Two idiots, one cursed castle, and way too many horny monsters. That’s basically the vibe here. You follow Fumdux and Kirin, two guys who were supposed to just grab some boring plant for a potion job and go home, but instead they stumble into this old, rotten-looking fortress that somehow no one has ever noticed before. The path behind them literally vanishes, so they’re stuck inside, and from there it just gets weirder and dirtier. You wander the halls as this sarcastic male protagonist, poking around crumbling rooms, slime-filled dungeons, and quiet courtyards where the quiet is just waiting to jump you. One minute you’re checking a dusty bookshelf, next minute some half-feral beastman has you pinned against the wall, teeth against your throat, asking if you’re going to obey or scream. The game doesn’t pretend to be cute about it either. When it goes into domination stuff, it really leans in. Rough oral, deep anal, that whole “you’re mine now” thing, with the protagonist giving as good as he gets when he has the upper hand. There’s fur, claws, fangs, scales, all mixed with sweat and cum and a lot of dirty talk that actually feels like someone horny wrote it, not some sanitized script.

The castle itself works a bit like a sandbox maze. You don’t just walk a straight line and watch scenes. You poke into wings you probably shouldn’t, unlock doors you regret, bargain with creatures that smell blood on you and get more interested the more you struggle. One corridor has these statue-like monster girls, all stone tits and claws, and you’re thinking “ok, obvious trap”, but you still touch one of them because of course you do, and suddenly you’re on your knees, her stone tail locking around your throat while a voice in your ear is promising to “break in the human toy”. Another area is a dark forest inside the walls, with glowing mushrooms and eyes watching from the trees, and it turns into this slow, creepy chase that ends in a clearing where the hunter decides your ass makes a better trophy than your head. The horror angle never fully disappears, even when stuff is hot. There’s always that feeling you’re just meat in someone’s den, and half the fun is deciding whether you’re the one doing the dominating this time or whether you’re going to get bent over a broken altar and pounded until you forget why you came here in the first place. In between, you’re still trying to figure out how the hell to escape, but every time you get closer to a way out, the castle offers you another filthy distraction, like it knows exactly what kind of degenerate you are. By the time you finally see daylight again, assuming you even want to leave, you’ll have been used, stuffed, teased, and worshipped by monsters who treat you as pet, master, or both, depending on how you play it.

It’s weird how this game feels like two different fever dreams stitched together with duct tape and a dirty laugh track. One minute you’re dealing with a spoiled princess who thinks she’s too good for your commands, next you’re in a dusty classroom trying to make a witch blush while pretending you’re not the worst kind of pervert. The whole thing runs like someone dumped Aladdin and Harry Potter fanfics into a blender, hit “liquify,” then forgot to clean the blades. I mean that as a compliment. Mostly. There’s something strangely addictive about watching these characters slide from pride to obedience, like watching a tower of cards collapse in slow motion while you whisper filth into the wind.

And yeah, the art - old-school 2D, a bit grainy at the edges - somehow makes it hotter. You notice every smirk, every drop of sweat, every time the princess rolls her eyes before giving in. The witch, though… she’s the real trip. The game makes her crack little by little, until she’s doing things she’d hex you for even thinking about. There’s this one scene with a mirror spell - don’t even ask, it’s messy, beautiful, wrong, and perfect all at once. I wish the sound effects weren’t so cheap, though. Like, if I wanted to hear the same “slap” noise on loop, I’d just open TikTok. But then again, maybe that janky sound is part of the charm. Makes it feel dirtier, less polished, more like something you shouldn’t be caught playing but can’t stop anyway.

Also, whoever added the management bits deserves both a medal and a slap. You’re juggling gold, obedience, lust - whatever - and it feels like running a brothel disguised as a school. Which… is exactly what it is, I guess? The tentacle stuff sneaks up on you too, not even kidding. One second you’re giving a lecture, next thing you know, it’s hentai biology class. Half the time I’m disgusted, half the time I’m grinning like an idiot. That’s the magic here: it’s trashy, shameless, and somehow still clever enough to make you question who’s really being trained. Spoiler - it’s probably you.

You wake up in this weird elf city where everyone looks flawless but the whole place is basically sexually frustrated to hell and back. No kids, no pregnancies, just a bunch of long‑lived beauties with tight clothes and fake calm smiles. And then there is you. Dude with magic dick. Not metaphor. Actual plot. Meliara, the elf mage who drags you into this, has that cold, unreadable face and those “I’ve studied forbidden magic for 300 years, now take your pants off” eyes. She talks about destiny and research and rituals like it’s some academic project, while your cock is already the center of the meeting. That mix of serious fantasy vibe and totally shameless breeding talk is what hooked me. It feels like a slow burn, but horny. She’ll stand there with her staff, cloak half open, boobs pushed together just enough to distract, calmly explaining the curse and her plan, and then she asks you how many times you can cum in one night like she’s asking what your favorite color is.

What surprised me is how much time the game lets you just exist in Libon. You’re not just jumping from sex scene to sex scene. You wander this city full of tall, smug elves, monster girls with strange curves in all the right places, older women with that “I’ve seen shit, show me if you can still impress me” attitude. There’s a dating sim layer on top of all the filthy stuff. You talk, pick dialogue options, sometimes say something stupid and piss off an elf guard with huge tits. I liked one moment where I kept teasing this proud warrior elf about her “duty to the city” and she pretended she didn’t care, then one thing led to another and she had her legs wrapped around me, nails digging into my back, telling me to fill her up “for the future of our people.” Super cheesy. I grinned anyway. The game does that a lot, mixing serious lore with completely shameless breeding talk. Sometimes it works, sometimes it’s like watching a fantasy novel strip naked and forget the plot for a while.

The lewd scenes themselves go pretty hard. Big asses pressed against you, soft handjobs turning into desperate riding, elves making those over the top faces when they finally get that thick load inside. There’s this one scene where Meliara is trying to stay in control, doing this almost clinical handjob while asking you about your stamina, and you can either play along with her “experiment” or just grab her hips and ruin her whole plan. I picked the second, obviously. Watching her expression shatter, then her insisting she “needed to evaluate the internal effect” and forcing you to finish inside, that hit that perfect mix of nerdy and filthy for me. Not everything is perfect though. Sometimes conversations drag a bit and you just want to skip straight to the part where somebody gets filled. And the way the city map works annoyed me for no real reason, like I’d always misclick the wrong area and forget what I was trying to do. But when you land in the right place, like stumbling into a quiet bath where a lonely milf elf is soaking and clearly hasn’t been touched properly since the curse started, and she pretends she only wants to “confirm your potential for the ritual” while guiding your cock between her thighs and begging under her breath for you to cum deep inside, that’s when the game really shines. If you play it, take your time with the choices, push the conversations, tease the girls instead of rushing. The payoff hits way harder when that cold, untouchable elf you’ve been flirting with for ages finally spreads her legs and tells you to breed her until the curse means nothing.

Lena’s story starts quiet and a bit awkward, like that first shift at a new job where everything smells like old paper and furniture polish. She’s this shy girl dumped into a huge, old library that feels way too big for her. The game really leans into that silence. No jumps right away, no cheap “boo.” Just you, a slow crawl through dusty corridors, and Lena’s brain slowly getting louder than any sound effect. At first she’s just shelving books, logging weird titles, trying not to embarrass herself in front of the other staff. But the place has this almost wet, sticky atmosphere to it, especially in those restricted sections where the lights flicker in that “this is absolutely unsafe” way. There are these books that feel wrong before you even open them, and the game lets you just linger on them, making you choose if Lena peeks inside or pretends she’s a good girl. Of course she peeks. The erotic stuff doesn’t slap you in the face from the first click. It creeps in at the edges of her thoughts. Tiny flashes. A phrase in a book that hits way too close. A touch from a co-worker that lasts slightly longer than it should. A dream sequence where she’s not sure if that shadow touching her is a ghost, a god, or just her own pent-up frustration trying to cosplay as a demon. All that gets tied into this subtle horror vibe, like something in that library is watching her, gently pushing her to test herself, maybe ruin herself a bit. The sexy scenes feel like you’re reading Lena’s diary after she got horny on the bus and tried to pretend she wasn’t.

The game lets you lean her in different directions with your choices, and that part caught me. You can keep her timid and flustered, or you start letting her accept what turns her on, even when it’s clearly unhealthy. There’s a moment where she reads this ritual text that mixes religious guilt with raw, filthy desire, and you get the option to stop or keep reciting. I kept going, obviously, and the way her internal monologue shifts from “I shouldn’t” to “please more” is way hotter than any random porn animation. That same scene also has a little audio glitch that made my headphones crackle like broken ASMR, which annoyed me so much I had to pause, and then I went straight back because the writing had me by the throat. Also, the queer threads are handled in this messy, human way. She catches herself staring too long at a girl from the staff, and then later the unseen presence starts mimicking that girl’s voice in Lena’s fantasies. It’s fucked up, but in that “ok, I get why she’s wet and terrified at the same time” kind of way. The horror never fully jumps out with fangs, it just keeps suggesting that maybe the thing guiding her is inside her own head, or maybe it’s some horny eldritch archivist grooming her into a new role. I kept waiting for a cheap tentacle cliché that never properly arrived, which somehow made the teasing even more frustrating. Also, her shoes make this stupid little sound on the library floor and it drove me crazy, and I still don’t know why that detail stuck more than some plot points. Anyway, it’s a slow, sticky burn, more about watching a quiet girl pull herself apart choice by choice, page by page, until she’s not sure if she’s praying, masturbating, or both.