Holly looks like that girl from your college group project who always did the whole report, and here you basically watch what happens when life starts poking holes in that “good girl” armor. It starts pretty innocent: she moves out, needs a job, thinks she’ll just work hard and be boring and responsible. Then her “dream opportunity” turns out to be in this media company that lives on flirting with the line between normal content and straight up porn. At first she’s just sitting in an office trying not to stare when someone is looking at explicit stuff on a monitor right next to her. There’s this scene where she pretends to focus on Excel while a video with a huge black guy fucking some petite redhead is playing two desks away, and you can feel how she’s annoyed and horny in the same time. The game really pushes that slow slide, where she still thinks she’s pure while her hand is under the desk, rubbing herself because she “just needs to relax a bit after work”. Sure, Holly. Sure.

The fun part is how the story steals tricks from fanfic culture. You know how people write canon-compliant fics where one tiny choice changes everything? Here you get that in a dirty format. You can keep her on the almost-vanilla route, loyal to her relationship, saying no to the creepy boss who likes to “test the talent” in private. There’s this date scene that feels like bad Wattpad, in a cute way, where she tries to act normal at dinner after she accidentally spent her lunch break watching a lesbian casting interview in the studio downstairs. She stares at the waitress’s ass longer than at the menu and you get to choose if she admits it or just lies and blushes hard. Or you can start pushing her into more humiliating stuff, like agreeing to “help” with a live stream by playing the shy intern who gets talked into showing just a little more skin, then a bit more, then suddenly she’s topless in front of thousands and some guy behind the camera is groping her tits because “audience engagement is dropping”. The game loves that teasing stage, when she’s saying “no, I’m not like those girls” while her nipples are hard and her boss is already unzipping his pants. There is a very specific blowjob scene in an office chair where she’s trying not to smear lipstick, and you have this stupid tiny choice about eye contact that changes the whole tone. If she looks up, it stops feeling like an accident and starts looking like she enjoys being under him, with his hand on the back of her head guiding the rhythm, almost choking her a bit, and that’s where the corruption vibe really hits.

What I liked is how the “good” vs “bad” path doesn’t feel clean. Even if you try to play her as a saint, the game still throws temptations at her: a drunk night where she wakes up half naked with a girl from work, fingers still sticky, trying to remember who started the lesbian stuff; a “modeling test” that is totally not just masturbation on camera; a casting where a huge guy grabs her ass like it’s public property and she hesitates just long enough that he takes it as a yes. There is cheating, obviously. The first time she lets another man cum on her face, she sends her boyfriend a totally innocent selfie a bit later, pretending she was “busy in the office” while there’s still a tiny drop she didn’t wipe perfectly from her hairline. Interracial scenes are not subtle either. They lean into that porn logic where Holly keeps telling herself it’s “just work” while she’s sitting on a massive cock, stretched wide, cheeks slapping, and the director orders her to turn so the camera gets her big ass bouncing for the viewers. Sometimes she seems humiliated to the point of breaking, like when she has to strip in a place where anyone could walk in, covering herself badly while someone films, combining exhibitionism with that nasty little thrill of maybe getting caught. Other times she’s the one teasing, giving handjobs under the table during meetings, masturbating in the shower while replaying every dirty thing that happened that day. It’s a mess in a good way, like a fanfic that started as “college romance” and somehow ended with the heroine groped from all sides in a crowded club, half ashamed, half hungry for more. And anyway, I still can’t forgive that one scene where the phone UI in-game looks like a cheap WhatsApp clone, my brain keeps focusing on that tiny detail every time she’s sexting some guy instead of paying attention to the filthy stuff happening in the room.

It’s messy in a way that feels uncomfortably real, like watching someone make the worst decisions possible and still finding yourself leaning forward, curious where her next excuse will lead. Yumi moves through the story with this almost painful self-awareness - she knows she’s being watched, both by the player and the game’s world, but she never really stops preening for it. The first time she opens her blouse just slightly too far during that office scene, there’s no sound cue, no dramatic pause - just the soft rustle of fabric and that flicker of doubt on her face. I swear, that moment hit harder than any of the explicit stuff later. The game tries to sell corruption as gradual, but honestly, it’s more about how easily she adjusts to attention. Maybe that’s what makes it so believable.

Then again, sometimes it overplays its hand. There’s this one animation loop during a handjob scene where her eyes cross weirdly, and it pulled me straight out of it; felt more comedic than erotic - like a reaction meme frozen mid-spasm. But that’s part of its charm, right? It’s too earnest to be slick. Even the blackmail thread with Thompson manages to feel less like some grand scheme and more like the world’s creepiest HR problem spiraling out of control. Which, depending on your mood, could be hot or just exhausting. And yet, when Yumi whispers something half-hearted before giving in, it lands. Maybe because the voice acting doesn’t try to sound sultry - it sounds confused, nervous, real.

The lighting deserves attention though. Somebody clearly obsessed over skin tone gradients because every sweat bead looks deliberate. The husband scenes are quieter, tender even, though they carry that slow dread of knowing he’s already losing her. I found myself irrationally annoyed by his tie color - gray, always gray - as if that dull choice symbolized everything wrong with him. Maybe that’s reading too much into it. Or maybe the game wanted that reaction. Anyway, it lingers. You finish a session and keep thinking about those tiny hesitations, how desire can look like guilt when the camera holds just a second too long.

Jenny’s story hits that weird sweet spot between horny fantasy and something that feels like pages torn from a messy teenage diary that got fucked by a succubus on the way to publication. She’s a futa trying to pretend she’s just a normal girl, which is already funny because the very first time the game lets you see her in the mirror, the camera lingers on her tits and her cock like the dev spent hours thinking about how shame actually looks. Not the Tumblr, “I am sad about society” shame, but the “I’m clenching my thighs in the school bathroom because I got hard when my teacher adjusted her bra” kind of shame. The game keeps making these small moments where you’re half turned on and half thinking, “wow, yeah, that’s exactly how a brain spirals when it wants to cum and disappear at the same time.”

The fantasy angle sneaks up on you. At the start it just feels like a horny slice-of-life about a futa girl trying not to think about sex in public, and then suddenly there’s this quiet reveal that maybe her body is not a random mistake at all, that there are reasons, old magic, weird bloodlines, stuff that sounds like low-budget Tolkien fanfic but with way more titfucking and anal. You go from watching Jenny panic about changing in the locker room, trying not to pop a boner while other girls strip and gossip, to getting shoved into situations where exhibitionism stops being a kink tag and becomes a very conscious choice. Do you let them see? Do you let them touch? There’s this one scene where a “puzzle” is basically about how much you’re willing to expose yourself to a group, and if you “solve” it the serious way, you unlock an animated group sex moment where a shy virgin girl ends up pinned between Jenny’s big ass and another girl’s tongue. The logic of the puzzle almost doesn’t matter, because your brain has already built the sexual rhythm around it. It pretends to be a game about clues, but it’s really about pressure, teasing, and that edge between romantic confession and public indecency. And yeah, the romance parts sometimes feel almost too sweet, like someone slipped a wholesome yuri VN into a browser tab full of ahegao and internal view shots, but then there’s a milf casually groping Jenny in a side corridor, talking about “helping her relax” while you decide if you’ll let her pull your panties down or not, and the game remembers exactly what kind of website you found it on. Jenny spends half the time trying to stay in control and the other half getting ruined by her own body, her own curiosity, and her shitty habit of masturbating at the worst possible moment, with toys or fingers or somebody’s tongue, and the story is just that constant tug-of-war between “don’t let them know” and “please, someone, watch me cum.” It feels clumsy and horny and too honest in a way a lot of adult games are scared to be.

Neuro/Splice feels like someone grabbed a cyberpunk thriller, a fucked‑up body swap fetish, and a humiliation dungeon, blendered it together, and then forgot to clean the mess off the walls. In a good way. You’ve got this cop Ryke, corporate dog for NexaCorp, who ends up jammed into Cassie’s body, tossed straight into a mixed‑gender max security prison that looks like a cross between a riot and a sex club that never closes. He’s a guy in his head, stuck in this soft, dangerous female body, surrounded by assholes who think she’s just fresh meat. Guards grope when they feel like it, inmates test boundaries with “accidental” touches that are not even slightly accidental, and every little mistake you make, the game slaps you back with some brutal teasing or public humiliation. There’s this early scene where you misjudge who to talk to in the yard and instead of a simple “game over”, you end up pressed against a fence, hand forced between Cassie’s legs in front of half the block while some guard laughs and pretends it’s a “routine check”. That whole vibe of “you wanted to be the hero, now suck it up” never really stops. It keeps poking at the fantasy of control, then yanking it away. If you’re expecting soft cuddly romance, you loaded the wrong tab in your browser.

The wild part is that while Ryke is getting his ass metaphorically and literally beaten in Cassie’s skin, Cassie wakes up in his male body on the other side of the fence with all the power he used to enjoy. Suddenly the hunted rebel girl is the scary dude in uniform, walking down halls where people flinch when she passes. She can abuse that. Hard. Use her new status to harass coworkers, push underlings around, “search” suspects with hands that stay way too long in the wrong places. There’s this interrogation room scene where you can lean into full male domination, pushing a nervous female tech against the table, fingers slipping exactly where HR would have a heart attack, all under the excuse of “investigation procedure”. Or you can pretend to be decent while constantly edging the line, which is almost worse. The game loves turning basic choices into fetish traps. Say the polite thing, you still get dragged into some forced stripping in the showers later. Try to act tough, you get chained up, spanked, and mocked like a bratty girl who forgot her place. It toys with netorare stuff in a really sneaky way too. People talk about “Cassie” like she’s a thing that can be used, and you know it’s Ryke in there screaming, but the body reacts, the nipples harden, the thighs tremble, and the game does not let you pretend that isn’t hot. Meanwhile, outside the prison, Cassie in Ryke’s body gets chances to steal other people’s lovers, ruin relationships, and then walk away like it was nothing. It hits that nasty “I stole your girl and she liked it better” kink and then just moves on like it never happened. Honestly, I wish they toned nothing down. The more it kicks at comfort zones, the more it actually feels alive.