You start as this quiet guardian angel, not some shining armor guy, more like a nosy mod in a cursed Discord server, watching a girl in a city that feels cut off from the rest of the world. At first it’s almost calm: narrow streets, fog stuck between the buildings, people pretending they’re normal while catgirls and foxgirls just wander around like it’s nothing. You don’t walk in the city yourself, you nudge it. Tiny choices, small pushes, changing who she meets and what kind of shit she gets dragged into. One run she’s shy, hiding under hoodies and closing curtains, another run she’s half naked in a bar window, acting like she forgot what shame is. The game never stands up and says “here is the corruption route now,” it just lets scenes creep in. A dirty job offer here, a “favor” there, some pervy landlord watching her undress through a crack in the wall while you decide whether to stop it or see what happens next. It feels wrong and interesting at the same time, which I guess is the point.

The city itself slowly turns into this living kink playground if you let it. That quiet back alley becomes the place where she ends up on her knees between two strangers, trying to keep eye contact with you, like she still hopes some angel is actually watching. One decision earlier you told her to take that “easy money,” now she is in a cheap motel room with a group of guys, mascara smeared, trying to act like she’s fine with being used as a cum dump. If you push her harder, the outfits get bolder, tops vanish, skirts get shorter, and suddenly every corner has someone wanting a taste. Interracial scenes in cramped stairwells, public blowjob next to a parked car while a foxgirl girl records it on her phone, lesbian stuff in a steamy bathhouse where she lets another girl pin her to the wall and ride her face until she almost passes out. Sometimes she’s on top, humiliating some poor bastard, spitting in his mouth, choking him a little. Next day she’s the one getting slapped, called a whore, forced to say thank you while a crowd watches and laughs. The game swings between male dom, femdom, and just pure chaos, and the whole time you’re stuck in this weird zen state, clicking options like “encourage” or “ignore” while people choke each other out in graphic, messy detail.

What really hits is when the violence ramps up and the sex doesn’t stop. There is this scene where some thugs drag her behind a warehouse, and it’s not soft at all. She gets pinned to cold concrete, legs forced open, you see the panic, then that fucked up moment where panic turns into something else. Blood, spit, rough thrusts, her voice cracking between begging and moaning, and you’re still there in your little guardian menu, deciding whether to call in a miracle or just let it scar her more. Next playthrough maybe you steer her towards a brothel instead, and now prostitution is almost “cleaner” by comparison: a line of clients, one after another, her learning how to deepthroat while a madam talks about prices. She leans into exhibitionism too, standing under a flickering streetlight in nothing but a thin top, nipples visible, pretending she’s cold while secretly getting turned on by all the staring eyes. Sometimes you do nothing and just watch her through cameras, like a voyeur god, as she lazily rides a guy on a sofa and stares at the invisible you, almost like she knows she’s never alone. The sandbox thing means you just kind of wander between events, trigger something wild, then waste time talking to some random catgirl who wants her tail pulled. It’s messy, uneven, too slow in parts, and yet that fits. Like sex where you both lose rhythm, laugh a bit, then go harder and rougher than before. The girl changes, the city changes, and somewhere in there, you realize you stopped trying to “protect” her and started being curious how far down she can slide.

RapeCide looks like somebody took a normal cyberpunk city, forgot to pay the light bill for ten years, then filled the empty streets with every fucked up power fantasy they could think of and hit shuffle. You play as AJ, this engineered super cop girl who’s supposedly top tier lethal, all tactical gear and big attitude, and the game just keeps finding new ways to drag her through the mud. And not just “oops I fell into trouble” kind of mud. More like “mind control collar, public use, broken pride in an alley next to a flickering neon sign that says nothing good” type of mud. The story pretends it’s about retaking a derelict city, but very fast it turns into the city retaking you, your agency, your clothes, your holes, your everything. One moment you feel like a badass soldier in a ruined dystopia, next moment you’re naked on your knees, cum dripping down your big tits, being ordered to thank the guy who just slapped you so hard the camera shook. And then AJ still tries to stand up like she’s got anything left, which is weirdly hot and kind of pathetic at the same time.

Combat is turn based, but the sexy part is how the fight choices are just slow steps toward how badly things go for her when she loses. You pick skills, try to play smart, manage your status, and when you screw up, suddenly you’re pinned to a wall with hands everywhere, some thug laughing while he uses her throat like a toy and another guy works her ass with a toy that definitely didn’t pass any health inspection. The humiliation scenes feel less like “here is a reward” and more like “congrats, you misplayed and now your super cop is a drooling fuckdoll on the pavement.” I like that. Or maybe I don’t. The game kind of beats you up emotionally too. They play with corruption really hard: you get these moments where AJ could say no, push back, try to hold onto her cop code, or she can just lean into prostitution offers, let the blackmail stick, agree to some nasty contract in exchange for gear. Sometimes the “smart” way for the mission is also the one where she ends up on a stage, stripping while a crowd throws credits and someone in the back shouts orders that make her cheeks burn and her body obey anyway. And yeah, the animations focus way too much on drool. I noticed that. Couldn’t stop noticing it. The dev clearly has a thing about faces totally wrecked with spit and bukkake, like half the city is paid in facials.

What really got me though is how messy the power fantasy is. On paper it’s male domination central: guys using her like property, slapping her ass until it’s red, fucking her pussy and ass at the same time while someone else holds her hair and uses her mouth, filling her up and then watching the creampie leak as she wobbles in her boots. But then out of nowhere you meet women who are worse. There’s one scene where this high rank bitch in tight armor casually gropes AJ in front of her own squad, like “you’re mine now,” and AJ can’t do shit about it. She gets toyed with, spanked, forced to lick boots, and the whole tone flips into femdom in a way that kind of blindsides you. One moment she’s choking on some brute’s cock, next she’s chained kneeling in front of a woman playing with a vibrator on the lowest setting just to make her beg for more. I opened Discord mid scene to scream into a channel about how the writer is actually evil, then went right back in. There’s even a bit where you botch a tactical call, lose control of a zone, and the “punishment” is basically group sex in an abandoned checkpoint, with guards taking turns in her mouth while others spank and grope and laugh about the “mighty officer” reduced to a cum bucket. Somewhere in there is a romance line pretending to exist, but it keeps getting buried under spits, collars, and her slowly accepting that this city doesn’t want a hero. It wants a slave that still tries to stand up, even when she’s covered in semen and shaking from another rough orgasm she didn’t consent to but her body clearly did.

Elisa’s campus looks normal for like five seconds. Brick buildings, bright sun on the field, some basic-ass lockers that look like they were copied from a stock photo, the usual. Then the camera follows her in that too-tight cheer outfit and suddenly everything feels one step away from a cult ritual with pom-poms. She’s this pretty, slightly naive girl with that “I want everyone to love me” energy, and the game never lets you forget that every choice is about who gets to play with that weakness. Sometimes it is her using it. Sometimes it is someone using it on her. Often both, which is the fun part.

The mood swings a lot. One moment she’s trying to be a good student, actually doing homework in her dorm while you click through dialogue and think “ok, normal VN stuff,” then some smug guy from the team sits on her desk like he owns the room and the energy flips. He talks down to her, calls her his “little mascot”, pulls her by the chin, and you get those options like “push him away” or “go on your knees” and you know damn well what the horny part of your brain wants. When you choose to give in, the scene does not play shy. There is full-on oral, sloppy, with her mascara just a bit smeared and the camera way too close to her lips moving up and down his cock. The animation is not Hollywood smooth, it looks slightly janky sometimes, but honestly that makes it feel more like a cursed amateur sex tape some eldritch entity left in the school archive. I liked that. I hated that. I still clicked again.

What got me was how the power flips are not clean. You can push her into this queen-bitch path, where she realizes guys will do anything just to get between her legs. She learns to weaponize her smile in the locker room, telling some nerd to hold her bag, calling him “doggy” while she steps close enough that his brain shuts down. She humiliates him softly, making him stare at her panties under the skirt, then laughing when he stutters. And yet later, in the same save, she can be on her back in a dark classroom, legs spread, taking rough vaginal pounding from a teacher who talks like he owns her future. “You want that scholarship, Elisa?” he asks, and the text choices pretend she has a say, but you already chose the path ten scenes earlier. There is something almost Lovecraft about that. Not the tentacles, but the idea that her “freedom” is just a thin veil over deeper control. She thinks she manipulates; the system manipulates her. Also there is a blowjob behind the bleachers that goes on longer than it should and I still remember how her throat bulged a little when he forced himself deeper. The sounds are filthy in a good way and then someone walks by outside and she has to keep sucking while silently panicking. I wanted more scenes where she fully takes charge and uses guys like furniture, just stomping on their ego and dignity, but the game keeps pulling her back into being the toy too. It annoyed me. It turned me on. I’m still not sure which part won.

Katya feels like that mom from every conservative suburb meme, the one with the tight bun and tighter rules, except here you actually get to watch that whole fake control thing fall apart in slow, horny motion. At the start she really believes in her own bullshit, all discipline and “proper values”, like she’s auditioning for some moral police show. House is clean, schedule is rigid, her body is basically locked behind years of repression and cheap underwear that screams “I don’t fuck, I fold laundry”. And then Emily starts poking holes in it. Not loud teenage rebellion, more like this smug, patient nudging. A little lie here. A half-truth there. “Oops, you caught me, guess you have to punish me.” You already know that “punish” won’t stay innocent for long, and the game absolutely milks that. It feels like watching a rope slowly tighten around Katya’s neck, except she keeps helping tie the knots herself.

What I liked is how it doesn’t jump straight to full-on degeneracy. First time Emily “accidentally” leaves something on her phone open and Katya sees it, the way her face changes, the shame and curiosity mixed, you kinda feel bad for her. Then two scenes later you’re watching her on the couch at night pretending to scroll Instagram while her hand drifts between her legs because her own daughter called her “cute when you’re angry” and you’re like… yeah ok this is fucked and hot. The corruption is very home flavored. Kitchen table tension, hallway “oops I walked out of the shower without closing the door”, “help me with my bra, mom, it’s stuck”. A lot of groping that starts as “checking if you’re dressed decent” and then the hand just doesn’t move away fast enough. The spanking scenes hit nice too, because Katya wants them to be discipline and Emily treats them like foreplay. There’s this one bit with Emily bent over the bed, pretending to pout, her ass up, Katya breathing too heavy, and the game lets the camera sit there way too long. That’s where it got me. Also, the little moments of voyeurism, like Katya spying through a cracked door and then pretending she just “came to check the light”. She lies so badly you can feel the wetness through the screen.

The game calls itself a kinetic thing so yeah, you’re not doing big brain choices, you’re riding the slope. Sometimes that annoyed me, because there’s a scene with Emily using a toy on herself while talking about “how lonely mom must be” and I was screaming at the monitor wanting to push it further or pull back, but the story just drags Katya along on its own rhythm. But that’s also the charm. She’s not really in control, and neither are you. Once the blackmail really settles in, the tone flips hard. Emily plays the sweet daughter card, then snaps into full dom mode with this calm voice that made me clench. Sexual harassment scenes are rough in a good way, like those moments where she corners Katya in her own bedroom and just… touches her. Casual hand on tit, thumb brushing nipple through the bra while talking about grades, or sliding fingers along her ass “just checking your outfit”. And Katya tries to keep her mom tone but you see the crack every time. There’s cheating stuff sprinkled in, like Katya remembering her “proper” life while literally riding someone she absolutely should not be riding, and the game doesn’t pretend it’s romantic, it just leans into the filth. Anal, oral, that “I shouldn’t like this” masturbation shame, stripping scenes where clothes feel more like dignity than fabric. Also, the lesbian tension between them is so obvious it’s almost funny: mother trying not to stare at her own daughter’s tits, daughter knowing exactly what she’s doing, sitting too close, whispering too close, pushing her to the point where “stop” sounds like “please keep going”. I kinda wish they toned down one or two “mom cries then gets horny again” moments, but also, no, I don’t, because that emotional whiplash is exactly why this hits. Katya is broken in the best, worst way, and by the time she’s the one initiating the spanking or begging to be watched, you’re already way too deep to pretend this is about morals anymore.