You wake up as this pale girl in a filthy underground “medical” room, wearing almost nothing, with tubes in your arm and some creep’s blood bags hanging around. The first thing that hits harder than the jump scare is the camera slowly zooming on your face when you realize the blood smells good. Not “hospital good”. Dick‑hardening good. Pussy‑throbbing good. It’s not shy about it. The game just locks you there for a while and lets you stare at that one dripping bag, and I swear that scene lasts too long, but in a nice sick way. That’s when it clicks: alright, I’m a vampire, I’m starving, and every person I see is either a snack or a fucktoy or both. After that, it just throws you in this big modern city where all the lights look too bright and every human heartbeat sounds like porn BGM. They pretend it’s a normal “arrive in the city, get clothes, find job, meet people” start, but under that it’s basically a slow horror build where you keep wondering if you are about to suck someone off or tear their throat out. Sometimes both. The story keeps dropping small weird details like people scared of ancient myths, news about mutilated bodies, a girl with almost yellow eyes who stares at you a bit too long on the subway. You keep thinking “ok this will explode later” and then it… doesn’t. At least not yet. That’s kind of hot too, like edging with plot.

Sex scenes don’t rain from the sky right away, and I actually liked that, which is funny because I also hated it when I was horny and clicking through dialogue like a degenerate who has three other tabs open with Pornhub, xHamster and Discord. When they finally let Kyra get off, it goes from zero to “I’m fingering myself in a stranger’s bathroom while trying not to bite through my own lip” really fast. There’s one masturbation scene in a crappy rental apartment, blinds half broken, city noises outside, where she’s trying to stay quiet because her new roommate is on the couch. The camera spends a ridiculous amount of time on her thighs tensing, not even on the pussy. I kept thinking “move down, move down” and at the same time I was kinda happy it didn’t. Like, the tease is better than the shot sometimes. Then you get group situations later where things stop being gentle. There’s this club scene, shitty techno, neon everywhere, and you end up in a back room with too many hands on your body, mouths on your neck, someone’s cock rubbing your inner thigh while another girl is kissing your jaw. You can either lean into the “I’m the hungry monster, use them” vibe, or just drown under them, and both paths feel dirty in different ways. The oral stuff is nice and messy, spit and blood mixing, and the game doesn’t flinch from graphic violence when you finally stop holding back and rip someone open like a meat toy. The weirdest, most memorable bit for me was when you wake up after a kill, covered in dried blood, and you realize you came while doing it. They don’t overexplain it. No long monologue. Just her staring at her hands, shaking, then getting horny again when she smells herself. It’s fucked. It’s kind of romantic too, in a twisted way. And no, I’m not going to talk about that alley scene with the monster girl, the one where you’re not sure if you’re dominating or being milked. That thing is stuck in my head for all the wrong reasons and I’ll probably still think about it in a week while pretending I opened Chrome for “emails”.

There is something a bit fucked about walking into “your” apartment and your first real conversation is with a ghost that wants to blow you. Not in a fun, fluffy hentai way either. The game sets you up as this unlucky guy from the Devos bloodline, and the place already feels wrong before anything actually happens. Lights flicker, those cheap 3D shadows slide over the walls like they know your name, and then, boom, you look in the bathroom mirror and there’s a pale thing behind you that looks half depressed boy, half succubus. It smiles, and you’re thinking “ok, jumpscare?” but no. It kneels. That whole scene is animated with this weird slow hunger, and it’s honestly more uncomfortable than most horror movies on Netflix. In a good way, if you are into that mix of dread and dick worship.

The story pretends to be about solving a family curse, reading notes on your tablet, digging through old messages and voice memos your father left you, trying to understand who started all this paranormal shit. But the game keeps distracting you with horny ghosts and monster girls that do not respect personal space. You open a locked door with this simple puzzle and a ghost girl with empty eyes rushes up to you, sniffs your neck, then quietly asks if she can “taste living seed again.” That escalates fast into you pinned against the wall, her mouth deep on you, gagging and drooling, then suddenly she shifts on top and you are buried inside her while the UI is still pretending you’re investigating clues. At one point a femboi spirit in tattered underwear crawls out from under the bed, wraps your waist with this thin, shaky body, and just sinks down on you, riding in total silence while distant knocking sounds start in the hallway. Your MC is trying to ask “who cursed the Devos line?” while he is balls deep in a ghost that keeps tightening around him like it wants to drag his soul out through his cock. The game does not fade to black, it shows creampies in full detail, cum spilling from ghost holes that are not even supposed to be physically real. And then, after all that, the apartment goes quiet again, and you’re left scrolling through old diary pages on your phone, dripping, trying to pretend this is still about “mystery” and “romance” and not about how many times the dead can milk you before you finally understand why your whole bloodline is cursed.

You wake up in this weird in‑between place that feels like someone smashed a porn studio, a nerd convention and a haunted house together and forgot to clean up the lore. Nobody is surprised you just popped in from some random reality. They’re more interested in your dick, your schedule, and whether you sign the consent forms. It’s all very casual. People wander around half-dressed, fully naked, or in outfits that probably break like three different labor laws, but everyone treats it like just another workday. You’re the new guy with way too much freedom and way too little supervision, which is exactly how the game likes it.

The whole thing plays like a lazy day on your phone when you should be answering emails but instead you’re switching between Pornhub, F95, and Telegram. One minute you’re flirting with a stacked milf who has that “I’ve ruined men before” vibe, next minute you accidentally wander into a horror-themed set where a monster girl is chained up for a scene and asks if you want to “rehearse” the tentacle bit. There’s this nice rhythm where you can just walk around, peek into rooms, catch people mid-blowjob or bent over a couch, and decide if you want to join, watch from the dark corner, or act like a professional and go buy coffee. Nobody forces you into anything, which is honestly kinda hot when some cocky actress rolls her eyes and goes “Then don’t, I’ve got five more guys on call.” The power fantasy is there, but it doesn’t hold your hand. You pick who you chase, who you ignore, who you keep as that one late-night regular you always come back to for a quick creampie before touching anything else.

What sells it for me is how filthy it goes without pretending to be classy. You’ve got big tits stuffed into outfits three sizes too small, big asses that just beg for a hard slap, anal scenes that start with teasing and end with “okay, that looked like it hurt but she’s smiling so fine.” There’s straight stuff, lesbian scenes where two girls forget the camera and just devour each other, some surprisingly tender gay content that makes the male MC feel more like a real perv than a porn robot, and then those group things where everyone is on everyone and you basically give up trying to label what’s happening and just enjoy the mess. The voyeur side is strong too; half of my early game was just me peeking through windows or pretending to look for props while people got railed in the background. There’s this old gilf studio manager who flirts so aggressively you kind of hope she finally drags you into her office and “negotiates your contract” on her desk, but she keeps getting interrupted by some stupid production issue and it drove me insane. And then you forget because a monster girl with horns and drool on her chin asks if you wanna try something “unsafe for YouTube but perfect for here,” and suddenly you’re on your knees, nobody’s talking about contracts anymore, and your only real problem is deciding which of these insane people you’re going to keep in your personal little harem ending once you’ve seen enough to know exactly how wrong this place can get in the best possible way.

Halloween drinks, shitty plastic fangs, that kind of fake-spooky vibe where everyone’s already thinking about fucking before the first jump scare even happens. That’s the mood here. You’ve got Crystal and Dana doing the “who can show more cleavage without admitting it’s on purpose” contest, Elena pretending she’s above it while her dress is doing absolutely nothing to hide that ass, and Finn trying to act like the only thing he’s eyeing is the cocktail menu. Then somebody throws out the genius idea to keep the party going in an abandoned house by the beach, because horny people in horror stories never learn. It’s a short kinetic ride, no choices, just sit down, click, and let it roll, like when you open Telegram on your phone just to check one thing and suddenly you’re watching some cursed porn thread for 15 minutes straight. Same energy.

The engine part is actually kinda funny to me. It’s simple, yeah, but the 3D models carry personality. The bodies look heavy and real enough that when the girls start teasing each other, tits bouncing, hips pressed against old dusty walls, you can almost hear your GPU go “bro, calm down” even though the game is not that demanding. Crystal is the one who feels like she’s always one bad decision away from taking her top off in public, and here she kinda does that. The exhibitionism ramps slowly, first with jokes in the bar, a hand sliding too low on a thigh, a dare to flash in the old house corridor where every shadow looks like it’s watching. Then you remember this is futa horror, not some softcore pool party. The protagonist packing a thick futa cock under that tight outfit is the real jump scare for anyone in the group who thought they knew what they wanted. There is anal, there is humiliation, there is that uncomfortable moment where pleasure and fear get so close you’re not sure which one is making your dick twitch. And in the middle of all that, the timing stumbles a bit. A key reaction shot lingers too long, a moan subtitle pops slightly off-sync, one bigger scare lands kind of flat and I kept thinking “ok, you could have given me one click to react there”. But then another scene hits where the futa MC gets pushed against a rotting window, ass raised, someone’s hand forcing her to show herself to the beach outside, and the game suddenly remembers exactly what it wants to be.

What I liked most is how the pacing snaps from playful to cruel without asking for permission. One second they’re laughing about costumes, next second someone is on their knees, lipstick smeared, gagging on a thick trans cock while the house feels like it’s listening. The milf energy here is not polite either. Dana feels like that older woman who knows exactly how far she can push humiliation before it breaks you, and she stays right on that edge, grabbing hair, whispering filthy stuff that is way more degrading than the actual acts. Big tits press together, sweat and cheap Halloween makeup mixing while the story calmly reminds you that something in the house is not right. No branching, no stats, no grinding. Just a tight little nightmare where big asses and bigger dicks brush up against rotten walls and the camera is not shy about angles that make you feel like a creep in the corner. If you want to squeeze everything out of it, don’t rush. Let the silences sit. Don’t spam-click past the build-up. Read the lines where they talk shit to each other, where the fear slips into arousal and back. That’s where the horror and the horny really twist together and your brain goes “I shouldn’t be turned on by this” while your body’s like “too late”.