Celia’s day is already trash before the truck hits her. Classic isekai setup, but here it feels more like being yeeted out of a Discord call after saying the wrong thing in NSFW chat. She wakes up in this ridiculous fantasy world, still a lazy NEET at heart, except now there’s a smug dragon spirit living in her head and her body got “patched” in the weirdest way possible. One minute flat-chested hoodie goblin, next minute she’s futa with a magical cock that reacts way too much to teasing, fear, and honestly just light breeze. The game has fun with that. Sometimes a monster girl leans a bit too close, the screen shakes, and Celia’s “new equipment” twitches in the art like it has its own opinion. You don’t need a tutorial to understand where this is going. Dialog is like late night horny shitposting: awkward, self aware, dumb jokes about game dev and life, then suddenly someone is on their knees giving her a sloppy blowjob while the dragon spirit makes commentary like a pervy Twitch chat in her head.

What surprised me is how many scenes just spiral. You start with this goofy “pickup line” minigame, right, where you choose lines that range from smooth to absolute trainwreck. You try something semi romantic and end up with the busty milf monster girl pressing Celia’s dick between her huge tits and going to town, drool everywhere, her tongue poking out in that stupid ahegao way that would get you banned from Twitch in half a second. Pick the most cursed line and the same girl laughs, shoves Celia onto a bed, and suddenly it flips into a rough anal scene where Celia’s the one getting pinned while still jerking herself off, moaning like she’s going to break her own voice. There’s a lot of that weird double layering, where she’s fucking and getting fucked at the same time, creampies both ways, cum dripping in places the dragon spirit really doesn’t need to comment on, but does anyway. The AI CG looks like the dev fed a bot too much hentai and then just clicked “yeah, that’s good enough” and honestly it fits the tone. Monster girls with stupidly big tits, weird little details like claws around her shaft during a handjob, or a footjob scene where the girl’s toes are painted some tacky pink that somehow makes it way hotter. Sometimes the faces look a bit off, but when the futa protagonist is balls deep in some demon girl’s pussy and her belly bulges just a bit after the creampie, you’re not exactly opening Photoshop to complain. It plays smooth on mobile, too, perfect for that “just one more scene” loop where one minute you’re laughing at a meme about truck-kun and the next you’re watching Celia deepthroat a toy to “train” before she tries to swallow a monster girl’s cock in a harem scene that gets way out of hand in the best possible way.

Nami getting lost on some random island feels exactly like something that would happen in One Piece, but this game takes that idea and just strips all the shounen “friendship and adventure” crap away and leaves you with one thing: horny, selfish survival. You’re not here to be a hero, you’re here to watch a cute redhead pirate slowly sell out every bit of her pride just to escape a place that basically wants to eat her alive, piece by piece, in the dirtiest way possible. It starts almost innocent, like a goofy little parody where she’s annoyed at being separated from the crew, muttering about Luffy being useless again, and then the island starts pushing back. Weird altars, shady “deals,” strange creatures that feel like someone mashed hentai tropes into a blender and forgot to put on the lid. Suddenly it’s not about map charts anymore, it’s about how far she’s willing to go, how much shame she can swallow, and how much you want to see her fail at resisting.

The visual novel style actually works way too well here. You just click through and think “ok, it’s just text, it’s harmless,” and next thing you know you’re carefully choosing dialogue that pressures her into just one more little compromise. Say something rude to a pervy spirit, lose some safety. Say something flirty to get what you want, lose some dignity. It’s not super complex but it doesn’t need to be, because the corruption is the main toy. There’s this moment early on where she has the chance to walk away from a suspicious shrine and every normal player brain screams “this is a trap” and somehow your finger still goes to the option that makes her kneel and check it more closely. Same energy as pretending you’re going to play “for the plot” and then the first CG hits and you’re quietly turning the screen brightness down and closing Discord like you’re hiding a crime. The art leans hard into that anime parody look, you can tell exactly what character this is based on, yet her expressions are way dirtier than anything Oda would ever draw. Sometimes her face looks a little off and proportion goes weird for one frame, but honestly, it kind of fits the whole cursed island mood, like the world itself is a bit warped and sleazy. The sex scenes escalate from “oops, this is embarrassing” to “okay this girl is ruined and pretending she’s fine” and by that time your choices already pushed her there, so congrats, captain, this is your fault.

Japan in this game feels like someone took a horny sci fi reddit thread, fed it into ChatGPT on a bad day, then handed it to a very pervy writer with a school uniform fetish and a grudge. You land there as this kinda average 19-year-old dude, supposed to be an exchange student, pretending you care about classes while your brain is just full of your crush Julie’s tits and that tight ass she keeps pretending she doesn’t notice you staring at. Of course she brings her cute friend Alice, who acts like a good girl but gives you those tiny side glances that say “choke me a little, please.” On top of that, there is this whole mystery about Julie’s missing sister and a company that makes hyper realistic sex dolls, but half the time I kept forgetting about the plot because the game keeps throwing you in situations where you are either groping, being teased, or trying not to cum in your pants in some school hallway. The tone jumps around like crazy: one moment you flirt shyly in a classroom, next you are slapping a doll’s ass raw and making her call you master while your friend is in the next room. That mix actually works better than it should. It feels messy and dirty, in a good way.

The whole “Love Dolls” company thing is the part that stuck with me. Those dolls are basically walking sex toys with soft skin, big tits, big asses, and eyes that look a bit too human when you tell them to open their mouth wider and they just obey without question. They are made to be used, to be trained, to be humiliated. You can press them against a wall, pull their hair, force their legs apart, make them kneel on a cold floor and clean your dick with their tongue while you stare down like they’re nothing. There is this one scene where you are still acting like the innocent foreign student on the outside but behind a locked door you are pushing a doll face down on a school desk, fingers digging into her hips, pounding her so hard the animation actually sells the impact. Her tits bounce, her ass jiggles, she moans like a broken toy, and you know very well you are not supposed to be doing this in a place with textbooks and chalkboards. That mix of “I shouldn’t” and “I really, really will” is where the game shines. It goes from gentle teasing and soft kisses with your crush to rough anal with a doll chained to a bed, and the game barely blinks. You get moments of romance, then suddenly you’re strapping a toy to a girl, making her ride it until she’s shaking, and the MC is just watching with this fucked up curiosity like “what else can I do to her?” It’s not subtle, it’s not classy, and it absolutely doesn’t pretend to be. Which is kind of perfect for what it is.

Denji’s trapped again, but this time it’s not about blood or blades. It’s a damn maze of moans and bad decisions. The walls hum like they’re watching, the air sticky with that half-sinful, half-desperate energy only Chainsaw Man chaos could pull off. Kobeni trembles like always - except now she’s trembling for different reasons. You can almost taste her panic when your hand slides under her shirt, that mix of fear and wanting that shouldn’t feel this hot but somehow does. Himeno’s smirk cuts through the tension like a knife dipped in smoke; she knows exactly what you’re thinking before you even move. She plays dirty, whispering things that make you forget which way is out, makes you think maybe getting lost forever wouldn’t be so bad.

The game doesn’t rush. It teases. One second you’re grinding through dialogue choices that seem stupidly simple, and then suddenly it hits you - this isn’t about saving anyone, it’s about corrupting them just enough to see who breaks first. Internal view scenes hit hard, no filter, no mercy. The sound design’s nasty in a good way - sticky breaths, little gasps, wet slaps echoing through the infinite corridor like applause. There’s humor too, weirdly enough. Power barges in at the worst possible moment, yells something ridiculous, and you still can’t help but laugh even as the screen flashes another throbbing close-up. It’s gross and sexy and kinda tragic all at once.

And yeah, the endings. Plural. You’ll probably screw up the first one, because some options look harmless until you realize they change everything. There’s a scene where Denji just stares at his own hands, covered in… well, you know, and it lingers longer than comfortable. That’s the thing - nothing here feels safe, even the pleasure. It’s messy, horny, strangely tender in places where it shouldn’t be. Like the game itself is laughing at you for getting turned on by its cruelty. And maybe it’s right.