Isekai Brothel feels like someone cracked open my anime watchlist, dumped it on the bed, and said, “Ok, pick who you wanna fuck first.” It’s a dating sim wrapped around a brothel idea, but not the usual boring “pick one route, marry waifu, roll credits”. Here you jump between worlds and timelines, grab girls from different series, and basically run this horny multiverse where fidelity is a suggestion, not a rule. As a poly person this hits weirdly close to my fantasy: not needing to “pick best girl”, just stacking them like a chaotic harem Jenga tower and seeing what breaks first, your dick or your free time. And yeah, it’s messy. The art style and scenes don’t always match perfectly between girls, the transitions sometimes feel like someone hit the skip button too fast, but honestly that fits the vibe. It feels like a porn stash, not a museum.

What I liked a lot is how it leans hard into the “brothel” part without pretending to be moral about it. You flirt, you pay, you fuck. Sometimes you date first, sometimes you go straight to raw dog in a rented room. One moment I was having a kinda sweet “date” with a shy girl, choosing dialog options that made her open up, and then suddenly I was balls-deep while she begged me not to pull out. The jump from wholesome to filthy is fast and I actually enjoy that whiplash. There are quick sex scenes for when you just want a 2-minute stress relief, and longer dates where you build some tension before ruining her makeup. The game throws in fetishes pretty casually, like, “Oh, you clicked this girl again? Guess we’re doing anal now” and doesn’t over-explain anything. It trusts that if you’re on an adult site and recognize half these characters, you already know what you’re here for. One tiny thing that annoyed me: sometimes dialog sounds like it was translated twice through Google, then drunk-edited, but honestly I still liked that more than fake polished porn writing that nobody talks like.

The multiverse teleport tech is a cool excuse for why everyone is in one place, but the real fun is when you start mentally mixing “lore” from different shows while you’re mid-thrust. I was fucking a certain very proud, very stacked demon girl while thinking “if her boss from that other universe walked in right now, he’d probably applaud.” Then I switched to a sweet healer-type girl and went from rough choking and hair pulling to soft missionary and kissing like some kind of emotional whiplash speedrun. The game doesn’t punish you for jumping from girl to girl; it almost encourages it, like “you liked that dommy mommy? Nice, go cuddle the awkward schoolgirl now, coward.” It’s not trying to be classy, and I appreciate that a lot. Sex here can be romantic, sure, but it can also be just sloppy blowjob in a side room while other clients are busy in the back. I kinda wish there were more scenes where the girls interact with each other and not only with you, like full-on group sessions that acknowledge relationships between them, but at the same time I like the feeling that I’m sneaking from room to room, collecting different bodies and personalities like a horny little goblin. The whole thing feels like a guilty browser tab you forget to close, which is exactly how this kind of game should feel.

Can’t lie, I clicked expecting another copy-paste anime mashup with the usual stiff models and dead-eyed moans, but this one hits different. There’s a sadness under all that skin, like someone coded their fantasies too carefully, you know? I found myself staring at Raven’s face - Batman’s Raven - and thinking, “she shouldn’t be looking at me like that,” while still dragging her into position anyway. Unreal how fast guilt turns into hunger when the animation breathes just right. And maybe it’s because of the Illusion engine doing its sneaky physics thing, or maybe because the transitions are almost clumsy, like real people fumbling with clothes and patience. It’s messy, which makes it hot.

The scenes jump from universes without pretending to make sense. One second I’m in some broken-down Capsule Corp lab, Bulma smirking like she *planned* to get caught; next, Yoruichi’s toes press against my chest, laughing, telling me to look up. I did. Of course I did. The voyeur mode feels wrong in the best possible way - it doesn’t even give you fake morality options, just lets you watch. But then again, maybe that’s lazy design. Or genius. Hard to tell when your brain’s half-melted. The weird part? The sound mix changes depending on position, so D.Va sounds distant if she turns away. I swear no one ever gets audio that intimate, not even those overpriced VR patches on Steam.

Anyway, I could say it’s perfect, but I won’t. Some things twitch too mechanically - the faces sometimes freeze mid-expression, like they remember they’re code. Yet that’s also the charm. You see the seams, and you keep touching them. Like rubbing a wound for pleasure. Half the cast shouldn’t exist in the same space - Orihime beside Tifa beside Samus - but here they crowd my screen like they’ve been waiting forever. Maybe that’s why it works: it’s absurd, obscene, familiar, and somehow lonelier than expected. I closed the browser and immediately reopened it. Couldn’t help it.

Your pap dies off-screen, leaves you his whole damn job in Soul Society, and you’re still basically a horny newbie who barely remembers which captain hates which. That’s the vibe here. You’re thrown in as the new commander, everyone calls you “taicho” with that fake respect, and half the time you’re trying to decide if you should fix the political mess or just fuck your way through it. First scene already tells you how it goes: one minute you’re at a funeral, the next you’re staring at Rukia’s legs way too long and thinking “yeah this is not how a responsible leader behaves” while the game kinda smiles and says, “good, keep going.” It doesn’t pretend to be epic and serious, even when it tries. You talk to captains, you mess with schedules, send squads on missions, but every choice has that “ok but how does this help me get into her pants” feeling. Sometimes it’s soft stuff, like walking Hinata-style shy girls out of their shell with dumb little compliments, sometimes it’s straight up “I’m your commander, get on your knees” and the game doesn’t flinch at all.

What really hooked me was how dirty it gets once you stop being polite. At first I was like “I’ll play the good boy,” trying to keep everyone friendly, but you run into Rangiku and her tits are basically their own cutscene, spilling out of the uniform every time she bends forward. You can tease her, get teased back, or just push it into rough territory if you set your dominance high enough. Same with Yoruichi. One route she’s trolling you, laughing in your face, making you jerk off like a dog while she watches. Different route, you’ve got her on all fours, collar biting into her neck, ass up and dripping while you decide if it’s going to be slow pussy worship or full-on choke-and-cream. The game doesn’t hide the nasty stuff: sleep sex scenes, voyeurism when you spy on captains bathing, lesbian side events with girls grinding on each other while you’re just there stroking, ahegao faces that would get you banned on Instagram in one second. It’ll let you titfuck Orihime on your office chair, footjob from some smug captain who pretends she hates you, sex toys stuffed into subordinates while they’re trying to keep a straight face in meetings. One moment you’re holding a sweet romance flag with someone like Inoue, later you’re watching her gag on your cock while her eyes roll up, drool everywhere, and then you still go to a “respectful” briefing like nothing happened. The AI CG actually surprised me a bit, sometimes it looks weird on fingers but then you get a midnight creampie scene with Nel or a rough blowjob with Tsunade-tier milf and suddenly you forget everything you wanted to complain about. I still hate that tiny menu button that’s slightly off-center and my brain screams every time I tap it, but yeah, this is one of those games where you say “ok, just one more scene” and then your dick hurts but you still click.

Subway Pervert: Touch and Rape looks trashy at first glance and somehow still manages to feel like a weird little art project about how gross people can be when nobody is watching. You are basically the handsy creep in a packed train, no moral redemption, no “secret love” excuse, just raw predatory energy. The whole thing orbits around abusing girls who never asked for it, and the game does not pretend otherwise, which I actually respect in a strange way. There is no fake romance coating here. It’s just molestation turning into full *** with some game logic on top. The main “jewel” for obvious reasons is Orihime. Her body is exactly how every horny Bleach fanboy remembers her: soft, way too stacked for a school uniform, with that kind of dumb-cute expression that makes everything feel even more wrong when you start groping her. Seeing a known character in this shitty fluorescent subway light hits different, it’s like fanart that escaped Pixiv and went feral. You prod her chest, her thighs, her pussy over panties, and the whole tension is between shame on her face and the game pushing you to go further. No pretending it’s consensual. It’s not. That’s the fetish here.

The design is ugly-beautiful in a way. It’s not polished hentai art with perfect lines and soulless smooth shading. It looks more like some horny artist chain-smoked in front of Clip Studio and said “good enough” after every panel. Bodies are a bit exaggerated, boobs look heavy instead of floaty, nipples sit in ways that feel almost too specific. I like that. The schoolgirls have that stiff, pressed uniform vibe that already feels like a fetish you could smell. The idol is basically walking fanservice with her smug vibe collapsing once the hands start sliding under her clothes. The milf’s curves are the most grounded, like the artist actually looked at a real woman at least once in his life. What annoyed me is the tiny text shit. Everything is in Japanese, and while I don’t mind, the font is just annoying. On my phone on Chrome it felt like squinting at a hentai magazine someone left under the bed for ten years. You can copy it and throw it into DeepL or Google Translate, it works, but it kills the flow when your other hand is busy, you know? The game uses this little “choice” thing where you pick what to touch or how aggressive you go, and if you pick right, her resistance shifts into shameful arousal. If you mess it up, it kind of stalls and feels like poking a mannequin. There is an actual tiny rhythm to it, like reading a dirty visual novel and playing a puzzle at the same time, only the puzzle is “how far can I push this girl until she stops resisting.” When the scene finally snaps and she’s on the floor, panties off, getting used by multiple guys, it’s brutal and cartoonish at once. Some people will call it too much. For me that extremity is exactly the point. I even wish the artist went a little nastier with the expressions, more broken eye focus, more smeared makeup, more tears mixed with drool on those facials, but also I kind of like the slightly restrained style because it keeps the characters pretty even when everything horrible is happening to them. It’s not a nice game. It’s not trying to be. Visually and thematically it just crawls into your brain, sits in that part labeled “Orihime has huge tits and maybe I’m a bad person,” and refuses to leave.