to fight and wanting to just give in and get railed by the enemy. And because it’s a visual novel style thing, the pacing is slow on purpose: you wake up, decide what to do with the day, and every little choice pushes you closer to escape or closer to goblin breeding stock territory, sometimes both at the same time, which is honestly the main kink here.

What sold me isn’t even the sex at first, it’s the way the daily routine feels like it’s constantly humming in your ears. You’ve got tasks that are boring on paper, like helping in some supply room or going to “train”, but the game sneaks filth into it. One morning I sent Lea “just to gather information” in a tavern corner, and the sound layering there is wild. In the background, you have this sticky low murmur of goblin grunts, mugs slamming, chairs scraping on stone, and under that, some faint wet noise from a side room. Nothing on screen shows it, but your brain connects it instantly. That kind of sound hint is way hotter than showing every hole filled. Then when she accidentally brushes against a goblin guard, there’s this little sucking cloth sound as his hand grabs her ass, plus her tiny breath catching in the mic, just a half gasp, not some anime squeal. It feels dirty, like you’re listening from behind a door, not sitting in front of a PC with headphones.

Sex scenes themselves get pretty brutal, in a good way for this genre. There’s one where Valya gets cornered in a storage cellar after trying to steal some key item. The wood creaks when he pins her against the crates, you can hear little glass bottles rattling each time he slams into her. Her voice goes from stubborn, almost annoyed, to this broken, fucked-out stutter when the pheromones kick in. The goblin voices aren’t generic growls either; they’re nasal and taunting, with these wet lip smacks that made me actually pull one earcup off like, “ok that’s a bit too real.” I wish the footsteps on stone had more bass, that part feels weirdly light, but everything around the penetration is heavy and sticky and loud in that porn-audio way that’s hard to pull off without sounding fake. Here they ride the edge nicely. A few moans loop a bit too obvious after a while, you’ll start hearing the same “nhh!” in your sleep, but by the time you notice you’re already clicking “continue” just to hear how far they’ll humiliate her next time. There’s one quiet moment, after a long session, where Anneli just sits there breathing, no music, just a little trembling inhale and the gross slick sound of goblin cum dripping to the floor. That’s when I realized the game understands something most devs forget: silence is also a sound, and here it’s filthy as hell.

The house feels too quiet when Sterling walks in, the kind of silence that sticks to your skin. There’s that smell - old wood, perfume, something faintly sinful like memories that never left. You can almost hear the ghosts of laughter and moans tangled in the walls. Everyone looks at him differently now, not as the kid who ran off, but as the man who came back with a pulse full of tension. The women in this game, they don’t waste time pretending innocence. The so-called mourning period lasts about five seconds before somebody’s hand is somewhere it shouldn’t be. It’s messy, funny, uncomfortable, and hot in that way only forbidden things are. Sometimes you’ll laugh because the dialogue’s ridiculous, sometimes you’ll forget to breathe because a scene just hits that filthy sweet spot between lust and shame.

What I liked most was how it never feels clean. There’s domination that borders on cruelty, soft moments ruined by sudden gropes, a futa scene that goes way harder than expected, and those “oops-I-shouldn’t-watch-this” voyeur bits that make you squirm. Even the humor has teeth; it’s not wink-wink-nudge-nudge but more like someone laughing right in the middle of an orgasm. The harem thing isn’t just numbers - it’s chaos management, trying to juggle jealousy and desire while every woman (and not only women) seems one breath away from breaking the furniture. And then there’s that weird ache when corruption sneaks in, when seduction turns into ownership and you realize you kind of wanted it that way. The sound design helps too: low voices, wet noises that feel too real through headphones, that small gasp when a boundary gets crossed.

It’s not perfect - some pacing’s off, and a few scenes feel like they forgot their own setup - but maybe that’s why it works. Like old VHS hentai, rough edges make it human. It doesn’t pretend to be classy, it just drags you down into the mess and dares you to call it art while your pants are still around your ankles.