Nolan’s life goes to shit in one afternoon. Fired, broke, ego crushed, he runs away to this tiny town that looks like it was ripped out of some cozy postcard, the kind of place where the loudest thing at night is a cricket and someone’s shitty truck. He just wants to drift, jerk off in peace, maybe pull himself together eventually. Instead, he walks straight into a war. A mega-corp shows up with glossy smiles and legal papers, ready to kick everyone out and drill the ground until there’s nothing left but holes and regret. And the most ridiculous part? The one thing standing between the town and total ruin is who he decides to fuck. Not metaphorically. Literally, who he puts his dick in changes the fate of everything.

Every route feels like its own little universe. One evening you’re on a rickety porch swing with the girl who pretends she doesn’t care, her shirt two sizes too small for those massive tits that bounce even when she breathes. She lights a cigarette, complains about the corporate scum, then suddenly she’s on her knees between your legs, mouthing off about “stress relief” while her lips wrap around your cock. The blowjob scene there is slow and messy, with more focus on her expression than any fancy camera bullshit. She gags, wipes spit off her chin with the back of her hand, grins like a brat, then asks you what you’re willing to sacrifice. You click a choice while your dick is still inside her throat. That’s the tone. Plot and porn stitched together so hard they start to feel the same. Another night, different path, you’re in a cramped office drowning in paperwork with the “responsible” woman. She’s got the biggest boobs in the whole game, all tightly packed into a blouse that begs for mercy. She makes you help her crunch numbers for some sneaky legal counterattack, and it’s actually kind of tense, kind of smart. Then, as a “reward,” she closes the door, climbs on your lap, pulls your cock out and presses it against herself while your hand is buried under her bra, fingers squeezing those huge, warm tits. She starts grinding, whispering in your ear about court filings and land ownership while you’re trying not to cum in your pants too early. When she finally slides you in and rides you until you creampie her on her desk, the game quietly shifts a flag in the background that changes the entire endgame strategy. It looks like a porn scene, but the script underneath is doing work.

What really sells it is how low-key rude the game is about your choices. You don’t just pick “good guy” or “asshole” from a menu. You decide whose bed you end up in, how honest you are with them, whether you pull out or fill them up, whether you help with their weird late-night problem or just jerk off alone thinking about their huge tits and fall asleep. There are several moments where the game lets you be a selfish dick in very horny ways. Like the shower scene where she’s already stroking you with soapy hands, water running over those big breasts, and you can either help her wash or just grab her head and fuck her throat until she’s choking on your cum, then pretend you didn’t notice she wanted more intimacy. That tiny click will echo much later when the town is on the edge and she suddenly trusts you less, or more, depending how you handled her. There’s a masturbation scene where Nolan imagines different futures with each woman, jerking himself off while the game quietly branches according to whose face he’s picturing when he finishes. Handjob scenes sometimes feel more loaded than full-on sex, because you’re talking about eviction notices while a soft hand is squeezing the base of your cock, thumb rubbing the tip as pre drips out, and you’re choosing dialogue options that might save or damn your neighbors. It’s horny, yes, but weirdly heavy too. Then again, nothing is really fair when your orgasm is basically a vote.