Playing Doomation feels like someone took a Marvel comic and decided "fuck it, let's make Doctor Doom get his ass kicked and then team up with a horny witch." The whole setup is wonderfully ridiculous - our metal-masked villain goes from world-conquering badass to basically starting over from scratch, which honestly makes for better character development than most AAA games manage. When Ratri shows up with her ancient Dominium powers, the dynamic shifts into this weird power struggle where you're never quite sure who's really in charge.

The comic book aesthetic works surprisingly well for what's essentially interactive porn with a revenge plot. Each scene transitions with these panel-style cuts that make you feel like you're flipping through some underground comic your older brother would've hidden under his mattress. The domination themes play out through both the story beats and the explicit content, though sometimes the power dynamics get confusing when Doom's supposed to be the master manipulator but keeps getting outmaneuvered. The witch character has this whole seductive-but-dangerous thing going on that actually feels genuine rather than just "sexy lady in revealing outfit." Her magic corruption scenes are where the game really shines - there's this gradual transformation element that builds tension better than just jumping straight to the hardcore stuff.

What caught me off guard was how much the narrative choices actually matter. You're constantly deciding whether to lean into Doom's tactical approach or let Ratri's more chaotic magic take the lead, and these decisions genuinely affect how the sexy scenes play out. The revenge plot gives everything a darker edge that elevates it beyond typical fantasy smut. Sure, the dialogue can get a bit campy, but that's probably intentional given the comic book inspiration. The partnership between these two megalomaniacs creates this twisted chemistry where their shared hunger for domination becomes both the driving plot force and the sexual tension that fuels the steamier moments.

Doom finally stops playing the Saturday morning cartoon villain and starts doing the dirty work everybody always joked he was doing off screen. "Behind the Doom" is basically what happens when a control freak supergenius decides world domination is fine, but ruining Susan Storm’s life from the inside out feels a lot better. It’s a slow burn kind of filth. At the start he’s showing off his shiny Latverian utopia, talking like some tech bro on a TED talk, pretending he cares about peace and progress. Underneath that armor he just wants one thing: Susan kneeling between his legs, wedding ring and heroic ideals both slipping off at the same time. You go from stiff political speeches to her staring up at him with drool on her chin and mascara running, and it somehow feels like a natural career path.

What I liked is that the game doesn’t rush to the hardcore. It lets Susan still believe she’s the good guy for a bit. She thinks she’s just “investigating” Doom, helping the world, being responsible. Then he starts playing with her invisibility in the most perverted ways. Ordering her to suck him off while she’s half invisible, so only her lips and tongue are visible wrapping around his cock, the rest of her fading in and out like she’s glitching from shame. There’s this one scene where he makes her hide under a table while a big diplomatic meeting goes on above, and her job is just to keep him hard with her mouth the whole time. The camera keeps jumping from the stone serious political chat to her swollen, stretched lips working on him under the armor. That moment stuck with me more than the flashy stuff, honestly. It’s the casual way he treats her like a background function now, like breathing or blinking.

Then the game remembers there are other heroines to break and just casually drops Scarlet Witch into the mess, like “oh yeah, magic slut, forgot about her.” Wanda starts as this smug powerhouse, acting like she’s above his tech, and two scenes later she’s helping him train Susan, rewriting her own morals while he rewrites her body. When they both end up on their knees, trading his cock between their mouths, Wanda using her powers to hold Susan’s hands behind her back so she can’t even stop herself from pushing deeper, it’s completely degenerate in the best way. Anal stuff hits harder than I expected too; Doom doesn’t go straight for brute-force pain, he makes it a reward, a “promotion” in his twisted little company. The first time he takes Susan’s ass, he does it on a balcony overlooking his perfect city, making her watch the peaceful streets while he grinds her open, whispering how this is what real stability looks like: her bent over, his cock buried in her, invisible or not, everyone beneath them belonging to him. It’s not subtle, it’s not romantic, it’s just cynical, nasty corruption porn with capes, and it works way better than it has any right to.