It’s weird how this game feels like two different fever dreams stitched together with duct tape and a dirty laugh track. One minute you’re dealing with a spoiled princess who thinks she’s too good for your commands, next you’re in a dusty classroom trying to make a witch blush while pretending you’re not the worst kind of pervert. The whole thing runs like someone dumped Aladdin and Harry Potter fanfics into a blender, hit “liquify,” then forgot to clean the blades. I mean that as a compliment. Mostly. There’s something strangely addictive about watching these characters slide from pride to obedience, like watching a tower of cards collapse in slow motion while you whisper filth into the wind.

And yeah, the art - old-school 2D, a bit grainy at the edges - somehow makes it hotter. You notice every smirk, every drop of sweat, every time the princess rolls her eyes before giving in. The witch, though… she’s the real trip. The game makes her crack little by little, until she’s doing things she’d hex you for even thinking about. There’s this one scene with a mirror spell - don’t even ask, it’s messy, beautiful, wrong, and perfect all at once. I wish the sound effects weren’t so cheap, though. Like, if I wanted to hear the same “slap” noise on loop, I’d just open TikTok. But then again, maybe that janky sound is part of the charm. Makes it feel dirtier, less polished, more like something you shouldn’t be caught playing but can’t stop anyway.

Also, whoever added the management bits deserves both a medal and a slap. You’re juggling gold, obedience, lust - whatever - and it feels like running a brothel disguised as a school. Which… is exactly what it is, I guess? The tentacle stuff sneaks up on you too, not even kidding. One second you’re giving a lecture, next thing you know, it’s hentai biology class. Half the time I’m disgusted, half the time I’m grinning like an idiot. That’s the magic here: it’s trashy, shameless, and somehow still clever enough to make you question who’s really being trained. Spoiler - it’s probably you.

Warm sand, lazy waves and that sticky summer heat that makes clothes feel too tight, that is the mood here. On the surface it is just this couple trip, Satoshi and Mary doing the cute romance thing, like some basic visual novel dating stuff, but the whole resort smells like sex and trouble from the first scene. As an ASMR brain I got weirdly fixated on tiny things: the sound of the elevator doors closing while Mary is still breathing a bit fast from being teased, the faint splash from the pool while uncle Kendo’s hand stays just a little too long on her back, the soft clothing rustle from those uniforms she really should not be wearing around her boyfriend’s uncle. The game loves that slow teasing, the “oops I brushed against your cock” kind of groping in crowded places, or that nasty little thrill when you peek around a corner and see way more than you should. It is not screaming moans all the time, more like whispered gasps in his office, tongue sounds during a half-hidden blowjob behind some plants, the wet slide during a lazy titfuck while the fan hums in the background. Those small sound loops are not even high quality sometimes, they repeat a bit awkward, but somehow that makes it feel more pervy, like you are stuck rewatching the same dirty moment in your head.

Story keeps pretending it is about romance, vacation, cute couples selfies and all that, then casually throws NTR in your face like “oh by the way, your girl is sitting on someone else’s lap now”. Mary starts the game as this sweet college girlfriend, normal student clothes, clingy but pure, then Kendo slowly corrupts her with flirty jokes, accidental skinship, then actual handjob routines and hidden sex scenes that only unlock if you picked the more cowardly, negligent choices as Satoshi. Those hurt in a delicious way. Watching her big tits pressed up against that older guy while she still texts her husband-to-be like nothing is wrong, that gave me this nasty ear-tingle similar to when someone whispers right into your earphone on TikTok lives. Some scenes really go for it: lazy oral sex in the office chair while the door is unlocked, creamy vaginal creampies where you can almost hear the thick squelch when he pulls out, her uniform pushed up, panties hanging at one ankle. There is one bathroom scene where the only sound for a few seconds is water dripping and her shaky breathing while his fingers work between her thighs, and that silence before she lets out a tiny whine is so much hotter than the actual animated thrusting that comes after.

Sometimes the humor hits at weird times, like during a pretty brutal cheating-wife moment the game throws in a goofy Konosuba parody reference with Aqua-level stupidity and a Megumin joke that almost killed the mood for me. Then right after, Mary is getting pounded from behind on the balcony, tits bouncing, Kendo grabbing her big ass with both hands, and I forgot I was annoyed. The tone is messy like that. One route had me listening to a police siren in the distance while a stepmom-looking milf with huge breasts lets herself get groped in a hallway, and my brain was like, why is that siren loop so loud compared to her moans. It never gets fixed. The multiple-protagonist thing is sneaky too: you think you are just Satoshi, then you slip into Kendo’s head for a bit and suddenly the same scene feels nastier, more direct, his inner monologue about Mary’s soft thighs and how easy it is to corrupt a bored young wife on vacation. There is family tension, step fantasy vibes, straight-up netorare where your “good boy” choices just make you more pathetic while she learns to love big cock and risky public groping. It is not subtle, not polished, sometimes the animated loops look a little stiff, but that actually fits this dirty-resort energy. Like a summer fuck that got way out of control and left you sweaty, frustrated, and still replaying her breathy little “don’t tell him” in your head when you close the tab.

Ariana is the kind of heroine who really shouldn’t be in charge of saving a damn thing, which is exactly why she works here. She’s a thief first, a horny mess second, and some kind of reluctant savior only if she can squeeze it between getting railed and looting pockets. The village of Pyrewood is already fucked in the head when you arrive, infected by this weird lust plague that basically tells everyone “forget self-control, just fuck.” It’s not subtle. You walk past the church, hear chanting, and for a second you think “ok, serious religious scene,” then suddenly you’re watching what looks like a holy bukkake mass while Ariana pretends to look shocked and still doesn’t move away. The story pretends to be dark fantasy but keeps tripping over its own horny feet. One moment Ariana is investigating strange symbols on a wall, next moment the wall opens and some tentacle creep decides to check her insides like she’s part of a quality control test. And yeah, of course she fights, and of course the fight quickly turns into moaning and sloppy animation. It’s that kind of game where “corruption” doesn’t mean slow moral decay, it means she goes from “I shouldn’t do this” to “choke me and fill me” in like, two scenes.

What I actually like, as someone who nerds out over leveling and choices way too much, is how the factions feel like three different flavors of porn brain. The Inquisition path is all about discipline and punishment, lots of “you sinned, now take it” vibes, with Ariana flagged as the naughty sinner that needs to confess with her legs open. The Mage path is basically “science, but horny,” with magic circles, weird experiments, and scenes where masturbation is treated like a diagnostic tool. Then you have The Orgy faction, which just gives up on pretending and goes full “everyone fucks, everything moves, liquids everywhere.” It feels like the dev sat there and said “ok, what if the corruption bar is less a stat and more a porn playlist.” You see it in small moments too, like Ariana trying to resist a cult ritual, the camera lingering on her face as she hesitates, then suddenly she’s surrounded and her body gives in before her dialogue does. Or when she ends up bred in a scene you didn’t fully expect, and the game quietly tracks that, acting like pregnancy is just another logical result of spunk flooding her every hole. It’s messy, horny, sometimes stupid, sometimes hot as hell, and the game never really decides if Ariana is a victim of the plague or its happiest customer. Which is probably why it works at all.

Two idiots, one cursed castle, and way too many horny monsters. That’s basically the vibe here. You follow Fumdux and Kirin, two guys who were supposed to just grab some boring plant for a potion job and go home, but instead they stumble into this old, rotten-looking fortress that somehow no one has ever noticed before. The path behind them literally vanishes, so they’re stuck inside, and from there it just gets weirder and dirtier. You wander the halls as this sarcastic male protagonist, poking around crumbling rooms, slime-filled dungeons, and quiet courtyards where the quiet is just waiting to jump you. One minute you’re checking a dusty bookshelf, next minute some half-feral beastman has you pinned against the wall, teeth against your throat, asking if you’re going to obey or scream. The game doesn’t pretend to be cute about it either. When it goes into domination stuff, it really leans in. Rough oral, deep anal, that whole “you’re mine now” thing, with the protagonist giving as good as he gets when he has the upper hand. There’s fur, claws, fangs, scales, all mixed with sweat and cum and a lot of dirty talk that actually feels like someone horny wrote it, not some sanitized script.

The castle itself works a bit like a sandbox maze. You don’t just walk a straight line and watch scenes. You poke into wings you probably shouldn’t, unlock doors you regret, bargain with creatures that smell blood on you and get more interested the more you struggle. One corridor has these statue-like monster girls, all stone tits and claws, and you’re thinking “ok, obvious trap”, but you still touch one of them because of course you do, and suddenly you’re on your knees, her stone tail locking around your throat while a voice in your ear is promising to “break in the human toy”. Another area is a dark forest inside the walls, with glowing mushrooms and eyes watching from the trees, and it turns into this slow, creepy chase that ends in a clearing where the hunter decides your ass makes a better trophy than your head. The horror angle never fully disappears, even when stuff is hot. There’s always that feeling you’re just meat in someone’s den, and half the fun is deciding whether you’re the one doing the dominating this time or whether you’re going to get bent over a broken altar and pounded until you forget why you came here in the first place. In between, you’re still trying to figure out how the hell to escape, but every time you get closer to a way out, the castle offers you another filthy distraction, like it knows exactly what kind of degenerate you are. By the time you finally see daylight again, assuming you even want to leave, you’ll have been used, stuffed, teased, and worshipped by monsters who treat you as pet, master, or both, depending on how you play it.