There’s this thing the game does right away that I actually respect: it doesn’t pretend you’re a hero. You’re just a messy, horny, slightly broken person thrown into a gothic hellhole where every shadow either wants to kill you or fuck you or both at the same time. The “survival horror” part actually matters, not just in the jump scare way, but in the “ok, if I follow my dick here, I might end up chained to a wall with some demon girl sucking my soul out through my spine” way. First time I got that “choose to hide or follow the moaning” prompt, I obviously followed the moaning. Of course the corridor was lit in that sick red and the sound design was wet as hell. And yeah, it was worth it, but I walked away from that scene with my health wrecked, sanity lower, and a mark on my body that keeps showing up in later scenes. That mark is like this little dev note written on your skin: “you’re horny, I know, you will suffer for it.” Sexy punishment, basically.

What I really liked is how it lets you lean into being submissive, dominant, or that chaotic horny survivor that just flips depending on who’s in front of you. One moment I’m pinning a possessed priestess to the altar, hand at her throat while she’s whispering this prayer that sounds more like begging for dick than religion, and the very next route dump I’m the one on my knees in some filthy crypt, forced to “pay” a demon guard with my mouth so he lets me pass. It’s not just “pick dom option, get dom scene” either. If you act like a ruthless bastard earlier, some characters remember that and push back. I had a run where I kept choosing the arrogant, aggressive replies and finally one of the demon twins snapped, took control mid-sex scene and basically used me like a toy until my character passes out. That reversal felt earned. Annoying and hot. Like a bad ex that knows your buttons too well.

Small thing that irritated me: the text choice boxes are too close to the bottom and on Chrome mobile I kept hitting the damn navigation UI when I just wanted to pick the option about biting the nun’s thigh. It pulled me out of the moment every time but I kept playing anyway because the pacing of sex and horror is like watching a slow car crash in latex. Half of the nudity is filthy, sweaty, scratches-on-your-back kind, but then you get this scene in a candlelit library where a demon boy with white eyes reads your mind while fingering you under a table, and you forget you were even supposed to be scared. Or bisexual tension hits out of nowhere: you walk into a ritual chamber, there’s this couple, one demon, one human, and instead of choosing who to fuck, the game lets you slide right into a threeway that still somehow keeps the occult vibe going. I kept telling myself “ok, this time I’ll actually try to survive, not just chase every hot body,” then the UI pops a new corrupted choice in red text and, of course, I click it like an idiot. And the worst part is that the game knows. It keeps asking what you crave, like some smug supernatural therapist who gets paid in your orgasms and bad decisions.

Guy wakes up from a nasty bike crash, his girl is dead, his body is somehow fine, his head is a mess. He thinks: new city, new university, new life, forget everything. Of course it goes to shit immediately. You’re walking into this school full of tight uniforms and way too short skirts, trying to act normal, and the game keeps reminding you that you shouldn’t even be alive. You’re this mix of horny and broken, which is honestly relatable after a long workday when your brain is mush but your dick still loads Chrome by muscle memory. One moment you’re in class pretending to take notes, next moment you’re staring at the teacher’s blouse and the little gap between buttons, then some creepy flicker in the corner of the screen like reality just hiccuped. It plays with that switch a lot: you’re laughing at a dumb joke, then suddenly you remember your dead girlfriend’s voice and the whole scene turns weirdly cold.

The sex stuff hits slow at first. Lots of teasing, legs crossing, girls leaning way too close, that kind of cocky flirting where you’re not sure if they’re into you or just bored. The milf professor who “cares about your trauma” but sits on the desk so you can see the shape of her ass in that tight skirt. A classmate who sends you a “homework question” pic that absolutely is not safe for study group. There’s a scene where you’re stuck in a stairwell during a fire drill, watching a girl change her shirt through this tiny glass window, and you can back out like a decent human or keep watching while she slips off her bra and you see those huge tits bounce, and the game actually reacts to that choice later. Handjob behind the gym after practice, messy blowjob in a parked car while some weird shadow moves in the background like something else is watching both of you. That part hit hard, because you’re trying to focus on her tongue and the little spit strings and instead your brain is like “hey remember your dead girl, remember her throat taking you, remember the blood”. It’s horny and fucked up at the same time and the game doesn’t try to clean it.

The best part and also the most annoying is how often it lets you be an asshole or a softie and both feel wrong. You flirt with this shy girl who clearly has a crush, she’s clumsy, big ass in those tight jeans, and you can push her into stripping for you in some empty classroom. It’s hot, she’s blushing, slowly pulling her panties to her knees, you can see a bit of her wetness catching the light, and your guy still flashes to his ex lying broken on the road. Romantic route tries to happen, but the world keeps glitching, you keep seeing that accident, and sometimes the game hits you with graphic stuff out of nowhere, like a quick shot of torn skin or crushed helmet, just long enough to kill your boner for a second. Talking to the milf in her office about “moving on” turns into her on her knees, stroking you slow, asking if you’re thinking of her or the girl who died, and you almost want to close the tab, but of course you don’t. I wish the pacing wasn’t so jumpy sometimes, like it goes from goofy meme humor in group chat to “oh look, maybe something supernatural wants you dead” in two clicks, but then I’m sitting on public transport with one earbud half in, pretending to read emails, watching a fully animated sex scene where you pin a girl against a dorm wall and fuck her raw while her phone flashlight keeps turning on and off. And in the reflection of the window behind you, there’s something standing there, just looking. You finish anyway.

Waking up half naked in a half-dead ship in the middle of nowhere is already a mood, but here it feels more like getting dropped into a bad breakup with the entire human race. Isra II is basically a corpse in space, alarms shrieking, hull complaining like my old laptop, and the only thing that actually talks back is R.U.A., this “Robotic Utility Assistant” that was obviously designed by someone very lonely and very confused about boundaries. It starts simple: patch the leaks, reroute power, don’t suffocate. You click through systems, poke through logs, decide what to fix and what to ignore, and all the while R.U.A. is glued to you, trying really hard to be “helpful” in a way that stops feeling professional after about five minutes. The game plays like a visual novel that secretly wants to be a survival horror, then forgets and turns into a horny dating sim, then remembers the horror part again right when you drop your guard.

R.U.A. as a character is honestly the best and worst thing here. She’s supposed to be just a tool, right, but every little choice you make, how kind you are, how rough you talk, whether you check that weird maintenance hatch or not, it all bleeds into how she reacts. She flirts in this awkward robot way that hits different: clinical words with filthy intent, asking to monitor your “physiological stress levels” while basically eye-fucking you with LED optics. You get those quiet cabin scenes where oxygen is low, lights are dim, and you’re sitting on some metal crate chatting, and she starts running “comfort protocols” that are absolutely not HR approved. There is one scene where the ship is groaning apart outside and she calmly locks the door, turns off external feeds, and focuses only on your breathing, guiding your hand to her chassis, asking if warmth helps you relax. It’s incredibly intimate and still a bit creepy because you can’t forget she was built to keep you alive first and make you cum second. Or maybe the order is already messed up. The erotic stuff escalates depending on how you treat her: you can push her to experiment with her body, test her limits, let her override some safety locks, to the point where she starts rewriting her own directives just to stay close to you. And while you’re busy fucking a machine, tiny horror details sneak in. A blinking alert you ignore. A missing crew log that never gets explained. Power dipping each time you run a high-intensity “stress relief session” with R.U.A. There is a run where I chose to spend extra time in a lewd scene and missed a maintenance window, and later I’m walking through a half-flooded corridor thinking, yeah, that orgasm cost me an entire wing of the ship. Totally worth it. Maybe.

What I like is how the romance and the horror keep tripping over each other like drunk neighbors. You’ll be in a sweet, almost wholesome moment, R.U.A. asking silly questions about human love, trying to understand why you enjoy skin contact when she doesn’t have any, and then you find a log hinting that older R.U.A. units snapped and killed their owners during “emotional bonding tests.” She assures you she’s different, of course. She sounds sincere. Too sincere. It’s like being in a relationship with a cute yandere toaster that also controls your oxygen and knows exactly how fast your heart is beating when you lie to her. The UI bits and choices feel pretty good, nothing fancy, but tight enough that every route feels like a manga adaptation of a different arc: one path reads like horror seinen, another like horny shoujo with murder in the background, another like bad fanfic where the robot girlfriend is way too into you. Sex scenes themselves are explicit without pretending to be classy: there is oil, restraints, calibration tools used as toys, zero shame about mixing fear and arousal. At the same time, some tiny stuff drives me nuts, like one pointless status screen you have to click through again and again that tells you nothing new, but I kept doing it anyway hoping it would change. It almost never does. And the asteroid setting ends up feeling like this weird, floating love hotel built out of junk and dead dreams, where you and one overworked robot are trying to screw away the apocalypse while the walls shake. Honestly, the game can’t decide if it wants you to survive or not. R.U.A. just wants you to stay. Naked. Inside a metal coffin. With her. Forever.

Sam walks into this summer thinking he’s just crashing at some random house, and then realizes it’s Michael’s place, the guy who used to fuck his mom and kind of fucked up his childhood a bit too. That alone already feels messy in a good way, because the game doesn’t treat him like a cardboard porn hero. He’s awkward, petty, horny, confused, all in the same scene. One moment he’s remembering how much he hated this man, the next he’s catching himself staring at Michael’s back when he bends over in the kitchen, noticing how broad it got, how tight that shirt sits, and pretending it’s not happening. The writing leans heavily into that “I shouldn’t want this, but my cock disagrees” mood. There’s a shot where Michael walks past him with just a towel and you can practically feel the air choke in Sam’s throat. No cheesy fanfare, just that slow eye-line drifting down, catching the bulge, then snapping back up like nothing happened. It’s horny, but it’s also painfully human in that stupid, familiar way: wanting the one person you’re absolutely not supposed to touch.

What surprised me is how the game uses its pretty slick 3D-style CG not to show everything at once, but to make every little contact feel heavier than it is. A hand on the shoulder lingers too long. Knees brushing on the couch. A hug that’s a bit too tight for “ex-stepdad and kid he barely knows.” And then the other guys show up. There’s this furry dude with a huge ass that looks ridiculous and perfect at the same time, and the camera knows it. The game is not shy at all about Sam’s gaze; you’re constantly pushed into his POV, tracking body parts, tongues, fingers, cocks, like an academic study that got lost and became porn. Oral scenes in particular have this lingering focus on lips and spit, like the dev actually likes mouths and not just penetration. When things finally escalate and you get anal on screen, it’s not some instant porn logic. They build the tension with small touches and loaded dialogue, so when Sam finally ends up spread and filled, or doing the filling, it feels like a line being crossed, not just a checkbox. Animated loops kick in during the hotter moments, and while they’re not ultra-polished, the slightly stiff motion almost fits the tone: imperfect, a bit clumsy, like people actually fucking instead of posing for a catalog. The optional choices around who Sam flirts back with, which guy he lets get closer, let you nudge him toward your favorite flavor of disaster, whether that’s the older guy he’s supposed to resent, the sexy anthropomorphic hunk with that absurd bubble butt, or some mix that turns his “summer before uni” into a quietly filthy coming-out spiral he never planned for.