Tomai feels like the kind of horny slice-of-life story that started as a soft romance and then someone said: “What if we just let him be a mess with multiple guys at once?” and nobody said no. You play this smug little disaster of a dude who thinks he has his shit together, but he spends half the time flirting, the other half pretending it’s not flirting, and then waking up way too naked with people he definitely cares about more than he wants to admit. The setup is simple: a couple of weeks before a big festival that everyone treats like it’s the emotional Olympics, and you decide who you waste your days and nights with. Sometimes it’s wholesome, sometimes it’s “oh, we’re doing that without a condom, ok,” and sometimes it’s just lying around smoking and talking about feelings while your dick is still out because you were “busy” five minutes ago.

The fun part, at least for me as harem addict, is how the game keeps dangling this idea that Tomai could lock himself to just one person, but also lets you chase that comfy poly daydream where nobody really wants to own anyone. Burdoc is this big chaotic friend who feels like he could pin you to the ground without trying, and there is a scene where he does basically that, all laughing and rough hands, and Tomai is trying to act cool while clearly getting off on being manhandled. Malik is softer, but not actually less intense, just quieter filth. There is a moment with him at the water where it starts as dumb teasing, ends with his hand down Tomai’s pants, and they are still talking about the future like they are not jerking each other off. The game keeps this goofy tone, lots of jokes, all this queer comfort, then suddenly someone says something real about being scared of growing up or not knowing what kind of man they want to be, and your brain goes “shit, that hit too hard” while their cocks are still hard too. I really liked how the sexual stuff never feels like a side quest. It is messy and frequent and sometimes just horny boredom, like real queer sex: sometimes meaningful, sometimes “wanna get off, I’m free.”

There is this one thing that annoyed me way too much: the way Tomai stands on the beach in one of the CGs, his foot angle looks off and every time I see it, I stop reading and stare at it like, why is your leg doing that, my guy. I keep thinking they will patch it or something, but no, he is cursed to stand like that forever. Still, the poly endings hit my specific kink, that feeling that everyone is choosing each other instead of “winning” the main character. You can push the routes so Tomai spends his nights tangled up with Burdoc and Malik, half-friends, half-lovers, passing smokes and kisses and handjobs like it is normal. It never becomes a huge harem palace or anything, more like a small queer nest that grew out of too much touching and too little fear. Sometimes the sex is pretty explicit, bodies described in detail, cocks, thighs, sweat, and sometimes they fade out quicker and you almost wish they lingered longer on the filth, but at the same time that restraint keeps it feeling kind of cozy and personal. It is like being stuck in that horny, lazy summer where you and your boys are always just one bad decision away from another orgasm, and honestly, Tomai was never going to make the “good” decision anyway.

Alister drops into this world like he got yanked out of a porn parody of Diablo and dropped into some chaotic queer D&D campaign that never agreed on its tone. One minute he is this smug little demon bastard, flexing his claws and acting like everyone in the room is already on his dick, and the next he is awkward as hell because some half-dressed prince with daddy issues is looking at him a bit too long. The story pretends it wants to be serious fantasy, with kingdoms and shame and magic politics, but every time someone leans in too close, the whole thing slips and you get that “oh, right, this is horny first, plot second” vibe. It feels like being in a Discord server call where half the people are trying to roleplay lore and the rest are typing “make them kiss” in all caps. You just watch this demon get bounced between danger and thirst, and honestly, he looks like he kinda loves both. The game lets you push conversations right up to the line, throw in those flirty choices that sound like a joke but definitely are not a joke, and when Alister starts purring back at someone taller and broader than him, yeah, that is when it clicks what this thing actually wants from you.

The prince, Izaak, is that type of guy who talks like he is better than you but blushes the second someone calls him out, which is extremely funny when you make Alister go straight for his weak points. There is this scene where you are supposed to talk strategy, but the camera and the writing keep hanging on his body, on little shifts of his clothes, and suddenly the “tension” is not about war or whatever anymore. Then you have Alek, the gnome bard, who feels like the token chaotic bi energy of every tabletop group, just in short and horny form. He is the one that keeps poking the situation so it gets weirder, gayer, and a bit more dangerous every time, dropping comments that are one step away from “so, are we all fucking after this or what?” without actually saying it. They move through camps, taverns, and all that standard fantasy stuff, but the real fun is when the game slows down, lets the camera stay on a sweaty neck, a heavy hand on a shoulder, the way Alister’s eyes go half-lidded when someone with a deep voice says his name. You can feel the build-up to the explicit parts even before the clothes start becoming optional, like the script is grinding up against you on purpose.

If you want the most out of it, do not speedrun the dialog like you would in some boring grindy VN. Actually lean into the teasing choices, be a little shameless, push every flirty option even if it sounds like the “wrong” one. This game rewards you for being a horny menace. Let Alister act like the cocky bottom he is clearly dying to be, poke at Izaak’s pride until it snaps, and never skip a campfire chat, because that is where the heat usually leaks out first. Keep your hand off the skip button, keep your mind in the gutter, and just ride every scene until it is wrung dry. You will know you are doing it right when the “serious” fantasy quest just starts feeling like an excuse to get these idiots alone in smaller and smaller rooms.

In the early 20th century, the promise of fame and fortune fuels humanity’s hunger to explore the unknown. Among these dreamers is Amber, a young archaeologist desperate to prove himself. When he uncovers an ancient inscription hinting at a hidden city of unimaginable riches deep in South America, his path becomes clear: he will be the one to find it.
Driven by ambition and adventure, Amber sets out with his companions Gabriel and Mateo to navigate the treacherous Colorado River in search of the Lost City of Caesars. Explore their perilous journey in this 18+ visual novel of adventure, discovery, and unexpected intimacy.​

GAME FEATURES
Engaging Story: ≈75k words (approx. 6 hours of play)
Stunning Original Artwork: Sprite and CG art by Aark0
Detailed CGs: 20+ CGs (not counting variations)
18+ Intimate Scenes
In-Game Achievements
And so much more!