Victor runs this filthy little tavern where the beer is basically background noise and the real menu is the girls. It all looks pretty normal on the surface at first, like any fantasy inn in those generic RPGs, wooden tables, drunk idiots, that kind of thing. Then you start poking around the back rooms, into the “training” areas, and suddenly it’s less about ale and more about how far you can push some poor blonde barmaid who thought she was just here to serve drinks. You’re not babysitting them or slowly teasing them over a hundred days, you’re just taking control and testing how much humiliation they can swallow before they break and start enjoying it. One minute you’re deciding prices for a special “service”, next minute you’ve got a shy girl on her knees under a table while a noble tries to pretend he’s still classy. It’s very honest filth. No fake romance padding, no “oh no I’m innocent” for ten hours, they start cracking fast, and that’s kind of the hook.

What I liked is how your choices feel petty and cruel in a small, believable way. Like, you’re not some god of the world, you’re just a bastard with a tavern key and too much free time. You decide if that blonde barmaid gets the cute outfit or the one that shows basically everything, and the game quietly tracks how ashamed she is when you send her out like that. You can drag her into the storeroom to “explain” what special attention rich customers expect, and it’s not some fade to black, you get clear CG of her biting her lip, eyes wet, still trying to keep dignity while you grab her by the hair and make her practice. There’s this one scene where you tell her to entertain a full table alone, no help, and every time she comes back to you she looks a little more broken, makeup smudged, clothes slipping, but also a bit more obedient. The art sells that so well that I actually paused a couple times, not because it was too much, more because it was exactly the right amount of mean. Then of course I sent her back anyway. I’m not proud. Actually I am.

The funny thing is the tavern management part is almost boring if you look at it from “normal game” eyes, but here it just works as a reason to keep degrading your staff. Money in, money out, upgrade this room so more drunks can watch a girl get used on a stage in front of everyone. You juggle which girl you push harder, who gets more humiliating tasks, who has to kneel next to the bar and service whoever drops enough coins. The fantasy world outside barely matters, it’s all about your little pocket of vice. The domination angle feels very intimate, sometimes almost too close, like when you force a desperate girl to thank you for using her, and the CG catches that exact second her fake smile turns into real, dirty excitement. I kind of hate how much that stuck in my brain. There is one tiny thing that annoyed me: a character kept fixing her hair in every damn scene and I started watching that instead of the actual sex, which is ridiculous, but then again it also made her feel like a real nervous wreck trying to look “presentable” while her throat is already sore. Anyway, this is not a gentle corruption story, it’s more like running your own pervert factory where shame is just another resource you squeeze until there’s nothing left.

This one hits that weird spot between horny soap opera and shady crime story, and somehow it works way better than it should. You’re playing this nice-on-surface Yamaguchi husband, but honestly he’s a total piece of shit in the best hentai way. Two families, both freaking out about babies, one guy shooting blanks, one woman with issues, and instead of just going to a clinic like normal people they cook up this “share the dick, share the kid” plan. It sounds dumb when you say it out loud, but inside the game it feels like those old VHS hentai plots where everyone is pretending to be noble while thinking only about who they want to fuck next. The whole “be the wife’s boyfriend” idea is pushed hard: you’re not just knocking up some random MILF, you’re creeping into her daily life, her bed, her phone, her head. One moment she’s a polite housewife pouring tea, next moment she’s choking on your cock, drool on those perfect fake-ahegao lips, and you realize, ah, ok, that’s why this is a mobile game and not on Google Play.

What I like is that the story actually tries. It’s not just click, boob, click, pussy. You get text messages, late-night calls, that slow corruption feeling. She starts off stiff and formal, then the outfits get tighter, the eye contact lasts longer, she “accidentally” brushes your thigh, and before you know it she’s riding you in the room next to her sleeping husband, whispering “don’t make noise” while clearly trying to make you blow in her raw. The 3D CG is that specific horny-asset-store style: big boobs with gravity that kinda makes sense but kinda doesn’t, thick asses tailor-made for doggystyle close-ups, and faces that go full ahegao in a way that would be cringe in anime but here just feels filthy. Scenes don’t stop at vanilla either. There’s a proper femdom mood sometimes, especially when she flips from shy to controlling, sits on your face, presses her foot on your chest, makes you lick her toes clean before even letting you touch her nipples. Footjobs, handjobs under the table, sloppy oral with deepthroat gag sounds, those “I’m married, this is wrong” lines while she’s begging you to cum inside, all that classic pixel-brain porn logic. You even get those interracial vibes when they throw in darker-skinned characters and treat you like the dangerous outsider, which fits the whole blackmail angle that quietly builds in the background. Netori fans will grin, because you’re not getting cucked here, you’re the one screwing up the other guy’s life, taking his wife, maybe his future child, and somehow the game still pretends there might be a happy ending. Plot keeps teasing thriller stuff, like people getting suspicious, doors almost opening during a blowjob, messages from unknown numbers, the kind of tension that makes you keep one hand on the mouse and one on your dick, then forget which one was supposed to be doing what. It’s messy, horny, sometimes stupid, sometimes weirdly emotional, and feels exactly like something you’d hide behind other apps on your phone and swear you only play “for the story” while her big tits bounce on screen for the tenth time in a row.

You start as this ex–special forces guy who suddenly feels completely useless, which is kind of funny because he’s ripped, trained, all that macho stuff, and then some slime girl with tits bigger than his head just shrugs off rifle fire like it’s nothing. The world is getting chewed up by these dungeons that keep popping open like zits, monsters spilling out, magic everywhere, normal logic out the window. Then the whole “Awakened” thing kicks in, and he basically goes from soldier to magic freak with a hard-on, trying to clean up the mess in a way the army never trained him for. It’s not a heroic story in the usual sense, more like: “okay, the planet is screwed, might as well fuck my way through the problem while I’m at it.” The game leans into that. You go from room to room in these dungeons, talking to girls who really should be your enemies, but somehow they’re all stacked like hentai convention mascots and have faces that melt into ahegao the second your clothes come off.

The tone is weirdly calm at first. There’s this slow pace where you wander around the hub, poke different events, check who’s hanging out where, and it feels like a chill fantasy sandbox with magic and politics and people coping with monsters at the door. Then you stumble into a chamber and you’re suddenly pinning a demoness with wings and a ridiculous ass against a wall, stuffing her full until she’s moaning with that over-the-top tongue-out expression. The scenes are animated just enough, with these 3D-style CGs that loop and shift angles, and the dev is clearly horny for big breasts because every woman looks like gravity is just a suggestion. I like how the dungeon itself is part of the story, not just a corridor to spam fights. You discover weird rules, like doors that only open if you “satisfy” the guardian, or a cursed room that turns a regular battle into a domination scene where she tries to ride you into submission, then ends up getting creampied so hard the magic seal breaks. It’s stupid, but in a good way. And the facial detail when they hit that ahegao point? Uncomfortably good.

The slow-burn parts shine the most. Talking to a monster girl you fought last time and now she’s in your base, pretending she’s there against her will, while clearly waiting for you to take charge again. You learn bits of how their world connects to ours: some of them were human, some were born from the dungeon itself, and everybody’s sort of stuck in this war where sex and power are completely tangled. Couple of times I wished the UI didn’t hide the damn interaction spots in the hub because I spent like ten minutes circling around a tavern just to trigger one scene with a sorceress whose robe doesn’t even pretend to close over her boobs. That annoyed me and then I forgot because the next thing was her bent over a magic circle, gasping while you pump her full, white dripping all over the glowing runes. The domination angle is nice too, since you can play the protagonist as someone who enjoys having control in bed, even when the girl is technically a monster who could snap him in half. The writing isn’t “high literature”, but honestly it fits. Feels like reading a horny webnovel where the author really likes describing asses, and bodies, and that moment right after the creampie where her belly twitches and she pants and stares at you like “again?” and you’re like, yeah, obviously.

Briggs is absolutely the worst little bastard to put in charge of “bringing justice” to a kingdom, which is exactly why it works. The game throws you into this royal court where the queen is this insanely hot, thick-hipped tyrant with huge tits, zero patience, and even less modesty once you start messing with her. At first she’s all proud female warrior energy, barking orders, talking down to goblins and knights like they are trash under her heels. Then your goblin brain starts turning and you realize the whole palace is basically one big toy box for humiliating her in public. You sneak around, spy from keyholes, watch her bathe, catch her getting dressed, push little pranks that start as “haha funny” and end up as “why is the queen on her knees in front of half the guard with cum on her face.” The escalation is the fun part. It’s not just suddenly hardcore. It slowly slides from teasing and groping to straight up group sex in the throne room, while everybody pretends this is “discipline for the good of the realm.”

What I really liked is how many scenes are focused on her losing status, not just getting fucked. You’re not just clicking through sex, you’re orchestrating her fall. One moment you convince a knight to “check her armor fit” and the guy ends up with both hands buried in her chest plates, squeezing her huge tits while she tries to keep royal composure. Next moment, some noble walks in, sees her bent over a table with a goblin hand under her skirt, and instead of stopping it, he joins. Half of the time you’re basically a pervert director of a humiliation play. Voyeur scenes where Briggs hides behind curtains and you get full view of the queen, flushed and panting, trying to pretend she’s still in control while goblins grope her ass and spread her thighs for everyone to see. And when monsters show up? The tone shifts to this brutal fantasy corruption where big, ugly things pound her hard enough that her expression changes from rage to this broken, wet, “more” look. There’s a scene where she ends up mounted by a beast in the royal garden while the court watches, and by the end she’s begging to be filled, creampies dripping down her legs and into the grass, and everyone just laughs like it’s a show. It’s fucked up, it’s funny, it’s horny, and it never really pretends to be something noble. She starts as a proud warrior queen, she ends as the castle’s favorite toy, and somehow the goblin feels like the only honest one in the room.