Ankha in this one feels like that smug match you get on Tinder who messages first, already sure you’re going to fall for her. She’s not shy, not cute, not “oops I dropped my towel” vibe. She’s like “you’re here to worship me, yes?” and honestly, it kind of works. The whole thing is built around just watching her work your cock like it’s her personal toy while those Egyptian details sit in the back like decoration for her ego. You know how some porn games pretend there is big story and then nothing happens? Here nobody even lies to you. It’s one long, looping, horny show with this spoiled catgirl taking every bit of attention like a queen on a gold throne who also really knows how to use her hips.

The first time the animation flips to her riding on top, I actually laughed a bit because the confidence is insane. Ankha doesn’t move like she’s fucking you, she moves like she’s performing for a mirror. Slow grind at first, that lazy, cocky pace, her breasts bouncing just enough to make you stare, then faster, heavier, like she’s trying to see how much your body can handle before it gives up. The loop there is dangerous, I caught myself watching it way too long on mute, like some weird erotic screensaver. Then she drops into that blowjob loop, eyes half-lidded, head bobbing, tongue sliding out around the shaft. Nothing fancy with camera tricks or weird zoom spam, just steady, rhythmic sucking and little details like the way her cheeks hollow or the shine of spit on your tip. I did wish the cum shot there hit her face a bit more messy instead of staying so neat, but I’m also the kind of person who pauses Pornhub to complain the guy didn’t pull out fast enough, so whatever. The titfuck bit is actually better than I expected, her pressing your cock between those soft golden boobs, looking up at you like she’s bored but her body is saying the opposite. At one point I actually forgot I had Spotify still running and some super romantic track came on over this smug catgirl rubbing oil and cum together on her chest and I just thought, yes, this is modern culture.

The furry angle here is funny because it sneaks up on you. At first you go “oh yeah, cute catgirl from that cozy island game, haha,” then thirty seconds later you’re watching her throat stretch around your dick and realize you are absolutely not here for the wholesome part. Her tail flicks in the background like it has its own opinion and the way her hips roll when she’s bouncing on top is too smooth, like somebody spent way too long just perfecting that motion while ignoring small stuff like variety. After a while you kinda notice the same loops repeat, like you’re stuck in this horny time circle where Ankha just keeps showing off the same tricks, but the thing is… they’re good tricks. The final cumshot where she’s riding and you unload inside her, the way her body jolts for a second and then settles into this lazy grind, almost satisfied with herself, feels strangely complete even though nothing “ends.” I caught myself thinking it’d be fun if she broke character and stopped acting like a statue goddess for one second, maybe some silly reaction or a little mess on the floor, but no, she stays arrogant the whole way. And I kind of hate that. And I kind of loved it more because of that.

Clover on a train already sounds like somebody lost a bet in the Steam suggestion queue, but it kinda works. You show up, expecting some soft cozy Animal Crossing vibe, and instead you get this horny gremlin of a neko girl with huge tits and a thick ass, trapped with you in a train car that very obviously is not built for innocent travel. The whole thing feels like somebody mashed up a chill life-sim mood with old-school hentai CDs I used to rip music from and then forgot to hide the porn. Background loop is simple, almost like a wannabe chiptune but smoothed out, and honestly I kept the tab open on mute and played my own playlist in Foobar because I’m picky like that. Game doesn’t care. It just wants you to click, choose, and rail Clover like the train is powered by her moans instead of electricity.

The funny part is how it tries to do this "choice" thing. You’re sitting in front of this big tiddy catgirl in clothes that already lost the fight, picking between lines that are basically: be a bit of a gentleman, be a horny bastard, or be a horny bastard who pretends to be a gentleman. She reacts fast, and the lewd stuff comes on pretty rough if you push her there. Doggy on the train seat, pressed against the window, those big boobs bouncing so much they look like they’re breaking some unspoken train rules. Pussy wet text, filthy talk, Clover whining and growling like an anime waifu that spent too much time on shady Discord servers. It gets dirty, not that “light teasing” bullshit. Throat use, hips slamming, you can almost hear the cheap metal of the seat squeaking even if they forgot to put that sound in. I kinda wish they did proper looping SFX for the impact. Instead there’s this one moan you’ll hear too many times, which made me open Audacity out of habit and think how I’d chop it better for a loop, then I remembered I was supposed to be jerking off, not editing.

What I like is that the game doesn’t pretend you’re saving the world or whatever. You’re just on a train with a stacked neko MILF-ish waifu who is totally okay with getting fucked stupid between stops. Big tits in your face when she leans over, big ass spreading across the seat when you take her from behind, tail twitching when you go harder. The visual novel style makes it feel like a dumb horny story you’d read on some dead forum back in the day, but slightly cleaned up. Sometimes the pacing is weird, like it jumps a gear too fast in the sex scene or skips some buildup that would make the rough stuff hit harder, then suddenly it slows down on some random bit of dialogue you’ll click past without reading. There’s a small text choice at one point that changes how needy she gets midway, which was nicer than I expected. Not deep, but enough to make me replay one scene while Spotify hammered some old YMCK track in the background. Anyway, it’s Clover, it’s a cramped train, it’s you, and everything keeps ending up with her bent over something and you buried in her, like that’s the only logical way public transport should work.