Lena’s voice keeps ringing in my head even after I closed the tab - like an echo that’s not really hers, but mine. She’s drawn to disaster, that much is clear. I kept thinking she’d make a “good” choice, but the game doesn’t reward good. It teases it, then smothers it under sweat and half-whispered apologies. That scene in the cheap motel room (yeah, the one with the red sheets that keep sliding down her thighs) hit weirdly hard. I wanted to laugh, but I didn’t. Ian’s dialogue there, when he asks if she *feels anything at all* - it’s not written like porn, it’s more like he’s daring her to stop pretending. And then you realize the game’s been daring *you* the same way for the last hour.

There’s a rhythm to the choices, like breathing too fast and then stopping. One moment you’re talking about dreams and gigs and paying rent; next, you’ve got Lena on her knees, warm breath fogging up the screen. The blowjob animation isn’t even the point - it’s how she looks up after, like she’s trying to find meaning in it. I swear that little pause before she wipes her mouth says more about her than any of the branching dialogue trees. But still, there’s something sloppy about the transitions - like it’s all too aware of what it’s supposed to turn you on with. I got annoyed once because the text box covered her chest at the exact wrong time. Then I forgot I was annoyed when she bit her lip and said his name wrong on purpose. Some games talk about corruption; this one feels sticky with it, uncomfortable in a way that makes you stay longer than planned.

By the time the threesome scene rolled around - Lena, the redhead, and Ian with that smug smirk - I’d stopped trying to make moral choices. You just click and watch the mess unfold. It’s romantic and ugly and kind of beautiful in its own broken rhythm. Like you shouldn’t be watching, but you keep doing it anyway because there’s something too human about all that skin and guilt tangled together.

It’s weird how this game makes guilt feel sexy. You wake up inside someone else’s head - not just anyone, but that stretchy mom-hero everyone secretly had a thing for back when Pixar still pretended innocence. The premise should be grim, revenge and all that, but the tone keeps slipping between sad and horny, like the dev couldn’t decide if it’s therapy or foreplay. The way control shifts feels personal, almost too intimate. It’s not just mind control; it’s like the game’s trying to pry into your own urges while you’re prying into hers. And maybe I’m reading too much into polygons, but when she touches herself, it’s never about lust alone - it’s about realizing her hands aren’t really hers anymore. That mechanic where you can *feel* the resistance in her movements is unsettling in a delicious way.

There’s this one scene with the aunt - yeah, the bakery one - where she talks to you like she *knows* you’re there, like she’s been waiting for the voice in her head to finally answer back. It’s creepy and tender, then suddenly it’s just obscene. I laughed because the transition was so abrupt it felt real. The body models aren’t flawless either, and that helps. A little awkward jiggle, fingers clipping through skin, like even the code itself can’t believe what’s happening. The audio’s inconsistent - sometimes soft breathing, sometimes nothing at all, dead silence while something filthy goes down. It’s that silence that hits hardest. You start thinking, maybe she’s ashamed. Maybe you are.

I hate the damn save menu though. Always pops right when things get heated, like the universe reminding you this isn’t real. But maybe that’s what makes it stick. It’s messy, it’s wrong, and it lingers afterwards like a guilty text you never sent. You’ll probably close it and tell yourself you didn’t enjoy it that much. You’re lying.

This thing hits you in the face right away. You open it and the game just starts calling you a pathetic virgin like it knows what tabs you had open before. Male protagonist, first year uni in late 90s Wales, stuck in that ugly campus mix of shitty carpet, nicotine stains, and horny brain. Everyone thinks you will die alone, and frankly the game agrees. Then the goth girl walks in like a walking middle finger to your self-esteem. Tall, boots, chains, black lipstick that looks like it tastes of smoke and cheap vodka. She is not your cute “secretly soft” goth. She is full female domination mode. She enjoys humiliating you, and the game really lets her. Public teasing in hallways, denial until you literally beg, exhibitionism moments where she pushes you close to being seen, and then pulls away only to grind on someone actually confident while you watch from the corner. If you hate netorare, this is a hate crime. If you like it, you will have your hand on your phone more than on your textbook.

What caught me off guard is how the corruption is not only sexual but social. The more you let her step on you, the more other people on campus join the act, and the POV stuff gets nasty. You see her big ass riding someone else through a cracked door while you are forced to hold her bag like an idiot. Or she sends you pics of her sucking off a dude from the football team, with your unread essays visible on your desk in the background. There is voyeurism everywhere, even when you are not the viewer. Sometimes you are the thing being watched: being paraded around as the loser virgin toy in a group chat that you are not even allowed to post in. The game even throws a milf teacher at you, but in that mean way, like, you think “finally, someone kind” and suddenly you are watching her get pounded by a classmate while she grades your paper with a red pen and one hand on his abs. The humor is cruel and honestly kind of funny, like that scene where your phone autocorrects “please” to “pee” while you are begging her to let you cum, and she just runs with it in a way I am still slightly disturbed by. There is a whole mobile phone layer built into the game, with apps that feel suspiciously like WhatsApp and Instagram where you keep scrolling old chats trying to find where exactly your dignity died, then getting distracted by AI generated CG of her in a “maybe pregnant, maybe not” ending that hits way harder than it should. I still cannot forgive the tiny thing where notification sounds are slightly off from real apps and my brain kept twitching every single time, but yeah, I kept playing anyway.

It’s weird how this one sneaks up on you. At first it feels like one of those parody dumps you scroll past on itch.io or Nutaku and forget - then you’re watching Hange fuss with her goggles and catching yourself halfway between laughing and, well, not laughing. There’s a kind of dirty sincerity here, like the dev didn’t know whether to make fun of the universe or to really bathe in it. One moment you’re getting briefed about Titans, the next Mikasa’s hand hesitates on your chest and you realize the “sandbox” part is literal - wandering through the quarters, flipping dialogue triggers that suddenly get hot without warning. That random transition is what makes it surprisingly human. You don’t see the gears until you stumble over one and it clanks.

I’ve seen folks complain that the pacing’s off: you chase down a half‑rendered encounter with Ymir that just sort of fizzles out, then an hour later Historia corners you behind the mess hall like she’s delivering classified files but she’s… absolutely not. I like that inconsistency though; it’s messy, like someone stitched a daydream with shaking hands. Animation’s oddly specific - hands twitch, breathing loops are slightly off - but when Petra looks up mid‑scene, it gets under your skin. Levi’s scenes? Short. Like they were scared to write him too softly. And yet, the quiet when he leaves the frame lingers longer than any moan line. Maybe it’s accidental genius, maybe just bad QA, but it works. The worst bug I hit was a sound loop that kept repeating a wet slap under normal dialogue. Left it running for five minutes on accident - didn’t even hate it.

What actually caught me off‑guard was the romance side. The game pretends it’s about strength and powerups and whatever, but half the time it’s people craving touch between apocalypse schedules. There’s this one sequence with Frieda where nothing explicit happens for, I don’t know, ten minutes? Just eye contact. I kept waiting for the usual payoff…and it didn’t come till later, in the next dream, where her voice cracks mid‑breath like she’s remembering that past life. The rough grammar in her textboxes somehow makes it sadder. It’s clumsy, hungry, and weirdly kind all at once - like the dev poured in every horny emotion and forgot to filter anything out. I respect that. I hate it. I can’t stop thinking about it.