Rob is the kind of main guy who already feels cursed before the story even starts, and the game leans into that in a way that kinda tickled the little eldritch goblin in my brain. He’s this broke college kid, forgotten by his own parents like some unwanted relic in the attic, while his sister is treated like the golden idol in the house. Nothing supernatural on screen yet, but the family vibes feel wrong in a way I usually only get from old horror books where no one says the quiet part out loud. You can feel something rotten behind that “strange event” with the parents, like an old cult ritual gone bad or a deal with something that doesn’t care about humans at all. Then he goes to a poker game, which sounds boring, right? It’s not. That table might as well be a summoning circle, because from that moment the whole thing starts slipping out of normal reality into this twisted mix of sex, crime, and violence that feels like a god with eight mouths is laughing just off screen.

The erotic stuff doesn’t pretend to be healthy or pure. Sex here is raw, rough, and often tangled in fear and power games. One scene sticks with me: Rob is in this cheap, dim room with a girl who’s supposed to be just a “contact” for his little criminal step up. Conversation goes nowhere, nerves are high, and instead of some slow, tender buildup, it just snaps into a hungry kind of fucking that feels like both of them are using each other as a way not to think about how close to death they are. Her eyes roll back, tongue out in that over-the-top ahegao way, but it doesn’t feel goofy, it feels like she’s losing a piece of herself to whatever dark mess Rob is dragging behind him. Another time he’s in the middle of an investigation, blood on the floor, body still warm, and he ends up getting his cock sucked in the next room like the violence just opened a door inside him and now everything is leaking out. It’s wrong in a very deliberate way, like the game is asking “you still jerking off to this?” while it keeps pushing more. And yeah, I still did.

What really hooked me is how the sexy moments and the cruel ones keep melting into each other. One minute you’re flirting, pulling a girl closer, her lips on you, her hand guiding you in, and the next you’re dealing with torture, murder, talk of ***, this heavy criminal underworld that doesn’t respect life at all. It’s like watching a ritual where blood and cum are treated as the same offering. Harem vibes grow slowly around Rob, too, but not as some nice power fantasy. It feels more like he’s accidentally building a cult around his broken life, women orbiting him for all the wrong reasons, some of them wet and giggling, some half-broken, some clearly dangerous. The animated scenes hit hard enough, sometimes a bit clunky, sure, but the impact is there: thighs shaking, mouths stretched around him, bodies tied to dark choices he made earlier. I wish the investigation parts had a bit more brain to them, sometimes they just feel like clicking through until you get to the next sex or mutilated corpse, and there’s this one sound effect that keeps repeating and drove me nuts, but in a weird way that roughness makes it feel more like some cursed underground thing you found by accident rather than polished porn. It’s not realistic at all, and that’s honestly what I liked: everything feels like the city itself is a hungry thing watching Rob fuck and kill his way deeper into a story that’s only pretending to be about a poor student.

Your grandparents vanish off the face of the earth, everyone acts like they’re dead, and the whole town just kind of… moves on. Years later you roll back in, phone in your pocket, brain full of horny thoughts you really shouldn’t have while asking people about missing old folks. It starts quiet. A simple mobile-style interface, tapping around like you’re just checking Instagram, but each location you poke has a little secret. A window left half open. A shower running too long. A MILF neighbor “too friendly” who somehow knows way more about your grandparents than she should, but instead you’re watching her bend over, thinking with your dick and not your head. Classic.

It tries to be a mystery first, and somehow still rubs your face in sex every few minutes. You follow clues like a point and click, only instead of boring keys and doors, you catch a girl masturbating with a toy on her couch because you checked the wrong camera at the right time. Or the right camera at the wrong time, depends how moral you are, I guess. There’s this voyeur vibe everywhere: security feeds in weird places, people who “didn’t know the camera is on,” and you, the good little detective, totally not replaying the clip three times before interrogating her about where she was the night your grandparents disappeared. The game teases you constantly. Women strip to distract you mid-dialogue, big tits pushed in your face while you’re trying to remember who lied about the last time they saw grandma. You tell yourself you’re focused on the case, but the next scene is you balls deep, creampie, and then going “oh shit, what was I doing again.”

What really messed with me is that there are superpower bits thrown into this small-town detective story like it’s normal. Suddenly you’re reading micro-expressions, nudging minds, or freezing time long enough to enjoy an “accidental” upskirt that lasts way too long to be accidental. It’s half sci-fi, half horny soap opera. The pacing is kinda weird sometimes, you’ll be in a really tender romance moment with a shy girl finally taking off her clothes slow, proper teasing, then the next tap dumps you in some sandbox area where a dominant older woman drags you around by the balls and talks like she owns the whole town. And you let her. Of course you let her. There’s one scene where a so-called respectable “auntie” type corners you during an “investigation,” pushes you into a chair, rides you until you’re shaking, then tells you important story info while you’re still buried inside her. That mix of information and sex is absolutely stupid and also exactly what my brain wanted. Animation helps a lot, nothing crazy, but enough bounce and wetness that when a big ass grinds on you, it actually feels like something. The game jokes about itself too, throwing in weird humor about old people, porn logic, and how no one ever calls the police, like it knows exactly what kind of trash it is. And yeah, sometimes the dialogue hits like a bad meme from 2014, yet I kept tapping, waiting for the next time a “serious interview” turned into you on your back, MILF on top, mystery temporarily forgotten under her.

Twilight City is one of those places that looks like a shitty Netflix crime show if you squint, but then it opens its legs and suddenly you remember why you still play this kind of stuff instead of scrolling Pornhub like a goldfish. You’re the guy with the dead eyes and the old case eating your brain, the whole “Red Tape Killer” urban legend that refuses to stay buried. Instead of doing the usual noir thing where everything starts in some smoky office, the story yanks you straight back to your college days, when your biggest problems were exams, cheap coffee, and trying not to stare at your classmates’ tits for too long. That part is actually the nice trick here: you know this is all going somewhere very ugly, but the game forces you to wade through that bittersweet student life where every girl feels important and every bad choice is quietly sharpening the knife for later.

College isn’t some generic porn campus here, although yeah, there’s plenty of “oops, she’s bending over again” moments. You’ve got this mix of girls who feel like they stepped out of different games and accidentally ended up in the same one. There’s the playful tease who keeps fucking with you during group projects, brushing her hand along your thigh under the table while the professor drones on, acting like nothing is happening. Another one pretends she’s only interested in “helping you study” then slowly slides her hand into your lap while asking about your future, as if your cock is part of the career plan. The sex scenes don’t waste your time with theatrical bullshit either. Handjobs that start messy and rushed because you’re both afraid someone will walk in. Slow, drawn out oral where she looks up at you with that smug “I own you now” expression. Classic pussy pounding in a tiny dorm room that squeaks at every thrust while you’re both trying to keep the volume low and completely failing. Tits and ass are front and center, obviously, bouncing in rhythm with every movement. The animations are not perfect, some loops feel a bit stiff, and sometimes her mouth movement is weirdly off from the audio, but honestly that rough edge gives it this cheap porn studio vibe that kind of works. Then again, I’m half blind from too many Steam “adult” games, so maybe I’m just broken.

Under all the fucking, there’s that slow burn detective thread doing push-ups in the background. Random details from banal scenes suddenly matter, like a half-seen red ribbon tied to a bag, or a line in a casual conversation that hits differently when you remember you’re chasing a serial killer. One time I picked a dialogue choice just to be a bit of a sarcastic asshole and later realized it was tied to whether someone actually trusts you enough to open up about a creepy incident on campus. Choices don’t scream “THIS WILL CHANGE EVERYTHING” in neon text, they just sit there, and later you realize you nudged the story into a darker corner. The investigation parts are pretty light, more about talking, piecing together small clues, and deciding who you believe instead of playing CSI with a magnifying glass, but the tone fits. That mix of college romance, interracial hookups, and a slowly closing criminal net is strangely addictive. You’re balls deep in a girl, her legs wrapped tight around your waist, and at the same time your brain is quietly replaying that message the killer sent you in the future, trying to match the threat to one of these pretty faces. It’s fucked up, it’s horny, it trips over its own shoes sometimes with pacing, and the writing swings between sharp and cheesy like a drunk on a staircase, yet I kept clicking next, just to see which of these “innocent” memories is hiding the rot.

Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.