You play a guy who has everything on paper and absolutely no control over his dick. Money, status, fancy place, whatever… but your cock only cares about four women who treat you like a chew toy. And not even a respected chew toy. The game really leans into that “you are property” vibe. Not in a fake way, in a “yeah, you’re going to say thank you for getting kicked in the balls” way. It’s built like a straightforward visual novel, but it feels more like a long research project into how far one brain can go with chastity, denial and humiliation before something important snaps. I tried to track all the paths in a Google Sheet, with flags for “got pegged,” “got locked,” “got called a good girl,” etc., and the sheet looks like a crime scene now. Which is good. Or terrible. I’m still deciding.

Each mistress hits a different corner of the masochist brain. One of them handles you like a bored accountant ticking tasks off a punishment list. Another one plays the sweet sadist, kisses your forehead, then sits on your face and uses you as breathing furniture while teasing that you’ll never cum again. There is a strict one that goes hard on chastity and denial, every line from her feels like you’re being downsized from man to toy, and the feminization route where she slowly swaps your clothes, then your pronouns, then your dignity. It’s not just “you wear panties now, lol.” There are full sequences of dressing you, posing you, forcing you to call yourself a sissy while she checks if you leak from the cage when she presses a plug inside you. The writing sometimes reads a bit clunky, but the tone is sharp enough that it doesn’t matter. Actually, the slightly broken English in some lines kind of fits, like your brain is glitching from too much edging.

The structure is simple at first, then turns into this maze of bad decisions. There are training sessions where you pick how obedient you act, and the game remembers. Choose to resist a bit, she might step harder on your chest and lock you longer. Choose full submission, you get called a good girl and humiliated in public. There are denial branches where you think “this has to be the time she lets me cum” and instead she wipes your pre off her boot on your lips and laughs. I had a spreadsheet formula trying to predict which choices open the harshest femdom scenes, and it still missed a couple of secret humiliation CGs because I was too obedient in the early scenes. That pissed me off more than anything. Also, the skip function sometimes jumps over a line I actually wanted to read, and now I will die angry about that. The game loves anal and feet and uses both as tools of control: you get pegged while locked, you lick sweat off heels after being forced to parade in a dress, you get told your dick is useless and your ass is what matters now. If you are into being reduced, feminized, used and laughed at by a small personal harem of cruel mistresses, this feels less like a “sexy story” and more like slow, statistical character assassination. In a good way. I think.

Playing Doomation feels like someone took a Marvel comic and decided "fuck it, let's make Doctor Doom get his ass kicked and then team up with a horny witch." The whole setup is wonderfully ridiculous - our metal-masked villain goes from world-conquering badass to basically starting over from scratch, which honestly makes for better character development than most AAA games manage. When Ratri shows up with her ancient Dominium powers, the dynamic shifts into this weird power struggle where you're never quite sure who's really in charge.

The comic book aesthetic works surprisingly well for what's essentially interactive porn with a revenge plot. Each scene transitions with these panel-style cuts that make you feel like you're flipping through some underground comic your older brother would've hidden under his mattress. The domination themes play out through both the story beats and the explicit content, though sometimes the power dynamics get confusing when Doom's supposed to be the master manipulator but keeps getting outmaneuvered. The witch character has this whole seductive-but-dangerous thing going on that actually feels genuine rather than just "sexy lady in revealing outfit." Her magic corruption scenes are where the game really shines - there's this gradual transformation element that builds tension better than just jumping straight to the hardcore stuff.

What caught me off guard was how much the narrative choices actually matter. You're constantly deciding whether to lean into Doom's tactical approach or let Ratri's more chaotic magic take the lead, and these decisions genuinely affect how the sexy scenes play out. The revenge plot gives everything a darker edge that elevates it beyond typical fantasy smut. Sure, the dialogue can get a bit campy, but that's probably intentional given the comic book inspiration. The partnership between these two megalomaniacs creates this twisted chemistry where their shared hunger for domination becomes both the driving plot force and the sexual tension that fuels the steamier moments.

Goblins losing a war and running away with their tails between their legs is already funny, but here it turns into something really filthy, really fast. You start with this tiny bunch of ugly little bastards in the middle of nowhere, no loot, no weapons worth shit, no hope, just horny rage and a half burned camp. They’re pissed, they’re mean, and the only actual “resource” they care about is soft human flesh. So the whole story grows from that: these losers trying to claw their way back to power by grabbing every woman they can get their grubby claws on, breaking her will, fucking her stupid, and using her as breeding stock like some kind of perverted livestock farm. It sounds harsh on paper, yeah, but the game is honest about it. There’s no fake romance here, no “maybe she secretly likes it” nonsense, just raw domination, harassment, groping in dark corners, forced service in muddy tents, and the goblins laughing in the background while her dignity hits the floor.

What caught my fanfic brain is how it feels a bit like someone took the usual “hero saves the village from monsters” fantasy and wrote a filthy bad ending, then said “ok, now that bad end is the canon timeline”. Women who would be noble heroines in some JRPG get dragged half naked through the dirt, tied up like trophies, then slowly corrupted until you can send them back out to lure more victims. One moment you see a captured warrior still threatening the goblins, and a few scenes later she’s on her knees, drooling around a fat green cock in her mouth, eyes glazed because her ass just got wrecked from behind. The animated scenes lean into that humiliation vibe a lot: goblins slapping tits, grabbing hair, spitting, using her throat like a toy while another one stuffs her pussy and pumps a thick creampie into her, then making fun of her for “enjoying” it when she shivers. Sometimes the camera lingers too long on the same angle and it feels a bit janky, but weirdly that rough look fits the whole dirty goblin den mood. You’re not in some shiny palace; you’re in a stinking breeding pit where moans mix with goblin giggles.

Pregnancy and breeding isn’t just flavor text either. There’s this nasty thrill when you watch a proud paladin get used again and again until the game flat out tells you she’s knocked up, carrying goblin spawn. Later scenes show her more submissive, clothes ripped for easy access, belly starting to show while they still use her mouth and ass like nothing changed. It reminds me of fan endings where the “defeated heroine” keeps visiting the monster lair because her body is ruined for normal life, except here you’re the one pushing her down that slope on purpose. Anal is never treated like a special romantic thing, just another hole to claim. Sometimes they don’t even bother with prep, they just shove in and enjoy her pained scream, then ride it out until she’s whimpering and twitching. Honestly some of the oral scenes were hotter for me: being forced to swallow, getting face fucked until tears and drool smear all over, that kind of total control. If you like corruption, take your time, don’t rush. Let the same girl appear in multiple scenes, watch how her expressions change, how her pride slowly breaks. Play with the pacing a bit and you’ll squeeze way more out of every dirty little animation than just “click, cum, skip”.

Lena’s voice keeps ringing in my head even after I closed the tab - like an echo that’s not really hers, but mine. She’s drawn to disaster, that much is clear. I kept thinking she’d make a “good” choice, but the game doesn’t reward good. It teases it, then smothers it under sweat and half-whispered apologies. That scene in the cheap motel room (yeah, the one with the red sheets that keep sliding down her thighs) hit weirdly hard. I wanted to laugh, but I didn’t. Ian’s dialogue there, when he asks if she *feels anything at all* - it’s not written like porn, it’s more like he’s daring her to stop pretending. And then you realize the game’s been daring *you* the same way for the last hour.

There’s a rhythm to the choices, like breathing too fast and then stopping. One moment you’re talking about dreams and gigs and paying rent; next, you’ve got Lena on her knees, warm breath fogging up the screen. The blowjob animation isn’t even the point - it’s how she looks up after, like she’s trying to find meaning in it. I swear that little pause before she wipes her mouth says more about her than any of the branching dialogue trees. But still, there’s something sloppy about the transitions - like it’s all too aware of what it’s supposed to turn you on with. I got annoyed once because the text box covered her chest at the exact wrong time. Then I forgot I was annoyed when she bit her lip and said his name wrong on purpose. Some games talk about corruption; this one feels sticky with it, uncomfortable in a way that makes you stay longer than planned.

By the time the threesome scene rolled around - Lena, the redhead, and Ian with that smug smirk - I’d stopped trying to make moral choices. You just click and watch the mess unfold. It’s romantic and ugly and kind of beautiful in its own broken rhythm. Like you shouldn’t be watching, but you keep doing it anyway because there’s something too human about all that skin and guilt tangled together.