Eddie and Rachel look like that normal anime couple you scroll past on Instagram reels and think, “yeah, they’re fine, next.” Then the game quietly takes that “fine” and just grinds it into horny dust while you sit there, phone in hand, feeling way too involved for someone who technically isn’t even in the story. It’s a kinetic visual novel, so no menu maze, no stat grinding, no “good husband route if you say the right thing” safety net. You’re basically trapped in the passenger seat watching this dude’s life spiral while his wife slowly slips out of his reach, text by text, pic by pic, call by call. There’s something really nasty and kind of addictive about how normal it all starts: money problems, job gone to hell, loans that look familiar if you ever opened your banking app and just stared at the numbers like they’re a joke. Eddie’s trying to keep his job, trying to make the boss happy, trying to handle his dick failing him from stress, and Rachel’s trying to help, trying to bring cash, trying to stay that supportive wife… until the “trying” turns into late replies, camera angles that are just a bit too flattering, and clothes that are “for interviews” but you can tell they’re chosen to impress very specific eyes that are not yours.

Most of the tension lives in the phone. If you ever sunk too much time into WhatsApp or Discord drama, this hits way too close. Notifications feel like traps. You read Eddie scrolling, you see Rachel’s messages, and the timing of everything is just cruel. There’s that familiar teasing flavor where she’s still sweet, still calling him “hun” or whatever, but a random selfie has a bra that wasn’t there before, or a skirt that rides a little higher, and the background has some dude’s office in it. You’re not told directly, “hey, this is corruption now.” It’s more like you’re stuck doomscrolling the slow-motion cheating arc of your own relationship, except here you’re safe and also rock hard, which is messed up but that’s the point. The voyeur angle is strong, too. You’re not in the room while she’s touching herself, but you see the proof after. You don’t watch Eddie’s boss eye-fuck his wife in real time, but the CGs and the way the chat logs line up give your brain enough to fill the blanks on its own. At some point she’s not just helping with bills anymore; she’s “helping” in ways that clearly have nothing to do with loan interest, and everything to do with how far she’ll let them push her, and how far you’re willing to keep watching her fall. The wild part is how the romance never fully disappears. There are moments where you can tell she still loves him, still cares, even while she’s sending off pictures she would never have shared before, masturbating with someone else on call, or letting another guy “help her relax” because Eddie’s too worn out and too soft. It’s filthy, it’s cruel, it’s sad in a way that sits right next to horny instead of killing it, and the game never pauses to ask if you’re okay with that. It just keeps moving, like a group chat you know you should mute, but you sit there, staring at the screen, waiting for the next message anyway.

There is this strange, heavy feeling when the game opens, like walking back into an old porn folder you forgot, but someone has replaced all cheap hentai with something that actually stares back at you. You are this ancient thing, Iraáil, a vampire god-thing, whatever, but tired as fuck. Not the sexy edgy teen vampire tired, more like “I’ve seen too much blood and too much bad sex and I’m bored of both” tired. The game sits you in that mood right away. You’re not chasing girls in school uniforms, you’re walking into the ruins of your own family, and everyone in it either wants to fuck you, kill you, or cry when they see you, sometimes all three in same scene. The writing leans hard into that mix of horny and awful. One moment you are licking blood off someone’s throat while their lover watches and shakes, half terrified, half desperate to be next, and the text lingers on the taste, the smell, the way their body softens under you. Then, in the next line, it hits you with “this is your child’s descendant” and suddenly your dick and your conscience are in the same small coffin.

What got me is how the erotic scenes never feel like they are in a separate folder from the rest. You make a small choice, like putting a hand on a shoulder instead of around the throat, and three scenes later someone is either on their knees for you, or sobbing and calling you a monster while still grinding against your leg. The game keeps score in this weird fear and love way, but it never throws a big popup, it just quietly warps how people look at you. There was this one moment where I chose to be “gentle” with a worshiper in a temple, just to see what the soft option looks like. It still ended in cum and blood on the floor, but the whole vibe flipped. Instead of them begging you to hurt them more, they were whispering that they missed you, like some fucked up immortal ex, and I actually paused, alt tabbed to Spotify, changed the playlist, came back and just stared at the text like “why am I sad with my pants down.” And the horror parts, they are not jumpscares, more like that slow “oh, I really did those things, huh” realization. When your progeny strips for you, showing bite marks you gave generations ago like holy scars, it’s hot in that dirty, stomach twisting way. You want to click further, you also want to close the browser and go touch grass. But you don’t. You pretend you will be kinder this time, then pick the cruel dialogue anyway, just to see how deep the rabbit hole of this fucked up immortal soap opera goes. The game remembers. The characters remember. Their bodies remember you most of all.