You wake up broke, horny, and back in your old room that still smells a bit like teenage shame and cheap body spray, and the game just kind of grins and says, “yeah, this is where it starts.” You’re this young psychology guy who thought he had life sorted, then it all collapses and you crawl back to mom’s house. Only mom isn’t just “mom” anymore. She’s this thick, soft, dangerous kind of beautiful, the kind that makes your eyes slide over her curves against your will. She walks around the house in clothes that hug her huge tits and that insane ass in a way no actual mother should, bending over the couch while you pretend to look away and fail every single time. The camera loves her, almost too much. It lingers on the subtle stuff, the underwear line digging into her hips, the way her nipple outline threatens to show when she moves. You’re supposed to feel guilty. You don’t. Or you do, but it just makes your dick harder. It’s that kind of story.

Then there are the sisters, and yeah, the game knows exactly what it’s doing. The older one moves like a witch who realized she can control a room just by existing. Goth clothes, dark nails that look like they’d hurt when she scratches your back, eyes that tell you she thinks you’re trash but her body keeps betraying her, slower each day. There’s this moment where you “accidentally” walk in while she’s bent over her desk in fishnets, headphones in, skirt just not quite long enough, and the main character just stands there too long while you feel his thoughts going places they absolutely shouldn’t. Later, when the hypnosis angle really kicks in, watching her resist you with this mix of hatred and arousal, hips still grinding in spite of her words, that’s where the corruption hits harder than any sex scene. She spits insults while she rides your cock, then trembles when you ask her who owns that tight ass now, and her voice breaks on the answer. It’s fucked up. It’s hot. It’s both at once. The younger sister is the opposite weather: all pastel pink, soft hair, candy wrappers, plush toys, girly socks that should not look so good wrapped around your waist. She trusts you way too much. She curls against you during a movie, her small tits brushing your arm, and the game slows the moment just enough that you feel that sharp, dirty edge when your hand lingers longer than it should on her thigh. Later, with the mind control, teaching her to touch herself on command, watching her bite her lip while she obeys, that’s the point where “romance” and “corruption” almost merge into this twisted little love story that you’re not sure you’re supposed to enjoy so much.

The hypnotherapist is the real doorway drug. Mom’s friend, older but still tight where it counts, eyes that see too much and voice that rolls over you like warm honey. You sit in her office as “assistant,” pretending to take notes while she drops other women into deep trance, fingers playing with their minds and their bodies at the same time, and you’re there, hard under the desk, memorizing every word, every pattern. There’s a point when she leans down behind a patient and guides the girl’s mouth on a toy, whispering triggers, and your brain just goes click. After that, going home feels different. Sleeping bodies don’t feel safe anymore. The game leans into sleep sex in a way that’s almost too intimate. Like, you stand over your mom’s bed at night, listening to her slow breathing, watching her tits rise and fall under the thin fabric, and one tiny suggestion you planted earlier makes her legs spread a little. She mumbles your name in her sleep while you slide your hand under her panties and the guilt is there, but it’s distant, like a voice behind glass. Same with the sisters, those late-night scenes where the younger one is half-asleep, squirming and moaning softly as your fingers tease her soaked slit, or the older one clenching around your cock in her sleep, cursing you in her dreams while her body begs for more. The game doesn’t flinch from that dirty intimacy. It loves deepthroats that go too far, tears at the corner of her eyes, spit and mascara mess. It loves big tits bouncing while you fuck them, cocks sliding between them until you paint her chest white. It loves asses, god, the asses: thick ebony hips, mom’s juicy milf curves, your sister’s perfect goth bubble butt stretched around your shaft when you finally push into her tight hole and she squirts all over the sheets. Anal, vaginal, titfucks, creampies that drip out slowly while she walks around the house pretending nothing happened. Sex toys buzzing between thighs, collars and ropes appearing on the “good girl” routes that still somehow pretend to be romantic. There’s a weird tenderness under all that filth too, like when you watch your own cum slowly swell inside a belly on the pregnancy scenes, or when a character you’ve completely twisted still smiles at you like you’re her whole world. It’s wrong. It’s beautiful in a fucked way. It feels like you’re building a harem out of people who were once your family, your patients, your lovers, turning them into obedient, wet puppets and devoted partners at the same time, and the game just lets you keep going, deeper, softer, nastier, never really asking you to justify any of it. I just wish the text messages inside the game didn’t use that ugly default pop-up style, it pulls you out for a second, but then somebody drops to their knees, takes you so deep they choke, and suddenly you forget you were annoyed at all.

Ariana feels like that girl you see on the bus with headphones in, pretending the whole world is background noise, except in this game the background noise wants to fuck her. She’s quiet, awkward, the type who clutches her phone like a shield, and somehow surrounded by women who look like they walked straight out of a very horny Instagram explore page. Her mom, her older sister, every older woman orbiting the house has that heavy, lazy sexual energy, like they could lean on a doorframe and instantly ruin your life in the best way. The tension hits early, when Ariana is just trying to masturbate in peace and you realize the game is not interested in peace at all. It wants leaked sounds through thin walls, accidental gropes that stop being accidental way too fast, and that slow corruption curve where “just curious” turns into “I’ll do anything if she keeps talking like that.”

The soundtrack caught me off guard. It’s not some epic orchestral thing, more like soft electronic loops with a bit of bass that hums under the skin. There’s this one track that plays when Ariana is alone in her room, just scrolling on her phone, and it feels like late night Tumblr porn browsing mixed with guilty church memories. Then the mood flips when the older women step in. The music shifts, gets more humid, heavier, like cheap red wine in a glass that someone keeps refilling. It’s horny elevator music if the elevator stopped halfway between floors and nobody pressed the alarm. I swear one of the loops sounds like it was made in GarageBand at three glasses of wine deep, and it works precisely because it’s slightly trashy. Erotic scenes lean into that rhythm: slow teasing, a hand on her big ass that stays there too long, fingernails grazing under her shirt, mom “helping” her with a toy that Ariana should definitely be using alone. The whole thing feels like a corrupted ASMR playlist where every “relaxing” sound ends with a moan.

When the game starts playing with power, that’s where it gets messy in a good, sticky way. Female domination here isn’t just leather and shouting; it’s mom using a soft voice while pushing Ariana’s head where she wants it, sister pretending it’s all just “practice,” older women treating her body like free use whenever she wanders into the wrong room at the wrong time. There’s a scene with a strap-on that goes from playful to “oh fuck she’s not stopping” really fast, and the camera just lingers on Ariana’s face, that mix of panic, pleasure, and “I shouldn’t like this” that hits harder than the actual penetration. Anal sneaks in that way too, like a dirty afterthought that becomes the main event. Beast stuff shows up more like a taboo wall you crash into, not subtle at all, and somehow the soundtrack just keeps doing that lazy, sexy loop like this is completely normal. Lesbian moments slide in between all the family tension, like Ariana using a “friend” to rehearse what she’ll never admit she wants from her own house. The game loves big tits, big asses, hands wandering, casual groping in hallways, and those long masturbation scenes where she starts off shy and ends up fucking herself with toys while thinking about exactly the wrong person. It’s clumsy, horny, kind of trashy, and every time the music hits that deep synth line, it feels like the walls of the house are breathing along with her.

Doom finally stops playing the Saturday morning cartoon villain and starts doing the dirty work everybody always joked he was doing off screen. "Behind the Doom" is basically what happens when a control freak supergenius decides world domination is fine, but ruining Susan Storm’s life from the inside out feels a lot better. It’s a slow burn kind of filth. At the start he’s showing off his shiny Latverian utopia, talking like some tech bro on a TED talk, pretending he cares about peace and progress. Underneath that armor he just wants one thing: Susan kneeling between his legs, wedding ring and heroic ideals both slipping off at the same time. You go from stiff political speeches to her staring up at him with drool on her chin and mascara running, and it somehow feels like a natural career path.

What I liked is that the game doesn’t rush to the hardcore. It lets Susan still believe she’s the good guy for a bit. She thinks she’s just “investigating” Doom, helping the world, being responsible. Then he starts playing with her invisibility in the most perverted ways. Ordering her to suck him off while she’s half invisible, so only her lips and tongue are visible wrapping around his cock, the rest of her fading in and out like she’s glitching from shame. There’s this one scene where he makes her hide under a table while a big diplomatic meeting goes on above, and her job is just to keep him hard with her mouth the whole time. The camera keeps jumping from the stone serious political chat to her swollen, stretched lips working on him under the armor. That moment stuck with me more than the flashy stuff, honestly. It’s the casual way he treats her like a background function now, like breathing or blinking.

Then the game remembers there are other heroines to break and just casually drops Scarlet Witch into the mess, like “oh yeah, magic slut, forgot about her.” Wanda starts as this smug powerhouse, acting like she’s above his tech, and two scenes later she’s helping him train Susan, rewriting her own morals while he rewrites her body. When they both end up on their knees, trading his cock between their mouths, Wanda using her powers to hold Susan’s hands behind her back so she can’t even stop herself from pushing deeper, it’s completely degenerate in the best way. Anal stuff hits harder than I expected too; Doom doesn’t go straight for brute-force pain, he makes it a reward, a “promotion” in his twisted little company. The first time he takes Susan’s ass, he does it on a balcony overlooking his perfect city, making her watch the peaceful streets while he grinds her open, whispering how this is what real stability looks like: her bent over, his cock buried in her, invisible or not, everyone beneath them belonging to him. It’s not subtle, it’s not romantic, it’s just cynical, nasty corruption porn with capes, and it works way better than it has any right to.

Elly shows up at Meridian Heights thinking she’s just a shy redhead with a scholarship and a big campus to get lost in, and the game kind of laughs at that idea from the first scene. It starts slow and chill, more like some slice of life VN than a porn sandbox, with her wandering around dorms and classrooms, doing little errands, bumping into weirdly friendly teachers and classmates who are just a bit too touchy for a normal school. The humor hits you in those early dialogues: her inner thoughts are half wholesome, half “oh shit did he really just stare at my ass,” and it’s fun watching her pretend she doesn’t notice while the text openly calls bullshit on her. There’s this moment in the cafeteria where a guy “accidentally” brushes her thigh under the table and she tells herself it was no big deal, but the game lets you pick whether she pulls away, ignores it, or kind of leans into it. That tiny scene, more than the big ones, sets the tone. You’re not just clicking for sex. You’re basically negotiating how fast she drops her limits, how much she enjoys being teased, how much she uses her body to get what she wants, while the world quietly keeps score.

The school layout feels like a proper sandbox, even when it annoys you. You go to campus, open the map, hop between the gym, dorms, lecture halls, random corridors that exist mostly so someone can try to grope Elly when nobody is watching. Sometimes it’s hot, like that bit in the library when a professor “helps” her study and his hand just stays on her lower back longer than it should, sliding down while she tries to focus on the book. Sometimes it’s just stupid, like walking back and forth three times because an NPC only shows up in the fucking afternoon and you forget, again. The corruption vibe creeps in scene by scene: the clothes choices get shorter, her reactions to being pinned against a locker shift from shocked to secretly turned on, and the dialogue changes in small ways. One day she calls some guy a pervert, later she just calls him “bold” and smirks. You feel it most when a harmless prank turns into her letting someone squeeze her tits in a dark classroom “as payment.” It’s funny, dirty, and a bit fucked up all at once. The game never really pretends she’s safe, but it also lets her own it if you push her that way. And when she cracks a joke about how many “extra credit” offers she’s getting, while you send her right back into that same corridor where everyone seems to grab her ass, it hits that specific porn game sweet spot: you know exactly what you’re doing to her and you still click the next option.