Reika’s whole deal hooked me way faster than I expected. She’s this super competent agent from Solara HQ, all cool and collected, but the main plot is basically, “my husband’s dick got cursed and now I have to work with this greasy engineer dude to fix it.” It sounds like hentai mad libs, I know, but it actually lands. You’re in this mix of mission briefings and quiet lab scenes, watching her try to stay loyal while the game very slowly, almost teasingly, pushes her into messed up situations. The nice part is they don’t shove the NTR in your face from the start. It’s like it’s hiding behind the UI, behind silhouettes, behind those blurred and pixelated bits that you pretend you hate but keep leaning toward the screen to see better. There’s this one scene where you only get Reika’s outline against a workshop light, and you can hear Fredric shifting closer, see his hand kind of implied on her hip, and nothing “official” happens, but you already feel that sick horny mix of “oh no” and “okay but yes.” Then later the same space is reused and your brain fills in the gaps. It’s cheap as hell and also kind of genius.

The 3D bodies are doing the heavy lifting here. Reika is built like some artist’s long-running fantasy project: big chest, big ass, curves that look like they’re trying to break out of the tactical suit. The breasts have this weight that reacts nicely when she turns or leans, not super polished AAA level, but there’s enough jiggle and dragging motion that your lizard brain applauds. The faces are a bit jank sometimes, like her expression slides between “worried wife” and “posed VR chatbot” too fast, and once her mouth looked slightly off center and now I can’t unsee it. The pixelated sex bits are weird in a fun way. You get these animated loops where everything important is censored into chunky pixels, but the motion is very detailed, hips grinding, fingers clenching, fluids clearly there even if you only see them as little bright squares. It kind of feels like watching someone’s hard drive from 2008 got remastered into a VN. And yeah, the NTR angle is “hidden,” but only in the sense that the husband is almost never fully present while all this shit happens around his situation. You get these scenes where Reika is talking about curing him while her body language is slowly surrendering to other hands and mouths, and the game just treats it like normal mission progress. It never screams “hey, you’re being cucked,” it just lets you connect that the cure is taking very long and Fredric is suddenly very “close” to her in the animations. There’s even a moment where the camera lingers way too long on the husband’s sleeping, useless crotch while you already know what Reika did a couple scenes ago, and it hits harder than any explicit shot would. I still hate that one sound effect for the door in the lab, by the way, it’s like a microwave and a printer had a baby, they keep using it, and it completely pulls me out every time, but then Reika bends over some console and I forget what I was complaining about.

El Presidente in an all girls reform camp sounds like the start of a shitpost on r/greentext, but here it actually turns into a horny fantasy adventure that kind of spirals out of control in a fun way. You begin as this smug guy who clearly thinks he’s way smarter than the system, gets dumped in a camp full of “troubled” girls, and then slowly realizes the weirdest thing there is not the girls acting out, but the stuff that lives behind the trees and the strange symbols carved into random places. At first it plays like a goofy summer camp sandbox: you sneak around, peek through windows, “accidentally” bump into a counselor in the showers, do the usual route-minmax routine while tracking affection values in your head like some degenerate Excel sheet. Then, just when you think it’s all about tits and asses and groping scenes, the monster girl angle kicks in and the story suddenly has this nerdy fantasy layer with arcane writing and old secrets hidden under all the horny teasing.

Erotically, it leans hard into slow build and playful humiliation in a good way. You get a lot of scenes where you are half in control, half just swept into the girls’ chaos. A big part of the fun is that many of them know exactly what you’re trying to do. You sneak up to a cabin window at night thinking “ok, free voyeur content” and then one girl just pulls the curtains aside and stares right back at you, topless, smirking, like she was waiting for you the whole time. Or you try some awkward groping move during a “mandatory trust exercise” and the game lets you fumble with her huge ass, then writes it like she lets you go a bit too far but still calls you out in front of everyone the next day. It mixes that humiliation with reward, so you’re blushing and horny at same time, which is basically the core fetish loop here. The big tits and big asses are not just there as decoration, they are written into the scenes, like when a girl uses her chest to pin you against a tree while “interrogating” you about a monster sighting, or a monster girl wraps you in tentacles in a way that somehow focuses very carefully on your crotch and her curves instead of just being slime porn.

What caught me off guard is how much there is to poke at. The sandbox setup actually lets you do the classic “ok, what if I only talk to this one character for a week” experiment. I used a literal Google Sheet to track which camp events trigger in the evening depending on where I spent the afternoon, and there are branching bits that only show if you stack certain flags in a weird order, like spying on a specific cabin multiple times before helping with a search patrol. One night event had me sneaking through the forest after a rumor about a glowing figure. I expected cheap jumpscare and a quick H-scene. Instead, I ended up translating part of a strange language scribbled on a rock while a half-naked monster girl watched from a tree, tail swaying, waiting for me to fuck up the chant. The game lets you fail that on purpose, and if you do, the punishment is lewd as hell, very teasing, lots of touching, almost no actual “finish”, and somehow that blueballs feeling fits the character’s arc perfectly. There are animated loops sprinkled in that give life to the groping, hips grinding, tits bouncing, not Hollywood-level animation but dirty enough that you stop noticing flaws after a minute. Comedy hits hard too: one scene had me cornered in the mess hall, forced to explain why my “map of the camp” looked suspiciously like a chart of shower schedules, and I actually laughed while also thinking “ok, this is a little too close to how I play these games.” The only thing that annoyed me a bit is that some routes feel hidden in a weird way, like you need to click a random background prop on Wednesday afternoon or you miss a whole teasing sequence, but I guess that also keeps the place feeling like an actual camp with secrets, not just a straight porn corridor. I came for the dumb premise, stayed because suddenly I was calculating optimal paths to see if I could unlock the monster girl route without losing access to that one scene where the counselor rides your lap during a “meditation session” and pretends it’s completely professional.

It’s strange how this DBZ parody feels both trashy and affectionate, kind of like when you find an old guilty‑pleasure track in your Spotify history and realize you still know every beat. The game throws Goten right into a web of temptation that probably shouldn't exist, but here it does, shimmering with that thin layer of nostalgia everyone secretly loves to roll around in. The art flirts between rough sketches and slick shading - like it can’t decide whether to be edgy or sentimental - and somehow that fits. Android 18 looks too good for words, moves even better, and then 21 shows up and basically warps every mood you had in the last minute. It’s fan service but with a heartbeat, or maybe with several, depending on whose scene you trigger.

I found myself weirdly caught by how the dialogue sounds half improvised, sometimes awkwardly human; sometimes like a dirty daydream that just spilled onto the screen. Bulma’s little gestures - like how her eyes flick away for a second before she says something you’re not ready for - hit more real than they should. The interactive bits don’t even bother hiding what they’re about, and it’s that transparency that makes them honestly hot. One time, the scene drifted into something so slow, so drawn out, I forgot to click until the moaning blended into background music from another tab. It fits though - this clumsy pacing, this idea that seduction in a parody title could have its own lazy rhythm. I could complain about the transitions lagging, but then again, that stutter kind of matched Goten’s fumbling, and now I can’t tell if it’s a glitch or a choice.

For anyone trying to rush it, you’ll ruin the best part: letting the conversations drag, catching the facial changes, not skipping with spacebar. Take it like a good track - feel every drop, every wrong beat, until you stop pretending it’s about nostalgia and admit it’s pure hunger worked into code. Don’t skip, just... let it breathe.

I didn’t expect to like this one, honestly. It starts quiet, too quiet for a so-called “hero academy” thing, and then suddenly you’re in the dorm hallway at midnight and someone’s breathing behind the door. You think it’s just flavor text, but no - that’s actually Setsuna, half-naked and pretending she’s looking for her earring while her tail does that twitchy thing. The writing tries to be serious, like moral choices and all, but come on - who’s thinking about justice when Mirko’s smirk pops up right after? I swear she looks at the camera like she knows what you’re doing. Or maybe I imagined it. Hard to say, I was kinda distracted.

There’s something messy about how it plays, not bad messy, just... horny messy. You wander around campus, supposedly spying to gather info for some “mission,” but the missions always end up with hands where they shouldn’t be. And then that weird little sandbox menu appears, like a dating app, except instead of swiping right, you’re choosing whether to flirt or grope. Ibara’s route confused me - is she supposed to be shy or secretly into voyeur stuff? I don’t get it, but I clicked anyway. The text box lagged after she tied you up in vines (classic, right?), and I sat there staring at the frozen sprite like, yeah, this is art. Then again, maybe not. People online said the dev borrowed assets from another fan game but who cares, it works.

Funny thing: I thought Ochaco would be the wholesome one. Nope. She steals your phone mid-scene and sends herself a pic. The game calls it “bonding.” I call it blackmail with benefits. Sometimes the dialogue feels written by a genius; sometimes it reads like Google Translate had a hangover. But that’s part of the charm, I guess. Like when Jiro blushes and just says “lol” out loud - I laughed so hard I forgot to save. Anyway, the romance feels real even when it’s ridiculous, and the teasing scenes hit too close to certain dreams I won’t mention. Or maybe I just need sleep. Hard to tell where the fantasy ends.