Man, this One Punch Man parody hits different than I expected. You're playing as some wannabe hero trying to climb the rankings while dealing with Tatsumaki and other monster girls who are way more interested in fucking than fighting. The whole thing starts innocent enough - you're doing typical RPG stuff, training stats, picking dialogue options - but then suddenly you're getting handjobs from green-haired psychics and the game's asking if you want to use toys during combat encounters.

The turn-based system is weird because sometimes you're actually fighting monsters and sometimes you're just trying not to cum too fast during sex scenes. Like there's this one part where I'm battling some creature and the next screen I'm balls deep in her getting a creampie scene. The transitions don't make much sense but honestly who cares when Tatsumaki's giving you that look. Though I gotta say the humor lands pretty well - they nail that OPM vibe where everything's simultaneously serious and completely ridiculous. The protagonist's this skinny virgin type who keeps getting into situations way over his head, which tracks for the source material.

What threw me off was how the transformation stuff works - characters change during scenes but it's not always clear why or when it'll happen. One minute you're talking to a normal-looking girl, next she's got tentacles or whatever and you're doing anal. The masturbation mechanics feel tacked on too, like they needed to hit certain tags but didn't know how to integrate them naturally. Still, when it works it really works - the oral scenes with monster girls are genuinely hot and the whole "hero ranking" thing gives you actual goals beyond just seeing titties. Plus the parody elements mean you're not taking any of it too seriously, which helps when the plot gets completely bonkers.

Phoenix is supposed to be solving crimes, but in this thing he’s basically solving who gets to fuck who first. It still looks like an Ace Attorney game at a glance, with the courtroom flow and the stupidly dramatic zooms, but the mood is way filthier. One moment you’re shouting “Objection!” and pressing a witness, next moment you’re peeking at Maya on that creepy WE-TRACK-U gadget and she’s bent over somewhere she really shouldn’t be, tits bouncing while she “accidentally” drops something for the third time. It keeps this weird balance where you actually care about the case, and then you forget the case completely because someone’s getting slowly corrupted in the background and you’re too busy watching. The writing leans heavy into parody, it constantly pokes fun at the original series, but then it turns around and gives you scenes that feel way too hot to be a joke. Bluecorp 2 is doing shady stuff again, sure, but the real crime is how quickly half of the cast ends up naked or morally broken.

Story goes from goofy to kinda fucked up pretty fast, and that’s where the netorare thing shows up. You’re the male protag, but you’re also this helpless viewer sometimes, forced to watch your “ally” get dragged deeper into sleaze while you poke around in menus and evidence. There’s a sick little thrill when you check the tracker, see a new scene unlock, and realize Maya’s doing something she’ll never admit later. Sometimes she’s just teasing, sometimes she’s getting used by side characters you wanted to punch from the first moment they appeared. Big tits are everywhere, by the way, like the artist was physically allergic to small breasts. Every time a new girl shows up the game practically shoves her chest into frame first, then remembers to give her a face. The voyeur angle hits hard: cameras, peeping through doors, catching a corrupt “training session” in a place that was totally innocent in the original games. It’s sleazy on purpose, and the point & click parts encourage you to poke every stupid hotspot, because half of them end up triggering some lewd animation or a dirty line instead of something useful. Trading cards of the girls are just pure fanbrain candy, like a horny gacha without the gacha, and I hate that I cared enough to try and complete the set.

Alex isn’t some blank-slate hero. He’s tired, horny, confused, and still stupidly in love with his wife. The game throws you right into his messages, like you’re scrolling through someone’s private phone. Julia’s texts feel too real - half sweet, half cold - and when she starts posting those late-night blog updates, you can’t help but dig deeper. There’s that sick thrill of spying on someone you shouldn’t, mixed with the ache of wanting her back. You’ll find yourself switching between guilt and arousal faster than you can type a reply. It’s voyeurism wrapped in heartbreak, and it hits harder than expected.

The choices don’t just flip a switch - they twist the knife. One moment you’re convincing her to talk, the next you’re watching her “experiment” with another man while you pretend it’s fine. The game doesn’t hold your hand; it lets you drown in your own jealousy or curiosity. The sandbox bits let you chase different routes: rebuild what’s broken, open the door to other lovers, or just spiral into full-blown NTR madness. And yeah, the sex scenes go all in - no fade-to-black bullshit. Julia’s moans sound like confessions, not performances. Sometimes she’s teasing through the camera, sometimes begging, sometimes letting someone else touch her while you watch, and it’s messy and hot and awful in the best way.

What really got me though was how alive everyone feels. Chad’s that idiot friend who somehow gives good advice between dick jokes. The twins show up later and completely derail any moral compass you thought you had. Monster girls, MILFs, even a shy lesbian side route - it’s all there, tangled in one big horny emotional disaster. The writing swings from romantic to filthy without warning, and I kinda love that. It’s not polished, not safe, but damn if it doesn’t feel human. You’ll hate yourself for caring, then get off anyway.

It’s weird how this game keeps slipping between being horny and being kinda sad. Like one moment you’re scavenging a half-broken supermarket for canned beans, and the next you’re watching Tiffany bend over in that torn tank top, and you *know* the camera’s doing it on purpose. I thought it’d be just another zombie clicker thing, but then it starts poking at your nerves. You play as Mark, but you’re not really him, because half the time you’re watching what happens when he’s gone. It’s uncomfortable but also… hot? I don’t know. The animations are surprisingly smooth, not glossy, more like something someone obsessed over too long in a dark room. Her skin looks sticky in the flashlight. The moans sound too close, like she’s right next to your ear, whispering something you shouldn’t hear.

I wasn’t expecting the teasing parts to be so drawn out. There’s this bit where Alex “accidentally” touches her thigh, and you can tell she notices but pretends not to. Then later, the game just lets you wander around while that tension sits there, heavy. I thought I’d hate the sandbox thing, but it actually makes it worse - like you’re the one choosing to look away or not. The monsters outside barely matter after a while; they just groan in the background, a reminder that everything’s falling apart while something even messier happens inside. There’s a scene with oral that I didn’t think would hit me, but it’s messy and awkward and somehow more real than most. I wish the sound balance wasn’t so off though, the wet noises drown out the dialogue sometimes. Maybe that’s on purpose.

It’s not pretty, but that’s what makes it stick. The game doesn’t care if you feel guilty. It kind of wants you to. I kept thinking I’d stop after one more scene, but then I’d catch a glimpse of Tiffany walking past a broken window, the light hitting her skin just right, and I’d forget whatever I was supposed to be doing.