Celica looks like one of those anime mages that would normally be a side character, but here she just owns the whole place and also somehow loses her clothes every five minutes. Town of Magic feels like someone mashed together a comfy little fantasy RPG and a horny fever dream, then forgot to add any shame. You wander around this cute pixel town, click on random stuff, poke your nose in places you probably shouldn’t, and the game basically answers: “oh, you wanted horny?” every second screen. It starts fairly soft, just teasing, some groping here and there, but the moment a slime girl or tentacle monster gets involved, things escalate so fast it’s almost funny. Half the time I was like “ok, this is too much” while also clicking the next scene instantly.

The mix of point & click wandering and turn-based fights is weird in a nice way. You’re chatting with girls at the inn, flirting with some suspiciously friendly witch, then suddenly you’re in a struggle where every failed move means Celica’s outfit gets shredded a bit more. It’s not just a simple game over either. Enemies grab her, pin her, clothes rip, the living outfit sometimes joins the fun instead of helping, and if you fuck up, you end up possessed or wrapped in things that have way too many tentacles. That combat struggle stuff is where the game actually feels kinkier than it has any right to, because it gives you this slow “oh shit, I’m losing control” vibe instead of just jump cutting to porn. One time I misclicked during a slime fight on my phone while half distracted with Spotify and suddenly Celica is swallowed from the waist down and the only thought in my head was “ok, this is absolutely someone’s favorite thing ever.” And then I replayed it on purpose, so, yeah.

The funniest part is how the town itself pretends everything is normal. You’re this female mage, constantly molested by monsters, half naked, maybe half possessed by some horny entity, and the NPC girls are still like “oh hey, wanna check the forest today?” as if tentacles aren’t a scheduled weather event. The yuri angle is all over the place, too. A lot of scenes are just girls with girls, or monsters that clearly “count as girls for the plot,” if you know what I mean. Some of the best bits are when another girl ends up tangled together with Celica, both of them getting pushed around by living clothes or slimy things, and you’re just sitting there thinking “ok, I did not plan for this combo, but I’m not complaining.” At the same time, yeah, sometimes events are too cryptic, like “walk here on this weird timing or no sexy scene for you,” and I caught myself alt-tabbing to Discord and grumbling while trying again. But when it actually clicks and you trigger a long animated scene where Celica is half fighting, half giving in, with her outfit slowly betraying her, it hits that very specific fantasy of being the cute mage who went out to grind XP and ended up getting thoroughly “grinded” instead. The game is rough in spots, like someone kept adding more and more kinks instead of polishing the old ones, yet that’s exactly why it feels kind of personal and stupidly charming. It’s messy, horny, lesbian as hell, full of monsters that want to grope you into submission, and the clothes are absolutely not on your side.

Torn from the fiery pits of hell, Alister the demon lands in a bewildering new realm. Thrown into chaos by a botched summoning ritual, he becomes entwined with unlikely allies. Izaak Akeem, a disgraced prince burdened by the weight of his conservative kingdom, recruits Alister for a dangerous hunt. Alongside them is Alek Fizzlewizzle, an ex-thief turned charming bard and cunning gnome, whose past secrets fuel their journey.

Their goal is as treacherous as it is urgent: track down a dangerous warlock branded insane and loose upon the land. Mirthful: Glory Days dives deep into their intertwined stories, exploring lust, danger, and fierce loyalties.

Every choice you make pulls you closer into their lives, revealing secret desires, hidden fears, and explosive confrontations. With hand-drawn 2D art that captures every smoldering glance and gritty shadow, the world feels alive and dangerously inviting.

Whether you crave tender intimacy or bold, unabashed encounters, this queer, BL visual novel is rich with bara and traps themes, offering diverse expressions of desire. Powered by Ren’Py, Mirthful: Glory Days delivers a seamless blend of story, choice, and adult content that will grip you until the final frame.

Dare to summon fate and follow Alister, Izaak, and Alek across a realm teetering between salvation and ruin, where every whispered promise and clashing sword fuels a fierce, insatiable hunger.

This thing is basically fanfiction that got drunk and horny and forgot what “respecting the source material” means. You’re Fafnir, yeah, that grumpy dragon nerd, but here he’s not just hoarding games. He’s hoarding control. You’re poking into the bodies and minds of the girls from Miss Kobayashi’s Dragon Maid and then some extras from other shows too, like someone left the multiverse door open and you just wandered in with a curse book. The vibe is: visual novel, click through scenes, pick a line, watch the girls slowly stop being themselves and start being exactly what your pervy little dragon brain wants. It uses AI CG so sometimes a shot looks almost too pretty and then you notice a weird finger or strange angle and your brain goes “huh” for half a second before going right back to staring at thighs. It’s messy, but in a way that kinda fits a curse story. Nothing here feels gentle. You’re not romancing, you’re breaking people down and repainting them inside their own heads, and if that sounds fucked up… yeah, it is. The game knows it, and it doesn’t really care.

The mind control stuff is not subtle at all. You curse, you tweak, you watch them crack. Tohru trying to stay loyal to Kobayashi while your influence slides into her thoughts is lowkey the best part. She’s smiling, saying her normal cute maid lines, but the text starts sneaking in things like her clenching her thighs or her hands hovering too long on places she shouldn’t touch. She tells herself she’s doing it for Kobayashi, serving her better, but it’s obvious she’s being rewired into your perfect toy. There’s a scene where you push her to “practice” seduction so she can surprise Kobayashi later, but every choice is actually making her more addicted to your magic and less able to say no. It’s twisted and horny and kind of pathetic, in a good way. Then you jump over to Kanna and the tone whiplash hits. She’s smaller, cuter, and the game leans hard into teasing and “innocent” obedience that is absolutely not innocent. She starts out pouting and stubborn, and after some curse adjustments she’s just quietly doing what you say, blushing and asking if she was “a good girl” while you mess with her body like you’re tuning a character in a creator app. I honestly spend too long just staring at how the lighting hits her legs in one CG and got annoyed because there’s this tiny artifact on her knee I couldn’t unsee. Still clicked through, obviously. Then you’ve got stuff with Power randomly showing up like someone mashed Chainsaw Man into the wrong folder, and instead of fixing it the dev just rolled with it. She’s loud, rude, and super easy to corrupt, which fits weirdly well. She hates being told what to do, so naturally the curse turns her into the kind of girl who begs to be ordered around, and by the time she’s grinding on a chair because you told her she can’t touch herself yet, she’s basically a dog chasing its own tail.

The best part is when the game pretends it’s about romance for a few lines. Fafnir suddenly gets almost poetic with Makoto Takiya, talking about “human attachment” while he’s literally using curse magic to make the girls obsess over him. It reads like those cringy Discord DMs where someone tries to sound deep before sending a dick pic. There’s also a running thing with sexual harassment that is just treated as normal here. You tell them to “act more friendly” and the next scene they’re rubbing against you in public, clothes riding up, people around kind of existing but not really mattering. The choices are often like: “push her further,” “push her even further,” or “pretend to be gentle while pushing her further anyway.” No moral out. Not even pretending. The parody angle is strong in how it pulls characters from everywhere and shoves them in the same cursed sandbox, but it never slows down to explain the lore properly, which I kinda liked. It feels like browsing a bunch of horny Twitter fanart threads at once, except here you get to decide exactly how broken their minds end up. And sometimes the CG glitches a bit or the proportions look a bit off, but that almost makes it feel more like some forbidden game you shouldn’t be playing, instead of polished merch. I tried screenshotting a scene with Tohru kneeling, looking up, her eyes half-gone from the spell, and my capture app lagged right at the good frame. Still mad about that.

You’re stuck on night duty in a shitty little goblin prison camp, tired, bored, staring at torchlight and wooden fences, when this gobbo girl starts talking to you from her cage. That’s the whole vibe of the game: very small, very focused, kind of like reading a horny short story where you’re the idiot making the choices. It’s first person in the “inside your head” way, not like some twitchy shooter. You’re just standing there, listening to this green, sharp toothed, weirdly cute prisoner flirt with you, tease you, and slowly figure out what kind of guard you actually are. She doesn’t feel like a normal “monster girl” either. She’s got this mix of trashy goblin energy and weirdly sweet moments, like she’s trying to decide if she wants to fuck you, scam you, or both at the same time.

The erotic part hits harder because the whole place feels wrong. The camp is quiet, but not peaceful. You have that creepy feeling that there’s way more going on in the dark than the game tells you outright. Torches, shadows, distant noises, that sort of low-key tension. While you’re talking with her, you’re also thinking “If someone walks in on this, I’m fucked” and not in the fun way. The conversation slowly drifts from small talk to her asking questions about your body, your “meat”, your morals, making you pick if you’re a hard-ass guard or a pervert in uniform. She leans against the bars, presses herself out just enough, talks filthy in that goblin slang, and the game lets you actually decide how far you go with it. You can let her grind against you through the bars, listen to her describe what she’d do if she got her hands free, or you can do the pathetic thing and pretend you’re just “being professional” while your cock is clearly not on the same page. There’s romance in it, kind of, but in that messed up “is this affection or manipulation” way. You can feel a tiny bit of real connection under all the dirty talk, which almost makes it worse.

What I liked is that it doesn’t drag. It’s short, like one nasty little evening shift, so every choice feels heavier. You don’t spend half the game walking around, you’re just stuck at that fence, trapped in this strange, horny conversation with a monster girl who is a hundred percent smarter than your character. It really plays with that survival headspace too, not with hunger bars and shit, but survival of reputation, survival in a brutal camp where being soft gets you punished. You’re thinking “If I help her, what happens later? If I use her, what does that say about me?” Then you forget that and just think with your dick for a bit. The creepy tone creeps back in between the lewd lines, like when she laughs a little too long at something, or when she hints what goblins do to captured humans. It’s sexy, uncomfortable, funny in a dark way, and it ends before it gets boring, which in this genre is honestly rarer than a pure-hearted goblin.