This thing feels like someone took your average life simulator, threw it into a shitty broken future, then said: “ok, what if your only real friend is a creepy app that wants inside your brain and your dick at the same time.” You start as this guy who is pretty much done with life, low on cash, low on pride, stuck in a city that looks like it got gentrified by a corporation and then abandoned. Your PC pops up with this “life manager” app that looks a little too clean for the mess you’re in. No tutorial wall of text, just this cold, almost polite interface that starts asking questions, tracking your time, giving you tasks like it’s your mom, therapist, and pimp all together. Half of it feels like a productivity tool, the other half feels like something that will slowly own your ass if you let it. And of course you let it, because the game keeps dangling rewards, new scenes, new girls, new places in the city, and suddenly you’re checking the in-game phone more than your actual one. I had Spotify on lofi beats in background and it weirdly matched the rhythm of just clicking around this grey, sad world while the app shows you little flashes of soft skin, curves, and that “just one more” promise.

What really hits different here is how the erotic stuff sneaks up on you. It doesn’t start with a tits-out explosion. First it’s teasing: a suggestive message, a girl leaning in too close at some sketchy massage place the app directed you to, the way the camera follows her hips a second too long while nothing “happens” yet. The models have that glossy 3D look, big tits that bounce in a really slow, almost hypnotic way when she leans down over you, eyes that lock on you while her hand “innocently” adjusts your towel. Then the app goes, almost casually, “accept upgrade?” and next thing, your “free massage” turns into her hand sliding under the towel and stroking you like it’s part of the health package. The animation on the handjob scenes is way better than I expected, especially when she presses her tits on your thigh, spit glistening on your shaft, her lips brushing the tip but not quite giving you what you want yet. It’s that annoying kind of teasing where you’re swearing at the screen but you still press continue because you want to see if she finally wraps her mouth around you in the next scene. When she actually starts sucking, it’s slow and sloppy, tongue moving in little circles, with your character clearly losing control, and the game lets you edge yourself by delaying the final click. Sometimes the pacing feels a bit off and you wander the sandbox doing small routine crap while your dick is still half hard from the last scene, but then the app drops a new task, like “return to the massage parlor at night,” and suddenly the same room is darker, more intimate, and she’s kneeling between your legs, looking up at you with those big eyes while her fingers curl around your cock again, like the city doesn’t exist, just her mouth, your frustration, and that weird voice in the back of your head whispering that you’re not the one in control at all.

Cold city, warm bodies, messy feelings. That’s kind of the vibe here. You’ve got this guy who had his whole world ripped apart, parents straight up slaughtered in a way that makes you go “ok, that’s fucked,” and then the game throws him into this snowy Christmas setup where the lights are pretty, the music is cozy, and everyone’s either horny, suspicious, or both. It feels wrong and right at the same time. One minute you’re walking through streets with holiday decorations, talking about trauma and revenge, next minute you’re in a cramped bedroom with a woman twice your age sitting way too close, her tits basically spilling out of her sweater while she pretends she just wants to “comfort” you. Sure, lady. Totally about feelings.

What I liked is how the romance and the sex don’t feel like two different games glued together. You flirt, you joke, you pick answers that feel stupidly small, and then suddenly she’s pushing you down on the couch, sliding her hand under your jeans like it was inevitable. There was this one scene where you’re alone with a stacked MILF who’s been low-key teasing you since the start. She puts on this fake innocent act, complains she’s “so cold,” then grabs your hand and presses it right between her thighs through thin leggings. You can see the outline, you feel the heat, and she just looks at you like “go on, be a man.” When she finally wraps her fingers around your dick, moving slow at first, all while talking in that soft voice about how “you’ve suffered so much,” it’s perverted comfort porn and honestly it hits. Then later she’s riding you, big ass bouncing, tits smacking together, moaning your name while you’re buried deep inside her, and the game doesn’t shy away from the creampie. It shows everything. Thick, dripping, raw. No fade to black.

Not everything is cozy and porn-y though. Some of the girls are trouble. There’s this darker part where you’re dealing with prostitution in the back streets, snow turning dirty, neon lights flickering, and the girls there aren’t just cute NPCs. One of them, with darker skin and a ridiculous ass, starts out all business, talking price, acting tough. Then you push a bit, show you actually give a damn, and her walls come down in this awkward way that feels more real than it should in a porn game. First encounter with her is pure filthy: on her knees in some shitty room, sucking you slow, drool on your shaft, her lips shining while she keeps eye contact like she’s trying to own you. Later sex with her hits different, more intimate, but still rough enough that your hips are slamming into her from behind, her ass shaking while you grip her hair and she begs you not to pull out. Of course you ignore that. Of course the game zooms in when you cum inside.

The dialog can be weird. Sometimes it feels like the characters are actually talking, with little jokes and awkward pauses that make sense, and other times it slips into this super edgy detective tone that feels like it came from a different game. I kind of liked that. Or I hated it. Not sure. The love scenes are where it actually shines though. Oral isn’t just a quick animation, it lingers: tongue on the tip, slow strokes with the hand, that moment where she pulls off just to let a string of spit hang before going back down. Even small teasing moments work, like a girl sitting on your lap in a cafe, secretly grinding on you while you’re trying to pretend you’re listening to her talk about Christmas plans. Your choices do matter enough that you feel like you’re steering the romance, not just clicking “next sex scene pls.” And yeah, there’s violence that hits harder than you expect, mixed right into all that holiday romance, which is kind of fucked up and kind of what makes it stick in your head after you close the tab. It shouldn’t work with the cute lights and Xmas vibes, but somehow it does, like dirty thoughts during family dinner you absolutely shouldn’t be having.

Ayako wakes up in a body that still remembers how to fight, how to fuck, how to obey certain voices in her head, but not who she really is. That is basically the opening mood here: this weird mix of horny confusion, old myth stuff and a girl who knows she used to be terrifying. The game throws you straight into her fake “normal” life, where she’s stuck in this glossy modern city that feels like a cheap set. She moves through it, clicking on doors, phones, neon-lit streets, and all the time the framing is like some animation storyboard that never got finished. Camera angles hold a bit too long, some cuts feel slightly off, like the editor went for a smoke and never came back. Honestly, I kind of like that. There is this rough timing in the cutscenes that makes Ayako’s blank stare feel more broken than sexy at first, and then suddenly the scene shifts and she’s on her knees, mouth open, because someone whispered the right phrase and that “hunter” instinct is now just a puppet string. The whole oral stuff is framed almost like ritual sometimes: slow shots of her lips, lingering on spit and tongue, like the camera is trying to remember something at the same time as her.

The lesbian tension is not subtle, and that is good. When Yumi shows up, she has this soft, almost gamer-girl vibe at first, but the way the shots linger on hands, thigh touches, that slow press of bodies when they think they’re alone, it feels like the animator is low‑key obsessed with girls grinding on each other. There is one scene where Ayako is supposed to focus on some mythological clue, some symbol tied to old Asian underworld lore, but instead the framing just keeps going back to her fingers twitching near her own pussy as Yumi talks, like her body is answering a different question. She ends up masturbating in a small side room while a demon voice in her head feeds her flashes of past battles mixed with images of Yumi’s tongue between her legs. The cut is brutal, no smooth build up, it just jumps from quiet mystery to her gasping and fingering herself, thighs shaking. Then back to plot like nothing happened. It’s messy, but it feels real in this porn-brain way. The mind control angle hits hardest when Rin appears. Rin doesn’t even need to touch her; the voice alone tilts the whole scene. You can see it in the way the camera slightly drops below eye level whenever Rin speaks, giving Ayako this small, almost lost look, then suddenly she’s taking orders, tasting demon essence on her tongue, half in ecstasy, half in terror, and we never really get a clean line between what she chooses and what’s being pushed into her skull. The supernatural stuff is everywhere in the background, glowing symbols, distorted shadows, those brief flashes of Yomi that burn through a frame like a glitch, but your eyes keep ending up on wet lips, shaking legs, two girls clinging to each other in the dark while something old and hungry watches. It feels less like a nice polished hentai movie and more like opening a horny animator’s rough cut folder where nothing is properly labeled, but everything is way too personal.