Rockford is one of those MCs who looks like he has his whole shit together on paper, but you can tell the guy is emotionally scuffed as hell. You play him as this hotshot prosecutor who can ruin a gangster’s month with one closing argument, then go home, stare at his phone, and jerk off in the shower instead of actually calling any of the girls who obviously want his dick. It’s kind of funny at first, then it gets weirdly hot when you see how all that control he uses in court starts leaking into the bedroom. The first time he finally gives in and lets a girl go down on him, that scene feels earned. You were sitting through all the courtroom drama, all the macho “justice system” talk, then suddenly he is pinned to a couch while a woman who knows him way too well is on her knees, drool stringing off his shaft, and he’s trying not to make noise because he “doesn’t lose control.” Sure, man. Until she starts stroking him with both hands, twisting just a bit, and you watch his whole persona crack. That slow build is the whole thing here: he tries to stay professional, then the story keeps pushing him next to women who just do not give a fuck about his emotional walls and keep rubbing against them. And him. Literally.

The four main women are where most people are going to lock in. The homicide detective is the classic “we fucked once, never talked about it, still got the chemistry” situation. She’ll be grilling him about a murder, then there’s this moment where her shirt is unbuttoned a little too low, he glances, she notices, and the tension just snaps. There is this sex scene in her apartment, half empty pizza box on the table, TV muted, where she climbs on top still half dressed, riding him with slow, grinding hips while she keeps talking about the case in this low voice. Then she stops mid-sentence when he thrusts up hard and you see her lose the thread. Stuff like that hits way harder than the usual “oh no we tripped and now we’re naked.” The colleague from the office is more of that “I’ve known you since we were kids, I know exactly how to break you” energy. When she finally gives him a handjob in his office, using the desk like it’s just another tool, there’s this mix of affection and just straight-up filth. She spits in her hand, grins at him, and even while she’s pumping him fast, playing with his balls under the table, she’s still talking shop. And when he explodes all over her fingers and her blouse, she just laughs and licks him off her knuckles like it’s no big deal. The romance part sneaks up on you, especially with the sweet teacher girl. First she looks like the “wholesome route,” but then you get her alone, lights off, her panties already damp because she’s been thinking about his voice from court. The blowjob she gives in the car is ridiculous, head bobbing while rain hits the windshield, her tits pressed against the gear shift. She lets him cum in her mouth, swallows without making a show out of it, then kisses him with that faint taste still there. And yeah, eventually he stops pulling out and starts filling girls up, those creampie shots hit hard, especially when one of them hooks her legs behind his back and says “don’t you dare.” The violence on the case side gets rough sometimes, bodies and blood and ugly motives, but that nasty part of the world makes the sex feel more raw, like everyone is clinging to each other because nothing is safe. It plays smooth on phone too, so you’re just there on the couch, thumb tapping through murder files one second, then watching a big-titted woman ride Rockford until her thighs shake and his cum slowly leaks out of her after he pulls out. Not the most polished thing in the universe, some faces go a bit stiff in odd angles and there is one scene where the lighting just decides to be awkward for no reason, but when the MC is buried between a woman’s legs, licking her slow while she fists his hair and gasps his name, you kind of forget all that. Or you remember and just keep going anyway.