Guy messes up his meds, grows tits in slow motion, lands in a cage full of horny criminals, and then everything goes straight to hell in a way that’s honestly kind of hot and kind of depressing at the same time. That’s the vibe here. You start as this pretty regular dude who just wants his dick to work better or something, and instead his body starts quietly switching teams. First it’s just tiny things: softer skin, weird tingles in the nipples, hips feeling wrong in his own jeans. Camera really loves to stay close to the skin too, like the game knows you’re here to listen to that little gasp when he touches himself and realizes, “Shit… that feels too good.” Voice grunts and breathing are actually nice, not those super fake porn sounds you mute after one minute. I had my headphones up and when he did this half-panicked whine during his first jerk-off scene, I had to pause VLC just to replay it. Twice. Maybe three times.

Then it all snowballs. He needs money to fix himself, screws it up, ends up behind bars where every guy looks at him like fresh meat that doesn’t know it’s meat yet. And the game just leans into that. You walk around the prison yard with this body that is getting softer, rounder, more “fuckable”, while the voice lines stay male at first, with this tiny nervous crack sometimes. Not instantly girly, which I love. There’s this shower scene where another inmate just casually corners him, hand sliding way too low, and he tries to sound tough but his moan betrays him the moment fingers tease his ass. The sound design there is filthy in a good way: slaps on wet skin, breath against the ear, that low growl from the dominant guy while the protagonist is trying to keep quiet and failing. I record and collect sex sounds for fun, and I legit clipped that groan he makes when he’s being forced on his knees. Could drop that into a custom loop and most people wouldn’t know it’s from a game.

It’s not all perfect though. Some scenes where you get groped in the corridor just cut off a bit sudden, like the moans were about to hit a nice rhythm and then, oops, dialog box, mood gone. And sometimes they use the same stroke sound for a handjob and for anal, which makes no sense to my ears at all, but anyway, I stopped caring when the corruption kicks in and he starts secretly enjoying it. There is this one moment in the cell at night, he’s lying on the bunk, obviously already fucked earlier, still sore, and he starts masturbating very slowly, breath hitching every time his fingers brush his hole because it’s not “just” his dick anymore that gives him pleasure. Audio there is gold. Soft bed creaks, low whimpers, little wet clicks of lube, and then the guard walks in, catches him with fingers inside, and instead of stopping him, just orders him to suck. That sloppy forced blowjob sound, gagging and whining mixed with that humiliating “yes sir” tone, had me pausing my own stuff and just listening. If your kink folder already has “sissy_pov”, “forced_bj_loop”, “prison_daddy” in it, you will feel very at home. The game keeps dragging this boy from “I’m not gay” to “please use my ass” and you can hear every step of that fall in the way he moans. Dare to play it alone, or invite company?

This thing starts like one of those depressing medical dramas you half-watch on Netflix while scrolling TikTok. You’re basically fucked, body falling apart, doctor gives you that calm “there’s nothing more we can do” voice. Then this syringe shows up. Not from some lab, not with fancy lore, it’s just “take this, you won’t hurt anymore.” You jab yourself, expecting blank darkness, and instead you wake up sitting on a throne with your dick hard and a whole kingdom acting like you’re their one and only god-king. Zero tutorial, zero build up, people just bow and call you “Your Majesty” while your brain is still trying to remember how to breathe.

The new world hits different. It’s not just “fantasy with boobs”, it leans right into that fever dream where you got everything you wanted but it feels slightly wrong if you think too long. The first time a fox-eared girl with a tail too fluffy to be legal crawls up to you, calls herself your slave, and presents her huge ass like it’s a royal gift, the game just lets you decide how much of a bastard you want to be. You can grab her hips, push her face into the sheets and go straight for anal like you’re checking if this world is really yours. Or, if you’re pretending to be nice, you start slow, slide into her pussy first, listen to her whimper and feel that tail wrap around your leg while she thanks you for “using” her. She’s not the only one like that either. There’s a towering monster girl with horns, thick thighs, tits that bounce a little too perfectly for something that’s supposed to be hand drawn, and she treats you like the only man alive who can actually handle her. When she grinds on your lap, cock buried inside her, claws digging into your shoulders, the game lets the scene linger. No rush, just you, her, and this ugly little thought in the back of your head that your real body is somewhere dying in a hospital bed.

The weird part is how normal the power starts to feel. One day you’re choosing which slave warms your bed, the next you’re getting ceremony talk shoved in your face. You’re king, so now you have to pick a queen. Not just a girl to fuck, but the one who will carry your heir, make your bloodline, all that “legacy” crap. The game actually lets you sit with that. There’s the obedient cat-like futa knight, cock as thick as your wrist, swearing to breed you if you want it, or bend for you if you’d rather fill her instead. She’ll kneel, pull your pants down in the middle of the throne room, take you into her mouth while the rest of the court pretends not to see, then later you can push her on the bed and test how deep her ass stretches, watch the AI-shaped sweat on her back catch the candlelight. Then there’s the gentle type with big soft tits that practically swallow your hands, the kind of girl who rides you slowly, eyes locked on yours, like she genuinely loves the man you are, not just the crown. The art has that slightly off AI look sometimes, fingers a bit too long in one frame or hair blending weird into the pillow, but somehow it helps the whole dreamlike vibe instead of breaking it. You’re always half-aware this might be fake, that the walls shimmer a bit when you push a slave against them and fuck her hard, her moans echoing a little too clean inside the castle halls. While you’re choosing who you’ll knock up, whose belly you’ll fill with your “royal seed” while she begs for more, there’s that sick feeling that any second you could open your eyes and be back with tubes in your arm. Or maybe this is the morphine talking and you already died. The game doesn’t hold your hand, it just lets you keep taking what you want. And you do. Over and over.

Everything is falling apart and somehow you end up as the one guy sitting in the big chair. That is the feeling this game chases. Virus, empty streets, city quiet like a church at night, and then you open the interface and it just goes: “You’re the mayor now. Do what you want.” There is no slow heroic build up, no epic speech. It is more like waking up hungover and realizing you accidentally bought a whole city on Steam during a sale. Only this time the city is full of desperate, scared, very fuckable people who need food, safety, rules, and you are the one deciding what “rules” actually means.

What I like is how casual the corruption starts. You are not forced to be some cartoon villain. You begin with small decisions. Approve some ration cards, move a patrol here, give a special pass to that district. Then the game quietly asks if maybe that cute nurse can get extra medicine if she gives you a “private report” first. You say yes once, and like in WhatsApp chats you think “ok, only this time.” But the next scene remembers. Her sprite changes, her attitude softens, she starts calling you “Mr. Mayor” with this tiny blush. Then the CG kicks in and suddenly your office desk is not for paperwork anymore. The city is dying outside and you’re rearranging her underwear like it’s the most important problem in the world.

The survival layer actually feeds the porn instead of just being some menu in the corner. You cut funding to security so you can pour resources into building your private harem wing in city hall, and the game lets you do it. Crime rises, some people suffer, you still get a new scene where a former councilwoman crawls to you, begging for protection. And you sit there with your fake moral choices. “Sign this obedience contract if you want supplies for your district.” She hesitates for half a second, then the CG shows her on her knees between your legs, signing with her mouth busy. The writing is blunt, not poetic, and that fits. This world is not romantic, it is hungry. Bodies bargaining for safety, girls trading their pride for your signature. Sometimes the text goes a bit too edgy and silly and you roll your eyes, but then a new character pops up, maybe a local cop or a teacher, and the game nails that specific fantasy of slowly watching her standards rot away scene by scene.

What really got me is how the visual novel style makes your filth feel official. You click through council reports, infection stats, budget numbers, and then in the same interface you choose to personally “inspect” the shelter staff. No music swell, just a choice button that changes someone’s whole life. You can pretend to be caring, giving out resources like a kind leader, but the game keeps tempting you with that darker path: exclusive access passes in exchange for “night visits,” forced loyalty oaths while you fuck them over your desk, whole city districts run like your personal breeding grounds. The corruption is not just in them, it’s in you watching the next CG unlock and thinking, “Ok, just one more depraved law.” And it never really judges you. That’s maybe the most dangerous part. This is not a story about saving the city. It is about how good it feels when no one can tell you no.

Sam walks into this summer thinking he’s just crashing at some random house, and then realizes it’s Michael’s place, the guy who used to fuck his mom and kind of fucked up his childhood a bit too. That alone already feels messy in a good way, because the game doesn’t treat him like a cardboard porn hero. He’s awkward, petty, horny, confused, all in the same scene. One moment he’s remembering how much he hated this man, the next he’s catching himself staring at Michael’s back when he bends over in the kitchen, noticing how broad it got, how tight that shirt sits, and pretending it’s not happening. The writing leans heavily into that “I shouldn’t want this, but my cock disagrees” mood. There’s a shot where Michael walks past him with just a towel and you can practically feel the air choke in Sam’s throat. No cheesy fanfare, just that slow eye-line drifting down, catching the bulge, then snapping back up like nothing happened. It’s horny, but it’s also painfully human in that stupid, familiar way: wanting the one person you’re absolutely not supposed to touch.

What surprised me is how the game uses its pretty slick 3D-style CG not to show everything at once, but to make every little contact feel heavier than it is. A hand on the shoulder lingers too long. Knees brushing on the couch. A hug that’s a bit too tight for “ex-stepdad and kid he barely knows.” And then the other guys show up. There’s this furry dude with a huge ass that looks ridiculous and perfect at the same time, and the camera knows it. The game is not shy at all about Sam’s gaze; you’re constantly pushed into his POV, tracking body parts, tongues, fingers, cocks, like an academic study that got lost and became porn. Oral scenes in particular have this lingering focus on lips and spit, like the dev actually likes mouths and not just penetration. When things finally escalate and you get anal on screen, it’s not some instant porn logic. They build the tension with small touches and loaded dialogue, so when Sam finally ends up spread and filled, or doing the filling, it feels like a line being crossed, not just a checkbox. Animated loops kick in during the hotter moments, and while they’re not ultra-polished, the slightly stiff motion almost fits the tone: imperfect, a bit clumsy, like people actually fucking instead of posing for a catalog. The optional choices around who Sam flirts back with, which guy he lets get closer, let you nudge him toward your favorite flavor of disaster, whether that’s the older guy he’s supposed to resent, the sexy anthropomorphic hunk with that absurd bubble butt, or some mix that turns his “summer before uni” into a quietly filthy coming-out spiral he never planned for.