Steve wakes up in this blocky sex world like he’s spawned inside some teenager’s wet dream that never got a QA pass. Everything is made of cubes, including the girls, but the game kind of leans into the absurd instead of pretending to be serious. You click through scenes, pick dialogue options, occasionally move him around map-style, and it’s all basically an excuse to watch him try to fuck every redhead, elf, and weird villager girl with square tits. The writing pretends to be this epic adventure, but it’s more like: “walk three steps, crack a joke about wood, accidentally end up balls-deep in some pixel babe who talks like she’s been watching too much Pornhub.” It’s trashy, shameless, and totally self-aware, and that’s kind of the only thing that makes it work. I actually laughed at one line where Steve tries to explain “crafting a relationship” like it’s a pickaxe recipe and then immediately just rails her against a wall. He’s not a hero, he’s a horny idiot with plot armor.

From ethical side though, I have to be honest, the monetization feels like a creeper hiding behind a tree. The game looks silly and cheap on purpose, but then it pokes you with “extra scenes” and “bonus routes” that are clearly tuned to make you either grind boring clicks or pull out a credit card. It’s not loot boxes, but it has that same energy of “you’re already horny, you won’t think too much, just pay a little to see Steve fuck the extra redhead in the cave.” That kind of manipulative design annoys me more than any explicit content. If you put sex front and center, cool, we’re all adults here. But don’t pretend the choices are deep when some routes are practically locked behind micro-pain. And yeah, I know other adult games do way worse, but at least some of them are honest about being cash traps. This one hides behind jokes and parody, like “haha, Minecraft but horny,” while still squeezing for extra coins. I had this moment where I finished a pretty funny scene, and instead of a clean end, it pops a prompt hinting I missed the “premium doggy variation.” At that point it stopped feeling like a dumb fun fantasy and more like a very horny version of Candy Crush tactics. Still, the idea of a blocky guy banging his way through a stupid world ruled by cubes and bad puns is weirdly charming. It just makes me wish the dev trusted their own humor and porn more than their wallet.

It’s weird how this one got under my skin. I opened *Deck of Hearts* expecting another lazy click‑through with the same recycled bodies, but the writing kept pulling me back. It’s just text and cards, right? Except the cards don’t feel like props - they’re little traps for your decisions. You draw one and suddenly you’re in a room that smells like perfume and bad ideas, staring at a redhead who looks like she knows exactly how far you’ll go before folding. The game doesn’t even try to hide its filth; it leans into it like it’s proud of being shameless. And honestly, good. The MC’s voice is messy, horny, insecure, sometimes cruel, which feels way more real than those perfect hero types.

There’s this scene - I won’t spoil too much - but the moment the blonde leans over the table, teasing about “luck,” you realize the cards aren’t random at all. They’re judging you. It’s not subtle, but it works. I laughed when I shouldn’t have, mostly because the dialogue feels like something you’d overhear in a bar where everyone’s pretending not to listen. The corruption angle hits harder than expected; it’s slow, sticky, uncomfortable in the best way. I caught myself clicking slower, reading every line twice, like the words might change if I stared long enough. Sometimes they do. Maybe that’s just me projecting.

If there was an award for “Most Unnecessary Grope That Still Made Sense,” this game wins it. The AI CGs look almost too clean for the dirt they’re showing, like someone tried to polish sin. The MILF character - yeah, you’ll know her when she shows up - has this smug smile that makes the whole plot bend around her. I kinda wish the teen character had more agency, but maybe that’s the point: everyone’s trapped in their own deck. Also, whoever wrote the card descriptions must’ve been drunk or a poet. Hard to tell which. Anyway, I closed the tab and immediately reopened it. That probably says enough.

Lena’s voice keeps ringing in my head even after I closed the tab - like an echo that’s not really hers, but mine. She’s drawn to disaster, that much is clear. I kept thinking she’d make a “good” choice, but the game doesn’t reward good. It teases it, then smothers it under sweat and half-whispered apologies. That scene in the cheap motel room (yeah, the one with the red sheets that keep sliding down her thighs) hit weirdly hard. I wanted to laugh, but I didn’t. Ian’s dialogue there, when he asks if she *feels anything at all* - it’s not written like porn, it’s more like he’s daring her to stop pretending. And then you realize the game’s been daring *you* the same way for the last hour.

There’s a rhythm to the choices, like breathing too fast and then stopping. One moment you’re talking about dreams and gigs and paying rent; next, you’ve got Lena on her knees, warm breath fogging up the screen. The blowjob animation isn’t even the point - it’s how she looks up after, like she’s trying to find meaning in it. I swear that little pause before she wipes her mouth says more about her than any of the branching dialogue trees. But still, there’s something sloppy about the transitions - like it’s all too aware of what it’s supposed to turn you on with. I got annoyed once because the text box covered her chest at the exact wrong time. Then I forgot I was annoyed when she bit her lip and said his name wrong on purpose. Some games talk about corruption; this one feels sticky with it, uncomfortable in a way that makes you stay longer than planned.

By the time the threesome scene rolled around - Lena, the redhead, and Ian with that smug smirk - I’d stopped trying to make moral choices. You just click and watch the mess unfold. It’s romantic and ugly and kind of beautiful in its own broken rhythm. Like you shouldn’t be watching, but you keep doing it anyway because there’s something too human about all that skin and guilt tangled together.

Keigo feels like that dude who peaked in high school but actually never even peaked, just failed quietly and then left town. Now he drags his ass back, broke, horny, and still kinda pathetic, crashing at Ichigo’s place like some NPC side character who accidentally got promoted to main character. Ichigo’s still Ichigo, of course, walking cheat code for popularity, swords, and women, and somehow he’s married to Orihime now. And she’s exactly what all those old Bleach fanarts promised, just turned up to shameless hentai levels: giant soft tits that bounce a little too perfectly when she laughs, thighs that don’t even pretend to fit normal clothes, that smile that looks innocent until the camera angle proves it isn’t. The game knows why you clicked. It doesn’t pretend otherwise for even half a second.

What I liked is how the whole thing feels wrong in a very specific way. You’re in Ichigo’s tiny place, pretending to look for a job on your cracked phone, scrolling fake job posts like it’s LinkedIn hell, while Orihime leans over the couch in those shorts that absolutely do not count as shorts, asking if you want more tea, and you’re trying to not stare at her ass and failing completely. The mobile UI actually fits the vibe here: it feels like you’re sneaking porn in a WhatsApp group while sitting at a family dinner you weren’t invited to. Keigo tries to act like a good guest, but the game keeps throwing you small choices that slide from “just chat” into “ok, that was not friendly anymore” and then into “yeah, Ichigo would definitely punch you for this.” You start with mild flirting, then accidental boob touch that is obviously not an accident, then late night scenes in the hallway where she whispers too close, breathing on your neck, pretending she’s worried about you when her nipples are poking right through her shirt. It goes from soft corruption into full-on “I want you to fuck me while my husband is in the other room” without ever doing that big dramatic turn, it just slowly rots. Like mold on bread, sexy mold.

Sex scenes themselves are exactly what you expect and then a bit worse in the best way. Orihime rides you with those massive tits clapping in your face, eyes glazed, sucking her finger, begging you not to cum inside her, and of course the only button you actually notice is the one that makes you drain every drop in her anyway. Animated loops focus on the important stuff: her ass slamming down on your cock while you watch the ring of white around the base grow thicker, the way her belly jiggles when you push her legs up and fuck her hard, the little moment she presses a hand to her womb like she can feel you filling her. There’s a scene where Ichigo’s in the shower, humming like some idiot protagonist, and you’re behind Orihime on the kitchen table, her hair spread, creampie dripping out while she clenches around you trying not to moan too loud. The guilt is there for Keigo, kind of, but the game doesn’t pretend he’s a good guy. Which is nice. He’s just a horny loser finally getting the girl he always watched from the corner, and he ruins everything with a smile.

Weird thing that bugged me way too much: that one text notification sound they use keeps popping up in the middle of the hottest scenes, and it sounds exactly like a Telegram ping, so I kept pausing thinking someone actually messaged me. Completely yanked me out of a creampie once, I’m still annoyed about that. Also, sometimes the writing swings between decently hot dirty talk and those awkward lines like “I feel your naughty rod deep inside my womanhood” and it’s hilarious in the middle of all the moaning. But then Orihime throws her head back, calls you by name, and begs for more like she’s never been properly fucked before, and suddenly the cheesy lines don’t matter. It feels like some degenerate Bleach doujin that escaped from 2010, grabbed your phone, and decided Keigo finally deserves his turn to be scum. Honestly, he doesn’t, which is why it works.