Mila and her guy look like that couple you see on Instagram, all fake smiles and “date night” posts, but when you actually get inside their story here you feel how dead the fire is. Sex life on life support, zero spark, just routine. And instead of fixing anything normal way, she basically opens the darkest tabs in her own brain and lets them run wild. It starts slow, like harmless flirting in her head, and pretty fast you realize “ok, this girl’s kink folder is mostly anal, control, and being treated like a pretty little toy.” Not gonna lie, the game is kinda honest about how ugly and hot that can be at the same time. One moment she’s shy and guilty, next moment she’s spread, gagged, and calling some stranger “sir” while her boyfriend is literally the least relevant person in the room.

What I like is that it really leans into those three paths instead of pretending everything is one-size-fits-all. NTR stuff here is not soft. There is humiliation, there is that sick twist in your stomach when she looks her man in the eyes after getting wrecked by someone else and you can tell she likes him helpless. One scene had her bent over a couch, ass up, while she’s on voice call with her boyfriend, acting all innocent, and the guy behind her is just ramming her ass and whispering in her ear to talk sweeter. That kind of scummy detail is what sold it for me. The “loyal” route is like a weird lab experiment. Same girl, same obsession with anal toys, but everything is “our dirty secret” with her boyfriend. She still pushes herself into extreme stuff, begging for bigger toys, double penetration, getting off on the pain and loss of control, but the emotional flavor changes. Less betrayal, more “I’m your filthy slut and only yours.” Still, sometimes it feels tamer emotionally, even when she’s got three things inside her and can barely speak. NTS, the “sharing” route, kinda sits between the two. She gets passed around, used by groups, gangbang scenes, collars, knees on the floor, ass used first like it’s standard policy, but she keeps looking back at her man like “see what you did to me.” Some people will call it wholesome. Those people are lying.

AI generated art gives everything this slightly unreal, hentai fever-dream look. Faces too pretty, asses too perfect, tears on cheeks while she’s clearly enjoying it way too much. Sometimes the characters change a bit between scenes and it’s a little janky, like a porn multiverse where everyone looks 5 percent different every time, but honestly it also makes the corruption feel weirder, like reality is bending with her kinks. There’s a ton of group scenes where she’s the center of attention and not in a gentle way. Picture her pinned down, a hand around her throat, another spreading her cheeks, one guy in her ass, another waiting, everybody talking about her like she’s a toy on sale, not a person. Or she’s ordered to lick herself clean after they ruin her, and you get that mix of shame and need on her face. Choices actually matter a bit more than I expected: small dialogue options turn a teasing moment into full-on domination, or keep her in that “I shouldn’t be doing this” zone instead of complete mindbreak. I do wish there was one route where she just takes charge and flips the script, but no, this game clearly decided her ass belongs to everyone except her, and honestly, for what it’s trying to be, that stubborn focus kind of works. Just don’t come here expecting romance. It’s about a bored girl finding out that getting used, especially from behind, is exactly what wakes her up, and then watching her run way past the line where she said she’d stop.

Ryunosuke is that kind of uni grad who feels like he skipped the part where life gives you a main quest. No job, no passion, just this blank “ok, now what?” screen. So he screws off to this fake-Italy place, Stivale, thinking it’s going to be wine, pasta, maybe a summer fling. Instead the first real thing he runs into is a fox-eared swordswoman who looks like she walked out of some horny doujin circle: Serena. Big ass, big tits, armor that protects nothing important, voice that’s way too sweet for the shit she drags you into. She’s basically on a holy mission to punch the country’s corrupt government in the balls, and you, with your totally useless degree, end up as her “strategist” or something. In practice that means one second you’re picking dialog lines to sound cool, the next second you’re watching a monster girl pin him against a ruined fountain and grind on his thigh while he tries to pretend he’s still a virgin gentleman. It doesn’t last long. Obviously.

The funny part is how the game pretends to be a serious fantasy RPG half the time. You’ve got turn based combat with little details that actually matter, like whether you blow your mana on a fire spell or save it because you just know the next fight is going to be some corrupted priestess who spends the first two turns teasing and stripping instead of attacking. Fights are basically foreplay with health bars. A lot of enemies are monster girls, some fully beastly, some just ears and tails, and they do not care about your moral purity. You mess up choices, suddenly Ryunosuke is on his back, armor pieces scattered, getting titfucked by a slime girl who reshapes her chest to wrap around him, all while she milks him so hard he ends up creampying her core. Then in another path, if you play it “heroic”, he holds out, turns the fight around, and you get this slow, romantic vaginal scene with Serena later, where she tries to stay in control and then completely loses it the moment he starts actually moving his hips. The game loves that shift from “I’m teasing you” to “ok fuck me properly right now” and it uses it everywhere: oral scenes where he’s awkwardly licking at first, then she’s grabbing his hair and groping her own tits, begging; anal sex that starts with her acting like it’s just some kinky experiment and ends with her panting like a beast as she leaks and shakes. Sometimes there’s groping in public, under a tavern table, sometimes it’s full group sex in a camp after a hard quest, with everyone swapping positions and someone getting a messy creampie while another girl is busy with masturbation in the corner. There’s cheating too, not spelled out like a moral lesson, just choices where you go “ok, I really shouldn’t” and then do it anyway, and the game quietly remembers for later endings. Some routes end with pregnancy, some with you basically a horny legend surrounded by monster wives, some not so nice. The peeing stuff and the light bdsm show up more as flavor than core, like a fox girl sitting on your face and letting go a bit while she rides, or Serena tying your hands before oral and then totally forgetting you’re supposed to be the one in control. Voice acting is all over the place, in a good way: sometimes cute, sometimes way too raw, those little gasps when the tip slips from pussy to ass by accident and she half-squeals, half-laughs. To get the best out of it, don’t rush scenes, let the teasing play out, actually lose a couple battles on purpose, and when a choice looks like it might ruin the “wholesome” romance, click it anyway and see how much of a mess Stivale can turn into.

I didn’t expect a game about running Leblanc again to make me feel this weird mix of nostalgia and filthy excitement, but here we are. You’re back behind that tiny counter, coffee grinder humming like it’s pretending not to hear the moans from upstairs. The girls drift in one by one - older now, sharper around the edges - and there’s something so painfully intimate in how they talk to you, like every conversation could end in an argument or a kiss. The writing isn’t afraid of silence either; some dialogues just sit there, uncomfortable, until someone says something foolish and suddenly clothes start coming off. It’s both tender and obscene. I kinda hate that I love it.

The management part doesn’t even pretend to be realistic. You wipe tables, brew coffee, flirt, rinse, repeat - but then out of nowhere she’s leaning over the counter and whispering something that makes your hand slip on the mug handle. That small animation? Pure evil. Like it knows exactly what kind of attention you’re giving the screen. The sandbox structure helps though; it gives you space to do nothing, which somehow makes the sexy moments hit harder. There’s this little sound effect when affection goes up, a soft chime, and I swear it’s addictive like a dopamine drip. I wish the CG scenes weren’t locked behind such arbitrary stat checks, but maybe that’s part of the charm: earning indulgence through tedium. Or maybe I’m just rationalizing my own thirst.

There’s one night where everything slows down - no hints, no grinding, just her voice low and rough, saying things that almost sound like apologies. That single scene made the whole thing click for me. The lewdness stops being just porn and turns into something strangely personal, almost pathetic in its honesty. I don’t know if that was on purpose, probably not, but it worked. Play it like you’d sip cold coffee after closing time - half bitter, half sweet, all wrong. Don’t rush anything. Let it wreck your pacing.

Death in this game is like a bad Unity compile: you think “ok, that’s it,” and then it spits you back one year in the past and tells you to try again, except now you got a hard-on and godlike save scumming built into the story. You’re basically a horny superhero with the power of “what if I didn’t fuck that up?” and the whole town is your sandbox. One moment you’re chatting with a tired, hot older woman who has that soft-mom energy and cleavage that never quite fits in her clothes, next moment you’re quietly nudging events so some disaster never happens, while being absolutely distracted by the way her shirt sticks to her when it rains. The game pretends it’s about fate and responsibility, but half the time it feels like the devs asked: “what if time travel was just an excuse to flirt, screw up romances, then reload reality itself?”

The structure is pure visual novel, but it actually reacts. You say the wrong thing to her in one scene, brush off her feelings or push too hard when she clearly isn’t ready, and ten scenes later she looks at you like she remembers every tiny shitty choice you made. There’s this one moment where I tried to be the cool, distant hero, focusing on stopping something huge from happening, and I ignored a small, intimate talk with her in the kitchen. Later, when everything got tense, she just quietly said, “you never listen until it’s too late,” and that hit harder than any explosion. Right after that, the game lets you see her in a really tender, erotic CG, where she finally opens up… and you know you kind of didn’t earn it in that timeline. The hentai scenes are nice and shameless: soft lighting, curves that feel indulgent, a lot of focus on her face when she’s torn between “this is wrong” and “fuck it, I want this.” Sometimes the camera lingers a bit too long on one angle and I kept noticing a tiny shadow artifact on the edge of her hair. It annoyed me once and then I couldn’t unsee it. The dev will never fix it, I just know.

What I like is how your “superpower” is not just shooting lasers or something dumb. It’s messing with cause and effect, changing who comforts who, who survives, who falls in love, and that includes sexual tension that brews forever before it finally snaps. You might protect the town and lose her, or chase her so hard that the town quietly burns in the background, and the game doesn’t slap your wrist right away. It waits. Lets you sit in your mess. The romantic side is surprisingly sweet, almost softboy, then in the next scene you’re pinning her against a wall, kissing her neck while she mutters that this is insane and still pulls you closer. There’s this constant question: are you a hero, or just a guy abusing a cosmic reset button to get into a milf’s panties? The game doesn’t give you a clean answer and honestly it shouldn’t. I do wish there was one completely stupid route where you just waste your power on lottery tickets and porn subscriptions on Steam, but that’s never going to happen and that’s fine. I was going to talk about the supernatural side more but my brain keeps looping back to that one scene where she’s half undressed, asking if the universe is really worth saving if she ends up alone again, and you have to pick between touching her or stepping away. That choice stuck with me longer than any fancy effect or explosion. Maybe the real bug is that I kind of wanted the “wrong” option to feel even better.