Meet Francis, happily married to Evelyn. You hold down a good position at a large firm, and you juggle a busy schedule loaded with activities. But then one day, everything changes.

You discover your employer has been deceiving you, and the law starts closing in on you. You start to see that Evelyn is far different from the fragile wife you believed.

With money tight, Evelyn starts working a new job, and something about her new gig sets off alarm bells. That new manager of hers is well-known for his charm and lecherous ways.

Everything feels like it’s unraveling fast. Can you handle the truth behind Evelyn’s new job? Are you willing to risk everything to save what you have?

How you respond will change the course of your story. Immerse yourself in a raw game of secrets, seduction, and dangerous liaisons. One wrong step could doom you – how far will you go to protect what’s yours?

Brace yourself for an intense ride where nothing is as it seems. Start the game and choose your path through love, loss, and raw desire.

Lena’s voice keeps ringing in my head even after I closed the tab - like an echo that’s not really hers, but mine. She’s drawn to disaster, that much is clear. I kept thinking she’d make a “good” choice, but the game doesn’t reward good. It teases it, then smothers it under sweat and half-whispered apologies. That scene in the cheap motel room (yeah, the one with the red sheets that keep sliding down her thighs) hit weirdly hard. I wanted to laugh, but I didn’t. Ian’s dialogue there, when he asks if she *feels anything at all* - it’s not written like porn, it’s more like he’s daring her to stop pretending. And then you realize the game’s been daring *you* the same way for the last hour.

There’s a rhythm to the choices, like breathing too fast and then stopping. One moment you’re talking about dreams and gigs and paying rent; next, you’ve got Lena on her knees, warm breath fogging up the screen. The blowjob animation isn’t even the point - it’s how she looks up after, like she’s trying to find meaning in it. I swear that little pause before she wipes her mouth says more about her than any of the branching dialogue trees. But still, there’s something sloppy about the transitions - like it’s all too aware of what it’s supposed to turn you on with. I got annoyed once because the text box covered her chest at the exact wrong time. Then I forgot I was annoyed when she bit her lip and said his name wrong on purpose. Some games talk about corruption; this one feels sticky with it, uncomfortable in a way that makes you stay longer than planned.

By the time the threesome scene rolled around - Lena, the redhead, and Ian with that smug smirk - I’d stopped trying to make moral choices. You just click and watch the mess unfold. It’s romantic and ugly and kind of beautiful in its own broken rhythm. Like you shouldn’t be watching, but you keep doing it anyway because there’s something too human about all that skin and guilt tangled together.

This one feels like scrolling your phone after a breakup, half naked in bed, then suddenly falling into someone else’s messy life and going, “oh shit, that’s me.” You’re this college guy who used to just rot in his room, drowning in cheap snacks and porn tabs, pretending that ghosting your ex and muting half your contacts counts as “healing.” Then basketball drags you back into the light. Not as some heroic sports anime star, more like the dude wheezing on the court, staring at a girl’s bouncing tits in a sports bra and losing the ball because your dick thinks faster than your brain. The game leans into that awkward, horny, slightly cringe vibe. You’re not a smooth sex god at the start. You’re a rebound. For your own life, and sometimes literally for some of these girls who also use you to forget their shit.

The way it mixes horny and emotional is weirdly hot. One moment you’re in a quiet dorm room, just you and this girl with a huge ass squeezed into tight leggings, music low in the background, her hair messy in that “I didn’t plan to get fucked tonight” way. She laughs at something stupid you say, leans in, her tits softly pressing into your arm, and the whole world shrinks to the sound of her breath in your ear. Then the next scene you’re on the court, sneakers squeaking, crowd noise like a fuzzy roar, and you’re staring at the cheerleader with big boobs bouncing in slow motion while you miss a free throw you absolutely should have nailed. The writing loves to drag you back and forth like that. Loving the chaos and then pretending you’re better than it. The harem stuff sneaks up on you too. You start with just trying to talk to one girl without sounding like a Reddit post, and before you know it you’ve got a horny goth chick teasing you, a sweet sporty girl who moans your name when you pin her to the shower tiles, and some bratty college princess who pretends she hates you even while she’s grinding on your lap in a dark party corner. Choices matter, but not in that stiff “good route / bad route” way. More like: do you jerk off alone and text someone after, or do you swallow your fear, go to that date you almost cancel, and end up with her hand sliding under the table, stroking your hard cock while you try not to knock over your drink.

What really sticks is how slow some scenes let things build. There’s this moment where you’re just sitting on a bed with a girl, legs touching. She talks about some stupid fight with her ex. Nothing epic. The lights are low, some indie song plays on her laptop, just a soft background, and you’re watching the way her big breasts move under her loose shirt as she breathes. You feel like a piece of shit for checking her cleavage while she opens up, but the game knows you’re doing it and kind of laughs with you. When she finally climbs into your lap, straddling you, kissing you with this mix of need and hesitation, it feels earned. Like you really crawled out of your slump for this. Then other times it just goes full hentai brain, like “hey, you won the game, here’s a girl with ridiculous big tits riding you until the bed squeaks, moaning so loud you’re sure the whole dorm hears.” And both vibes work. It’s romantic one second, absolutely filthy the next. You masturbate, you fail, you get humiliated and turned on by the wrong things, you pick dumb options just to see what happens, maybe you score big, maybe you crash and burn. It never pretends you’re some perfect hero. You’re just a horny college idiot trying to turn one little rebound into a life where you fuck up less and fuck a lot more.

Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.