It’s a weird kind of wrong that feels almost too confident about itself. The game just throws you right into this hotel-room-styled tension between Ben and Gwen, like there’s no excuse, no build-up, just quiet breathing and the kind of slow curiosity that only gets worse the more you watch. The control scheme is barely there - you think you’re just clicking around to peek, but then you’re moving hands and lips like you’re trying to pass off an accident as an experiment. The pacing makes it feel like time stretches sideways. There’s that one moment where Gwen turns, half-asleep, and it’s not clear if she knows what’s happening, and you catch yourself leaning closer like a total creep. God help me, I think that’s intentional.

Half the time the audio feels too loud, but maybe that’s the point - it’s not polished, like it’s meant to break the “cartoon world” with uncomfortable realism. The blowjob scene looks like it was stitched together by someone who didn’t care about pretty, just raw motion, the way her throat tightens around him while he mutters things that sound more like apologies than dirty talk. And then when you switch to doggystyle, yeah it’s cliché, but the way the lighting flickers - it’s distracting as hell and, weirdly, kind of hypnotic. The game’s rhythm keeps screwing with you: it slows down on the heavy stuff like missionary creampie and then speeds up when you least expect, like the code itself is embarrassed about what it’s showing. I got annoyed at that. Then again, maybe that’s why I didn’t stop.

You can tell whoever made this knew exactly what nostalgia they were playing with, too. There’s this sick mix of childhood memory and adult hunger that no one wants to admit enjoying. Kind of like watching something too close to a secret. The handjob bit feels almost shy, then the facial lands out of nowhere, breaking the build-up in the most abrupt, stupidly real way. I hate that it worked. I hate that my mouse hand twitched even after the final loop restarted. If that’s not the most human reaction, I don’t know what is.

Not even sure why I clicked on that thumbnail, maybe boredom or curiosity, but this thing went way further than I expected. It’s weird how they made Samus look both powerful and humiliated at the same time - like she’s still that cold bounty hunter under all the mess, but the game keeps pushing her into situations that feel filthy in a way that’s almost hypnotic. You start thinking you’re just clicking through another cheap parody, then suddenly you’re adjusting sliders for things you didn’t think you’d ever have control over. There’s something so wrong about it, yet it’s done with a confidence that makes you forget to question it. I don’t even know if that’s good or bad.

The controls are clunky sometimes, especially when you try to switch between the toys - the physics go crazy, and I laughed instead of getting turned on. But then again, when the tentacles start moving in sync with her breathing, that laughter dies real quick. The sound design is grossly effective: too wet, too close, like someone’s recording from inside her throat. I kept muting it and unmuting again because silence felt even dirtier. The “pee” option caught me off guard; I thought it was a joke setting until I saw how detailed the animation was. Maybe too detailed. And the cake thing? I still don’t get it, but it sticks in your head like a smell you can’t wash off.

I guess what hits hardest is how the game doesn’t pretend to be anything noble. It’s pure control fantasy, ugly and honest. Sometimes she looks back at the camera and there’s this flicker - maybe shame, maybe pleasure - and I can’t tell which one turns me on more. The UI is garbage, but you end up forgetting about it, just lost in rhythm and skin and that awful metallic echo when she moans. I closed the tab, opened it again ten minutes later, and hated myself slightly less the second time.

I didn’t expect to laugh this much while, you know, also being wildly turned on. *Furry Bang Town* sounds like some cheap meme bait, but halfway through the first date scene with that smug wolf barista (he keeps pretending he’s bored while his tail literally wags), I realized this game knows exactly what it’s doing. There’s this weird mix of parody and genuine horniness - it flirts with irony but still goes all in when things get wet. The humor hits that awkward space where you don’t know if you’re supposed to cringe or moan. And the writing? Kind of broken in places, but in a way that feels like someone poured their kinks into Google Translate and said, “good enough.” It works. Too well maybe.

I keep thinking about Judy - not the movie one, but the version here who’s somehow both a cop and a futa stripper on weekends. Her route wrecked me; she teases like she’s reading your mind, then there’s this beach scene where she just drops the uniform and starts talking about “justice” while grinding against your thigh. It’s ridiculous. I almost closed the tab, but the sound design pulled me back - heavy breathing layered with seagulls and waves, absurdly effective. Then suddenly, boom, Pokémon crossover out of nowhere. A Lucario bartender offering “protein shots.” I wanted to roll my eyes, but I was already clicking through dialogue faster than I’d like to admit.

The public use scenes are messy in every sense - crowded cafe bathrooms, fur everywhere, people pretending not to watch. It’s filthy, kind of funny, and weirdly intimate. I hated that it made me feel something beyond just arousal. Also, the ending just stops mid-sentence, like the dev gave up or came too early. Still, I can’t stop thinking about that line where the pony character whispers, “You smell like story.” What does that even mean? Maybe nothing. Maybe everything. I’m probably overthinking it, but whatever - this game got under my skin in ways it really shouldn’t have.

It’s weird how this one starts like it’s gonna be another cheap parody, then halfway through you realize the dev actually cared - like, way too much. You’re sitting there thinking “haha fnaf but horny,” and suddenly the lighting makes sense, the rhythm of the moans matches the flicker of the animatronic eyes, and the phone calls stop being jokes and start feeling... almost hypnotic. The main guy’s supposed to be clueless, no memory and all that, but the real joke is how *you* end up being the one nervously checking doors while trying not to lose focus during a titfuck minigame. I swear the tease system messes with your head more than any jumpscare does. It shouldn’t work, but it does, especially when the furry animatress (yeah, that one) leans in and mouths half a word before glitching out like she’s embarrassed for you.

The SFX are ridiculous - like somebody recorded them in a bathroom - but sometimes that rawness hits right. There’s this one loop where she pants into the mic a bit too close, and it cuts off at random intervals, which somehow makes it hotter. Maybe that’s just me. The vibrator mechanic feels unbalanced; half the time it triggers dialogue that makes no sense, but then again, maybe memories don’t have logic either. I kinda hate how the mobile UI eats half the screen when things get intense, but then I forget because something obscene is happening on the other half. The moaning AI or VA (I can’t tell anymore) deserves credit though - it carries scenes even when nothing happens visually. And then, out of nowhere, there’s this quiet moment where the music drops and the only sound left is the slow hum of a machine behind her. Nothing sexy about it, yet it pulls you back in.

People keep arguing whether it’s a sandbox or a fever dream, and honestly, both fit. My favorite part? When you try to look away and the game punishes you by freezing everything mid-thrust until you stare again. That’s twisted genius. Dare to play it alone, or invite company? Neither. Just let it mess with your brain until you forget what you were guarding against in the first place.