This one feels like scrolling your phone after a breakup, half naked in bed, then suddenly falling into someone else’s messy life and going, “oh shit, that’s me.” You’re this college guy who used to just rot in his room, drowning in cheap snacks and porn tabs, pretending that ghosting your ex and muting half your contacts counts as “healing.” Then basketball drags you back into the light. Not as some heroic sports anime star, more like the dude wheezing on the court, staring at a girl’s bouncing tits in a sports bra and losing the ball because your dick thinks faster than your brain. The game leans into that awkward, horny, slightly cringe vibe. You’re not a smooth sex god at the start. You’re a rebound. For your own life, and sometimes literally for some of these girls who also use you to forget their shit.

The way it mixes horny and emotional is weirdly hot. One moment you’re in a quiet dorm room, just you and this girl with a huge ass squeezed into tight leggings, music low in the background, her hair messy in that “I didn’t plan to get fucked tonight” way. She laughs at something stupid you say, leans in, her tits softly pressing into your arm, and the whole world shrinks to the sound of her breath in your ear. Then the next scene you’re on the court, sneakers squeaking, crowd noise like a fuzzy roar, and you’re staring at the cheerleader with big boobs bouncing in slow motion while you miss a free throw you absolutely should have nailed. The writing loves to drag you back and forth like that. Loving the chaos and then pretending you’re better than it. The harem stuff sneaks up on you too. You start with just trying to talk to one girl without sounding like a Reddit post, and before you know it you’ve got a horny goth chick teasing you, a sweet sporty girl who moans your name when you pin her to the shower tiles, and some bratty college princess who pretends she hates you even while she’s grinding on your lap in a dark party corner. Choices matter, but not in that stiff “good route / bad route” way. More like: do you jerk off alone and text someone after, or do you swallow your fear, go to that date you almost cancel, and end up with her hand sliding under the table, stroking your hard cock while you try not to knock over your drink.

What really sticks is how slow some scenes let things build. There’s this moment where you’re just sitting on a bed with a girl, legs touching. She talks about some stupid fight with her ex. Nothing epic. The lights are low, some indie song plays on her laptop, just a soft background, and you’re watching the way her big breasts move under her loose shirt as she breathes. You feel like a piece of shit for checking her cleavage while she opens up, but the game knows you’re doing it and kind of laughs with you. When she finally climbs into your lap, straddling you, kissing you with this mix of need and hesitation, it feels earned. Like you really crawled out of your slump for this. Then other times it just goes full hentai brain, like “hey, you won the game, here’s a girl with ridiculous big tits riding you until the bed squeaks, moaning so loud you’re sure the whole dorm hears.” And both vibes work. It’s romantic one second, absolutely filthy the next. You masturbate, you fail, you get humiliated and turned on by the wrong things, you pick dumb options just to see what happens, maybe you score big, maybe you crash and burn. It never pretends you’re some perfect hero. You’re just a horny college idiot trying to turn one little rebound into a life where you fuck up less and fuck a lot more.

Guy stuck alone in a forest cabin with textbooks and porn tabs half hidden, brain fried from exam stress, and then two soaked college girls crash his weekend because the weather basically says “nope, you’re all trapped now.” That’s the whole mood here. It starts like one of those cheap horror movies, except nobody is running from monsters, they’re just running from wet clothes and sexual frustration. And yeah, they both have huge tits and asses that ignore gravity like it’s optional, the game is not subtle about that at all. One is louder, more teasing, big “I know my boobs are a weapon” energy, the other is more shy, a virgin who clearly watched porn but never actually had to deal with a hard dick right in front of her. Of course they’re girlfriends, of course they’re already kinda handsy with each other, and of course the poor guy has no idea where to look and still manages to stare straight at their nipples every time.

The fun part for me was how slow it cooks. You don’t just click once and suddenly everyone is naked and moaning. It’s like: wet clothes clinging too tight, then changing into borrowed shirts that are way too big but somehow show even more skin, then innocent cuddling on the couch while the storm bangs outside, then casual “truth or dare” that is absolutely not innocent, and before you know it, the virgin girl is biting her lip, asking questions about blowjobs like she is doing research for a paper. The game throws lots of little choices at you, not super complex, but enough to steer which girl leans in more, who gets jealous, who pretends she “just wants to help her friend experience things” while grinding that fat ass on your lap. There is that one scene where the shy girl is sitting in his lap under a blanket, pretending she is cold, and you feel her slowly relax her thighs while his dick is pushing up, and the other girl is watching from the kitchen like she is planning the next move. That moment hit way harder than some full-on sex scenes in other games. Also the voice lines help a lot, especially the small breaths and the tiny “ah” when a hand goes too high under the shirt. I only got annoyed once when the teasing dragged for like three screens of dialogue too long right before the first real touch scene, but then the reward CG dropped and I kinda forgot I was annoyed.

Clara’s “Love Hotel” feels like the place your horny brain built when you were fifteen and your wallet was already imagining sugar daddies. It’s not some classy high-society escort fantasy. It’s cheap perfume, sticky elevator buttons, and girls who still check their phone between clients. You follow a teen girl getting sucked into Clara’s world, going from “I’m just looking for some extra cash” to happily spreading her legs for whatever rich pervert books the suite. The whole thing plays like a kinetic visual novel where you’re mostly there to watch her brain rewire itself around money, cock, and control, with Clara pulling strings and smiling like a sexy devil in a tight dress. The story doesn’t rush. First it’s teasing and striptease in those themed rooms, girls grinding slowly while the client watches like a creep through tinted glass, then the jobs start getting nastier: anal for an extra wad of bills, creampies that drip out while Clara counts the cash, toys shoved in to keep the girl “ready” for the next guy. You barely make a choice, you just sit there like a voyeur, and somehow that fits the whole hotel vibe perfectly.

One moment that stuck in my head had the main girl lying on silk sheets while an older woman, a full-on milf type with that rich cougar aura, just toys with her for a client hidden behind the curtain. She whispers to the teen how she’s nothing but a fucktoy now, fingers deep, thumb circling her clit, and the hotel’s camera quietly recording every twitch for “private archives.” The girl pretends to be shy at first, but the game doesn’t keep that illusion long. By the time Clara pairs her with a calm, serious dilf businessman, she’s already the one pushing his cock inside, asking if he wants to finish in her ass or her pussy because “Clara gives bonuses for messy endings.” There’s a fun little moment where two lesbians working the same floor sneak into an empty room between clients, toys buzzing, tongue on tongue, and you realize they’re half doing it for pleasure and half to warm up before the next paying guest. The corruption doesn’t feel cartoonish, more like a slow slide where you watch the girl go from flinching at her first blowjob to riding a stranger like it’s just a normal shift. Some scenes lean more romantic, weirdly enough, especially when a regular client starts bringing gifts and treating her like his personal escort, and the game kind of pretends there’s “love” in a place that operates like a brothel. It’s messy, horny, sometimes sweet, sometimes nasty, and it never apologizes for treating every girl in that hotel as both employee and property, legs open on demand while Clara counts the profits with that lazy, satisfied smile.

Michelle looks like the girl in your office who always leaves at exactly 5, hair perfect, life probably on rails. Except here she is in sweaty, neon Hong Kong streets in 1986, slowly losing her grip on that “good daughter, good employee” mask because one tiny, stubborn, chain-smoking woman named Sam keeps flirting with her in ways that are way too gentle to ignore and way too dirty to be innocent. The game starts pretty tame, all long bus rides, quiet apartment scenes, small talk about movies and clothes, but the whole time the camera lingers on thighs under skirts, fingers brushing on handrails, the little hesitation when Michelle looks at Sam’s mouth while they share a drink. It’s a slow, frustrating kind of heat, like when you’re stuck on Zoom meetings and sexting on Telegram on the side, except here it’s cassette tapes and payphones and cramped bedrooms with thin walls and parents one room away. The erotic stuff doesn’t explode in your face with instant porn. It creeps in. One kiss in a dark cinema where Michelle is stiff at first, almost scared, then you see her lips part, her hands tremble, and you can almost hear her swallow before she gives in and pulls Sam closer. Tongues, teeth, that wet sound, and she keeps her eyes half open like she still cannot believe she is letting another woman taste her like that.

When it finally goes past kissing, it hits like someone yanked the curtain down. You get these long, quiet scenes on a bed where the sheets are a bit messy, clothes half off, bras sliding down arms, Michelle trying to cover herself at first and Sam just laughing low and kissing every bit she tries to hide. There is a moment where Sam goes down on her, and it’s not some porn-speed blowjob logic. It is slow and almost awkward, Michelle gripping the bedsheet because she does not even have the words in her own language for what is happening between her legs. The text describes every tiny reaction, how her thighs twitch, how she tries to keep her voice down because her mother could walk past the door, how her hips start grinding against Sam’s mouth anyway, shame turning into this fucked up relief. You can tell the writers actually understand how it feels when you are eating pussy like you care about the person, not like you are checking off positions. There are pauses, deep breaths, a little laugh from Sam when Michelle whimpers a bit too loudly, and then she doubles down, tongue and lips and fingers working together until Michelle is shaking so hard she almost pushes her away. That first orgasm is not “perfect”, it feels real, messy, emotional, like she just broke some rule she has been obeying her whole life.

Under all that sex there is this heavy layer of family and culture pressure that honestly turned me on more than I expected, because the guilt makes everything spicier and more fucked up. Michelle sneaks back home smelling like cigarettes and someone else’s perfume, lies to her mother at the dinner table while still feeling Sam’s fingers inside her if she closes her eyes for a second. There are choices where you can lean into the romance, keep seeing Sam, or try to “fix” yourself and go back to the safe, straight, lonely path everyone expects. Some endings feel like a punch in the gut, some feel like a small rebellion that might not last forever but at least burns hot while it exists. It is a romantic story, yeah, there is sweetness, hand holding, soft kisses, that feeling when you are falling in love and every bus ride feels like a music video, but the game never really lets you forget that this is two women trying to build something intimate and wet and tender inside a world that keeps telling them they are wrong. That clash is what makes the sex scenes hit so hard. When Sam whispers “you’re mine tonight” while Michelle’s family photos are literally watching from the shelf, it feels dirty in the best way, like she is betraying everything for the chance to have her own life, her own pleasure, even if it all goes to hell later.