There’s something trashy-beautiful about how this game doesn’t even pretend to care about subtlety. The first time I saw the MC walk back into that sleepy monster-town, I laughed out loud - not because it’s funny, but because the art has this weird warmth, like the lines were drawn by someone who actually felt horny while drawing. Everyone’s eyes look too wet, and there's a kind of sticky gloss over the skin shading that almost makes you want to touch the screen. The music? I swear the menu theme sounds like it was made on one of those free phone apps people use when they can’t sleep. But then again, it fits: cheap melodies under raw desire. And it works better than it should.

I remember this one moment with the mom-character - or maybe aunt, I lost track - she’s leaning over the kitchen counter, tail twitching slow, voice low enough that you have to turn the volume up just to catch the breath between her words. Then bam, the handjob CG hits like a punch in the gut. It's not just erotic, it’s oddly *personal*, like watching someone else’s secret being filmed badly on purpose. The dialogue is clumsy, sure, but the timing of the moans and the shaky breathing clips make it feel real. The dev probably recorded them in a closet somewhere. I respect that. At the same time, some of the school scenes drag forever, especially the teasing stuff - too much text, too little payoff. Yet I still read every line because the writing accidentally slips into poetry when describing the character’s tail brushing against skin. No idea if that was meant to happen.

Weirdly enough, I kept thinking about how the corruption mechanics don’t make sense - the girls fall for you too fast, and somehow it works better that way. The story says it’s romance, but nah, it’s more like emotional vandalism dressed up as affection. Half the time I got bored, the other half I was grinning like an idiot. It reminds me of licking cheap candy: it melts ugly but tastes good anyway.

Everyone at this college looks normal on Instagram, but the place feels like Silent Hill decided to fuck a telenovela. You start as Lana, this “good girl” honor student who smiles too much and clearly has no idea what kind of meat grinder she is walking into. On the surface it is all lectures, clubs, cute study spots, and teachers trying to look cool with their little glasses. Underneath that, it is blackmail, corruption and people trading bodies for favors in hallways that finally make sense when you notice the security cameras tilt a little too slow. The game lets you feel her first slip. One moment she is just staying late in the library, next moment you are forced to watch through a cracked door while a classmate gives a blowjob to a teacher to raise her grade. The camera angle sits right on the spit shining on his dick, and Lana is stuck clutching the wall, thighs pressed together, horrified and turned on at same time. I kinda hated how much I liked that scene.

It is not only “watch and gasp” though. Bit by bit the game pushes Lana from voyeur to toy. A former cop runs half the campus from the shadows, turning students into little sex workers who pretend they are just helping with “private tutoring”. When he corners Lana, he does not start with full-on ***. He makes her do small things that feel forgivable. First time, he orders her to strip in an empty classroom for “security search”. Bra off, panties to the ankles, his gloved hands slipping between her legs while she tries to keep her voice quiet because there is an actual lecture going on in the next room. You get dialogue choices, but either way he has her on the desk, spanking her ass until it goes red and wet at the same time. Later, he has her giving handjobs in the back of his car to some big black gangster while he records everything on his phone. Lana cries, but she still swallows when she is told to, and that mix of humiliation and obedience is the whole drug of the story. One run I tried to keep her “pure” and it still ended with her kneeling in a bathroom stall, covered in bukkake from three guys who lock the door, with her phone buzzing in her bag because another girl is asking on Telegram where she is. The game loves that contrast: cute outfits, soft faces, then sudden anal on a cold metal desk, or a lesbian scene where the “comforting” roommate turns out to be working for the kingpin and fingers Lana until she squirts, just to capture her moans as blackmail. Sometimes you switch to other characters too, a male student who plays detective and also fucks half the cast while pretending he is helping, a mysterious watcher who enjoys the voyeurism like a Twitch mod with way too much power. Sex toys appear out of nowhere in a “psychology experiment”, a teacher uses a ruler to spread Lana’s pussy lips during “body language class”, and one of the nastiest scenes for me was in the girls’ bathroom where she is forced to pee on the floor in front of two bullies, then lick a boot clean while one of them grinds her big tits and calls her slave. The game acts like it is a mystery, and yeah, there is some plot with criminal networks, missing students and weird horror vibes in the dark corridors, but honestly the real investigation is just: how far will Lana fall, and how many creampies, gangbangs and humiliations does it take until she cannot even remember what she wanted in the first place.

Mia’s story starts in that quiet, heavy place where everything in a marriage looks fine from the outside, but inside it already smells like something died. She’s got the husband, the home, the routines, the fake “we’re okay” sex where both of them kind of know they’re lying. Nothing dramatic at first, just that slow emotional starvation. You see it in the tiny moments: her staring too long at her phone while he talks about work, her forcing a smile when he kisses her forehead instead of her lips. The game leans into that boredom hard, like it wants you to feel how dry her life is before anything dirty even happens. And then, when a new guy walks in, or a new temptation, or even just someone looking at her like she’s still a woman and not just “the wife,” you already understand why her pulse starts going crazy. It doesn’t excuse shit, but it makes the first flirt hit differently.

What I really liked is how the erotic side doesn’t explode instantly. It creeps. You’re mostly watching Mia’s mind corrupt itself in slow motion. One day she’s just texting someone a bit too late. Next day she’s sending a picture that is technically “safe” but you know she picked that angle because she wanted him to see her curves. Little things. Lingering camera on her thighs while she sits in the car, the way her shirt rides up at home and she doesn’t fix it right away. Her husband sometimes walks in at the worst/best possible moments, like when she’s still wet from some dirty conversation and pretending everything’s normal. There’s no branching choices to save her or be a saint. It’s kinetic, so you’re basically strapped to the backseat, watching her fall and sometimes wishing she’d stop while also loving how far she goes. That voyeur feeling is strong. You’re not the hero, you’re the perv in the dark, enjoying every time she crosses a new line.

Sexually, it gets nasty in a very intimate way. Not just “oh she fucks another guy,” but the emotional cheating too. She starts dressing just a bit more daring when she knows she might see him. You notice when she stops wearing certain underwear with her husband but puts it on before meeting someone else. That hit me more than the actual sex scenes, honestly. When her husband is trying to be sweet and she’s secretly replaying another man’s hands on her body in her head, that’s brutal. And hot. And fucked. The corruption really stands out in how her guilt shifts from “I shouldn’t be doing this” to “I hope he doesn’t find out” to finally “does it even matter if he does.” At some point she’s getting turned on by the risk itself, barely hiding her marks, letting herself smell like sex when she gets home. There’s this one moment where she looks at herself in the mirror after doing something she swore she’d never do, and you can’t even tell if she hates herself or loves what she’s becoming. The game doesn’t hold your hand or explain if she’s right or wrong. It just shows you Mia, a wife who is both broken and selfish and unbelievably horny, letting a new spark burn right through the life she pretends to care about. And you watch, because of course you fucking do.

Emily is that kind of heroine who looks like she should be in some cute, holy church story, but the game clearly hates that idea and keeps throwing her into every dirty corner of this medieval shithole of a town. It starts pretty mild, you know, the usual “lost girl from small village” stuff, she’s nervous, shy, touching herself under the blankets like she’s scared the gods are watching. But the way the game plays with her curiosity is what got me. First time she sneaks a look at a guy getting jerked off behind the inn, the camera sits too long on her face, on her breathing, on her biting her lip. She pretends to look away, you can click somewhere else, but you don’t. You keep her watching. You make her watch. That’s the vibe. The corruption is not fast, it’s like someone slowly opening her shirt button by button in public and telling her it’s her idea.

What I really liked is how the sandbox thing works with her shame. You’re not forced into a straight line. You roam around this town that looks kind of cozy and rotten at same time, and every corner is some new way to push her. Maybe she just wanted to buy fruit and instead you end up with some drunk mercenary “accidentally” groping her ass near the stall, his hand staying way too long. You can back out, or you can have her freeze, not fight, feel that first hot spark between her legs. Then later she’s in her little rented room, pretending she’s just going to sleep, and you have that scene where she sits on the edge of the bed, lifts her dress, fingers shaking, and starts masturbating while replaying that touch in her head. It’s not glamorous porn, it’s messy, guilty, with her whispering “just a bit” and then going way past “just a bit” until she’s grinding on her own fingers like a needy slut. And then the game hits you with a choice the next day, like “do you avoid that guy” or “go the same route again, oops”, and you know exactly what you’re clicking and why.

The oral and lesbian stuff also doesn’t appear as “hey, here is the lesbian route now”, it feels more like her accidentally sliding into it. One time she’s just helping a “friend” wash in the bathhouse and suddenly there is this long, slow scene of soap, hands on tits that are obviously too big for that tiny shirt, two girls pressed against each other, one clearly more experienced, guiding Emily’s hand between her own legs. Emily’s first time going down on another girl is clumsy as hell, she’s trying to copy what she saw guys do through keyholes earlier. You can almost feel her confusion turning to hunger when the other girl moans and grabs her hair to push her deeper. Then like three scenes later she’s on her knees for some smug asshole with armor and bad haircut, licking his cock while trying to keep eye contact because he told her “good girls look up”, and you can decide if she does it like shy, hesitant little thing or like she already knows she likes the taste. Honestly I hated the fetchy “go here, click this icon again” loop sometimes, it gets grindy, but then you suddenly unlock a new animation with her big ass bouncing up and down on some guy in a dark alley and you forget you were annoyed five minutes before. It’s that kind of game where you tell yourself “ok, last event” and then you’re still there, making her sneak out at night just to find someone else to use her. Shame turns into habit, habit into hunger, and the town becomes one big stage where she keeps learning she was never as innocent as she thought.