This one starts like some horny Erasmus fantasy that went completely off the rails. You’re this Italian guy dumped in Japan, and the whole thing leans hard into the “foreign dude in a place where he shouldn’t be this cocky” vibe. He’s not some shy herbivore either, more like a walking Roman ego with a nice accent and way too much confidence for his own good. The game really pushes that feeling that he’s hunting, not waiting. Every time you think he’ll back off from a married woman, or a woman clearly too mature for his level, he just… doesn’t. He treats every new apartment, workplace corridor, and tiny Tokyo side street like it’s some old Roman province that needs to be “conquered”, which sounds cringe, but it actually works because half the time you’re laughing at how far he goes. Then suddenly there’s this scene where the mood switches and the flirting hits way harder than it should, and you catch yourself actually caring if she replies to his late-night message.

The women here are the real reason to stay, obviously. Classic Japanese housewives with that soft, tired face and huge tits that bounce way too much for “just talking in the kitchen”. That older office lady who acts strict at work but melts fast once he starts pushing her buttons. A neat, classy milf in perfect makeup sharing “innocent” tea with the gaijin, then five minutes later she’s pressed up against the hallway wall, whispering that her husband must not know. The cheating stuff is all over the place: wedding rings, family photos on the shelf, husbands working late, that whole guilty-but-still-horny energy. The corruption feels slow in a good way, like you’re watching them slide from “this is inappropriate” to “I need your dick again” across several encounters, not just suddenly flipping a switch. And yeah, the tits are huge, but not just plastic balloons glued on; the game really takes time with how they move when she leans forward to pour coffee or when you push her against the couch and her blouse struggles to contain anything. Sometimes it’s hot in a quiet way, like a lingering hand on the thigh under the table, sometimes it jumps straight into her riding you while trying not to moan too loud because the kid is sleeping in the next room.

What I actually liked most is that the protagonist is kind of an asshole, but in a charming idiot way. He talks big about “conquest” like some budget Caesar, but half the time it feels like he’s winging it, improvising seduction with half-broken Japanese and raw confidence. It’s not subtle at all, but weirdly that’s the fun part: you know he’s a walking red flag, the women know he’s a walking red flag, and they still put their legs around his waist. Some routes feel a bit too gamey, like the “right” dialogue line is too obvious, and there are moments where a milf falls for him almost too fast. I also hate how one specific scene teases a long, slow build-up in the bath and then just cuts the foreplay short when it was finally getting really filthy. But then the next time you’re back in that same bathroom, she’s the one reaching for him first, her face red, water dripping down those massive breasts, muttering that she “can’t stop now” even if her husband is in the living room. It’s that kind of cycle: small frustrations here and there, and then a single scene that hits your specific kink so hard you forget to complain. It’s messy, it’s horny, it’s very “gaijin ruins nice Japanese households with his cock” and it doesn’t pretend to be anything else.

Office was dead quiet when I opened this in a side tab, pretending to be “checking Tableau dashboards”. Yeah, sure. This is not a numbers game, unless you count cup sizes like I do. The whole thing spins around this girl, Luna, who starts off feeling pretty average, kind of lost in routine. Nothing special on paper, basic student life, but the fun part is how quickly her “normal” becomes totally fucked in the best way once she finds that weird little shop. It feels like someone mashed a comfy slice‑of‑life VN with a horny growth spreadsheet, then forgot to clean up the formulas. You click through dialogue like usual, but every potion choice is basically a data point in a very perverted line chart. Tits go up, ass goes wide, clothes stop respecting physics, and you keep thinking “ok, that’s enough” then push one more increment anyway.

What I liked is how slow the ramp is at the start. The first time her bra feels tight, it’s described so plain and small that my analytics brain instantly went “ah, baseline shift detected”. Then suddenly she leans over her desk, button strains a bit, roommate notices something is off, and you realise, oh, we’re actually doing a full time series here, not just one jump cut. It’s a visual novel, sure, but it feels like a growth sim hiding in VN clothes. You pick ingredients from the shop that sound half harmless, half cursed, mix them up, and there’s this little thrill when you click to the next scene like you’re refreshing a dashboard after changing filters. Some routes keep it modest for a while, like she’s just getting a bit more curvy, more confident, still fitting in public transport seats. Other times, if you go greedy with the recipes, she turns into walking fanservice and the story doesn’t even pretend to be realistic anymore. Which is fine. We’re already in “magic boob lab” territory.

I got irrationally annoyed by one tiny thing though: sometimes the dialogue repeats her surprise again and again, even after you already boosted her three times with the same potion. Girl, you watched your ass grow out of two pairs of jeans already, you are not “confused” anymore, you are running A/B tests on your own body. At least it feels that way. Still, there is this nice, guilty pleasure vibe when she looks at herself in the mirror and you can tell she is half scared, half turned on. That kind of scene hits harder than the big “wow huge now” moment for me. Also, the game quietly tracks your choices in the background like some horny analyst, feeding you different little reactions depending what path you push her toward. I kept thinking of it like a perversion funnel: start with mild curiosity, end with her filling doorframes and pretending this is still a normal student life. And yeah, I know I should have been doing pivot tables in Google Sheets instead of watching a fictional girl outgrow every outfit she owns, but honestly, watching those curves “trend upward” felt more satisfying than any quarterly growth report I ever made.

Kate Adler looks like the kind of woman you cross the street for, not because she’s scary, but because you know she’d read every dirty thought in your head and file it away like evidence. The game just throws you into this huge, sweaty, sleepless city where everything feels a bit wrong, like the whole place smells of perfume, gun oil and cheap disinfectant. One second you’re zooming in on some grainy club camera feed, trying to match faces, and two clicks later you’re watching that same guy rail some VIP slut in a back room while Kate acts all professional and still clearly getting turned on. She pretends she doesn’t care, you don’t pretend anything. The whole thing plays like a visual novel that forgot how to be polite. You bounce between interrogations, tailing people, reading all these messages full of lies, and then suddenly you’re choosing if Kate lets someone bend her over a balcony in those stupidly tight jeans. The pacing is weird in a good way. Some scenes are slow, like late night Netflix scrolling where you tell yourself “just one more,” then out of nowhere the story slaps you with missing girls, fake passports, and this high-society sex club that tries way too hard to look exclusive and ends up feeling like a horny IKEA maze.

Nocturne, that club, is where the game really starts being nasty. You get those masked rich assholes, dancers in latex, people pretending they’re not scared, and Kate walking in like she owns the place even though she’s basically spying. There’s this moment where she’s in a private room, supposedly just listening to two big shots talk business, and the dialogue quietly shifts from blackmail to who they’ve had in chains last weekend. You get the choice to keep the audio clean or push her into “deeper cover” and yeah, if you pick the second one she ends up on her knees, using sex as a tool and also clearly liking it. I loved that scene and kinda hated it, because the game gives you the power and then rubs your face in what you used it for. Also the UI text for the clues is tiny in some menus and it pissed me off for no reason and then I forgot about it five minutes later when she got her ass fingered in the backseat of a town car while pumping a politician for information. Sometimes the writing hits hard, like when she’s alone on a rooftop, tired, trying to connect dates and names, and her phone buzzes with some slutty offer to “come relax” at the club again. Other times it throws in jokes that land like a wet sock. Doesn’t even matter. The city feels alive in that broken, horny way where every neon sign hides a camera and every secret costs either money, blood, or Kate’s pussy. You jump from glossy penthouse to damp tunnel to cramped office with an evidence board, and it never fully explains things, just trusts you to click, read, decide who she fucks, who she betrays, and how deep she lets that corruption crawl into her body and her brain. Dare to play it alone, or invite company?