Japan in this game feels like someone took a horny sci fi reddit thread, fed it into ChatGPT on a bad day, then handed it to a very pervy writer with a school uniform fetish and a grudge. You land there as this kinda average 19-year-old dude, supposed to be an exchange student, pretending you care about classes while your brain is just full of your crush Julie’s tits and that tight ass she keeps pretending she doesn’t notice you staring at. Of course she brings her cute friend Alice, who acts like a good girl but gives you those tiny side glances that say “choke me a little, please.” On top of that, there is this whole mystery about Julie’s missing sister and a company that makes hyper realistic sex dolls, but half the time I kept forgetting about the plot because the game keeps throwing you in situations where you are either groping, being teased, or trying not to cum in your pants in some school hallway. The tone jumps around like crazy: one moment you flirt shyly in a classroom, next you are slapping a doll’s ass raw and making her call you master while your friend is in the next room. That mix actually works better than it should. It feels messy and dirty, in a good way.

The whole “Love Dolls” company thing is the part that stuck with me. Those dolls are basically walking sex toys with soft skin, big tits, big asses, and eyes that look a bit too human when you tell them to open their mouth wider and they just obey without question. They are made to be used, to be trained, to be humiliated. You can press them against a wall, pull their hair, force their legs apart, make them kneel on a cold floor and clean your dick with their tongue while you stare down like they’re nothing. There is this one scene where you are still acting like the innocent foreign student on the outside but behind a locked door you are pushing a doll face down on a school desk, fingers digging into her hips, pounding her so hard the animation actually sells the impact. Her tits bounce, her ass jiggles, she moans like a broken toy, and you know very well you are not supposed to be doing this in a place with textbooks and chalkboards. That mix of “I shouldn’t” and “I really, really will” is where the game shines. It goes from gentle teasing and soft kisses with your crush to rough anal with a doll chained to a bed, and the game barely blinks. You get moments of romance, then suddenly you’re strapping a toy to a girl, making her ride it until she’s shaking, and the MC is just watching with this fucked up curiosity like “what else can I do to her?” It’s not subtle, it’s not classy, and it absolutely doesn’t pretend to be. Which is kind of perfect for what it is.

You wake up broke, horny, and back in your old room that still smells a bit like teenage shame and cheap body spray, and the game just kind of grins and says, “yeah, this is where it starts.” You’re this young psychology guy who thought he had life sorted, then it all collapses and you crawl back to mom’s house. Only mom isn’t just “mom” anymore. She’s this thick, soft, dangerous kind of beautiful, the kind that makes your eyes slide over her curves against your will. She walks around the house in clothes that hug her huge tits and that insane ass in a way no actual mother should, bending over the couch while you pretend to look away and fail every single time. The camera loves her, almost too much. It lingers on the subtle stuff, the underwear line digging into her hips, the way her nipple outline threatens to show when she moves. You’re supposed to feel guilty. You don’t. Or you do, but it just makes your dick harder. It’s that kind of story.

Then there are the sisters, and yeah, the game knows exactly what it’s doing. The older one moves like a witch who realized she can control a room just by existing. Goth clothes, dark nails that look like they’d hurt when she scratches your back, eyes that tell you she thinks you’re trash but her body keeps betraying her, slower each day. There’s this moment where you “accidentally” walk in while she’s bent over her desk in fishnets, headphones in, skirt just not quite long enough, and the main character just stands there too long while you feel his thoughts going places they absolutely shouldn’t. Later, when the hypnosis angle really kicks in, watching her resist you with this mix of hatred and arousal, hips still grinding in spite of her words, that’s where the corruption hits harder than any sex scene. She spits insults while she rides your cock, then trembles when you ask her who owns that tight ass now, and her voice breaks on the answer. It’s fucked up. It’s hot. It’s both at once. The younger sister is the opposite weather: all pastel pink, soft hair, candy wrappers, plush toys, girly socks that should not look so good wrapped around your waist. She trusts you way too much. She curls against you during a movie, her small tits brushing your arm, and the game slows the moment just enough that you feel that sharp, dirty edge when your hand lingers longer than it should on her thigh. Later, with the mind control, teaching her to touch herself on command, watching her bite her lip while she obeys, that’s the point where “romance” and “corruption” almost merge into this twisted little love story that you’re not sure you’re supposed to enjoy so much.

The hypnotherapist is the real doorway drug. Mom’s friend, older but still tight where it counts, eyes that see too much and voice that rolls over you like warm honey. You sit in her office as “assistant,” pretending to take notes while she drops other women into deep trance, fingers playing with their minds and their bodies at the same time, and you’re there, hard under the desk, memorizing every word, every pattern. There’s a point when she leans down behind a patient and guides the girl’s mouth on a toy, whispering triggers, and your brain just goes click. After that, going home feels different. Sleeping bodies don’t feel safe anymore. The game leans into sleep sex in a way that’s almost too intimate. Like, you stand over your mom’s bed at night, listening to her slow breathing, watching her tits rise and fall under the thin fabric, and one tiny suggestion you planted earlier makes her legs spread a little. She mumbles your name in her sleep while you slide your hand under her panties and the guilt is there, but it’s distant, like a voice behind glass. Same with the sisters, those late-night scenes where the younger one is half-asleep, squirming and moaning softly as your fingers tease her soaked slit, or the older one clenching around your cock in her sleep, cursing you in her dreams while her body begs for more. The game doesn’t flinch from that dirty intimacy. It loves deepthroats that go too far, tears at the corner of her eyes, spit and mascara mess. It loves big tits bouncing while you fuck them, cocks sliding between them until you paint her chest white. It loves asses, god, the asses: thick ebony hips, mom’s juicy milf curves, your sister’s perfect goth bubble butt stretched around your shaft when you finally push into her tight hole and she squirts all over the sheets. Anal, vaginal, titfucks, creampies that drip out slowly while she walks around the house pretending nothing happened. Sex toys buzzing between thighs, collars and ropes appearing on the “good girl” routes that still somehow pretend to be romantic. There’s a weird tenderness under all that filth too, like when you watch your own cum slowly swell inside a belly on the pregnancy scenes, or when a character you’ve completely twisted still smiles at you like you’re her whole world. It’s wrong. It’s beautiful in a fucked way. It feels like you’re building a harem out of people who were once your family, your patients, your lovers, turning them into obedient, wet puppets and devoted partners at the same time, and the game just lets you keep going, deeper, softer, nastier, never really asking you to justify any of it. I just wish the text messages inside the game didn’t use that ugly default pop-up style, it pulls you out for a second, but then somebody drops to their knees, takes you so deep they choke, and suddenly you forget you were annoyed at all.

Truck-kun hits again and boom, you wake up broke in a trashy fantasy world, with a body that actually works and a bunch of gorgeous girls who legally count as your property. Not heroic party members, not “companions”. Slaves. The kind of setup old eroge hinted at but never really went all-in with. You’re the guy in charge, the male lead, the one who gets to fuck, punish, comfort, and “train” them, while also trying not to starve to death. It’s this weird mix of anime isekai gag and grimy brothel management, except instead of nameless clients and dull menus, you’re face to face with the same girls over and over, learning what makes them moan, what makes them cry, and sometimes both at the same time. The game doesn’t pretend you’re a saint either: you’re poor, you’re horny, you love big tits and big asses, and you’re not shy about filling every hole. Vaginal, anal, sucking you off under the table, POV shots of you emptying inside them till it drips out. Lots of creampies, like someone in the dev team grew up pausing old hentai VHS just to stare at the white mess.

What really got me was how it swings between romance and straight-up filth without warning. One scene you’re gently comforting a shy “trap” who looks better in a dress than most girls, trying to ease his insecurity while still grabbing his ass. Next moment you’re pushing a milf against the wall, her tits spilling out, face twisted in full ahegao while she begs for more. The girls feel like a mix of old-school hentai archetypes: clingy little sister type who really, really shouldn’t crawl into your bed but does it anyway, mature milf who pretends she’s above prostitution and then starts grinding on some old guy because you told her to, tall futa who is both your rival and your toy. And since the story is openly netorase, the MC is the rare degenerate who actually enjoys seeing “his” women fucked by other men. Not cheating, not humiliation, more like he sets up the scene, watches from the shadows or right up close, and jerks off while the girls moan someone else’s name, then he still finishes inside them after, marking them again. If that idea makes your stomach twist, this is not a game that will “convince” you. It just assumes you’re the kind of pervert who sees your slave getting railed by two guys and thinks, “Nice, now I don’t have to warm her up.”

There’s humor sprinkled between all the filth, the kind of dumb fantasy jokes that feel like some 90s otaku brain never updated: jokes about slimes, about guild quests, about “ancient evil” that keeps getting pushed aside because someone needs money for new underwear. Half the time the protagonist talks like an overconfident dilf in a doujin, half the time he’s a broke loser jerking off in a corner while his girl earns cash on her knees. Sometimes that contrast is hot, sometimes it’s just awkward, but that awkwardness is oddly nostalgic to me, like those old pc games where tone changed panel to panel. Scenes are animated enough that blowjobs and group sex feel messy, with bodies moving and faces reacting, instead of just still images. Watching a full harem pile-up, girls on top of girls, a futa pounding some poor slave while your POV is buried in milf ass in front, feels like catching a lost episode of Bible Black someone remade with modern tools and less shame. You’ll catch yourself thinking “this is too much”, then immediately clicking the next scene to see your favorite girl spread again for a stranger while you stand there, smiling like a proud owner.

Doom finally stops playing the Saturday morning cartoon villain and starts doing the dirty work everybody always joked he was doing off screen. "Behind the Doom" is basically what happens when a control freak supergenius decides world domination is fine, but ruining Susan Storm’s life from the inside out feels a lot better. It’s a slow burn kind of filth. At the start he’s showing off his shiny Latverian utopia, talking like some tech bro on a TED talk, pretending he cares about peace and progress. Underneath that armor he just wants one thing: Susan kneeling between his legs, wedding ring and heroic ideals both slipping off at the same time. You go from stiff political speeches to her staring up at him with drool on her chin and mascara running, and it somehow feels like a natural career path.

What I liked is that the game doesn’t rush to the hardcore. It lets Susan still believe she’s the good guy for a bit. She thinks she’s just “investigating” Doom, helping the world, being responsible. Then he starts playing with her invisibility in the most perverted ways. Ordering her to suck him off while she’s half invisible, so only her lips and tongue are visible wrapping around his cock, the rest of her fading in and out like she’s glitching from shame. There’s this one scene where he makes her hide under a table while a big diplomatic meeting goes on above, and her job is just to keep him hard with her mouth the whole time. The camera keeps jumping from the stone serious political chat to her swollen, stretched lips working on him under the armor. That moment stuck with me more than the flashy stuff, honestly. It’s the casual way he treats her like a background function now, like breathing or blinking.

Then the game remembers there are other heroines to break and just casually drops Scarlet Witch into the mess, like “oh yeah, magic slut, forgot about her.” Wanda starts as this smug powerhouse, acting like she’s above his tech, and two scenes later she’s helping him train Susan, rewriting her own morals while he rewrites her body. When they both end up on their knees, trading his cock between their mouths, Wanda using her powers to hold Susan’s hands behind her back so she can’t even stop herself from pushing deeper, it’s completely degenerate in the best way. Anal stuff hits harder than I expected too; Doom doesn’t go straight for brute-force pain, he makes it a reward, a “promotion” in his twisted little company. The first time he takes Susan’s ass, he does it on a balcony overlooking his perfect city, making her watch the peaceful streets while he grinds her open, whispering how this is what real stability looks like: her bent over, his cock buried in her, invisible or not, everyone beneath them belonging to him. It’s not subtle, it’s not romantic, it’s just cynical, nasty corruption porn with capes, and it works way better than it has any right to.